Hand Embroidered with Resham Thread on Handwoven Tussar Silk Stole certified by Silk Mark India, this gorgeous stole is adorned with Mughal motif and dyed in Watermelon Pink colour in Azo Free Dye. A completely Ethical piece of Wearable Art that supports Sustainable Fashion & Ethical Practices.
Hand Embroidered with Resham Thread on Handwoven Tussar Silk Stole certified by Silk Mark India, this gorgeous stole is adorned with Mughal motif and dyed in Watermelon Pink colour in Azo Free Dye. A completely Ethical piece of Wearable Art that supports Sustainable Fashion & Ethical Practices.
Soothing tones of Grey Silver of the Moon, glow in this Resham Chikankari saree on Handloom Tussar Silk, touched with delicate stars of Mukaish all through.
THE SUSTAINABILITY QUOTIENT (TSQ):-
Resham Chikankari (Hand Embroidery Practised Since Ancient Age)
Mukaish Embroidery (Ancient Beaten Metal Wire Embroidery)
Hand Picked Ancient Archived Motifs
Conceptual and Exclusive Chikankari Artwork
Handspun Handloom Tussar Silk
Museum quality Chikankari sarees that can be handed down generation to generation as a treasure.
KHAYAAL (Mood-board):
The Khayal or Aatmamanthan behind keeping this collection under the name Dhanlakshmi was very clear. We wanted to make a repository of Heirloom Sarees, where we can create colours and palettes that signify the opulence of Sri Lakshmi. After successfully venturing into Gold, Silver hues, and Pearl, Firoza, Precious stones like Tourmaline, Agate hues, we wanted to include Gemstone shades.
Our lands are blessed with a variety of natural minerals and gemstones that have immense energy stored within them. Formed under the envelope of Bhoodevi's (Earth) womb, they radiate and reflect back her energy and lend them to the wearer. Our Chanderi sarees, adorned with heirloom quality Chikankari, are named after these soft and deeply spiritual stones.
Chandramani or Moonstone is a beautiful grey silver hued sometimes clear, sometimes cloudy to opaque looking gemstone. This beautiful Grey rich Chikankari Tussar Silk saree with antique quality embroidery in white Resham, is the perfect connect to that emotion with us, that resonates with carrying forward a revered Textile Tradition.
POSHAAK (About the garment):Chandramani, as the name suggests is a soothing Grey Chikankari Tussar Silk saree, that glows radiant like the soft & soothing glow of the Moon.
We decided to use White Resham embroidery on this saree, to symbolise Bela and Motiya blossoms under the soft Moon Glow in the festive months.
The signature motif used here is a lovely Floral creeper that has stunning Zari Taar Jaali stitch. Rest of the motif is done using Shadow, Ghaspatti, Chanapatti, Keel, Phanda etc. The saree has a detailed border running all through the saree, and the signature motif rests on the palla, as well as one of them also rests on the shoulder, like a brooch.
The saree is filled with little Bela blossoms in white. Stars of Mukaish add to the deeply beautiful charm of this saree. It is an unconventional colour for festive and wedding season, and yet one that will stand out gracefully, with a stately charm.
Saree is further finished with Kingri gota lace in silver, and we will also provide a 1 metre approx. running blouse piece.
Meiraas Noir Chikankari Kurta in Bold, Black hue. The Tussar Silk Kurta has some of the finest Resham Chikankari embroidery & is an outstanding piece of art.
The Sustainability Quotient (TSQ):
Old, classic motifs: The Kurta uses old classic motifs of Chikankari, away from the commercial market mores. This Flower Vase motif seen here is almost a 100 years old & has more of an English than typical Awadh touch.
Concept Work: Introduction of Noir moodboard in Chikankari, which will explore darker, deeper hues to push the design envelope further.
Sustainable fabric base - Tussar Silk
Bespoke stitching.
KHAYAL (moodboard):
Noir is a term used for dark or with darker shades. The term is typically used for moodboards in film making, however, taking inspiration from there, it has been used by Global Luxury houses for perfumes with deep notes. We always wanted to explore Chikankari outside the ambit of classic, and create more varied moodboards, of which Noir is the perfect one, to give depth to this beautiful needle art.
POSHAAK (about the dress): Noir is a Tussar Silk Chikankari Kurta in Black hue. This Kurta has a beautiful neckline of SwarnaPaatra jaali work, with Zari Taar Jaali. The front of the kurta has an old motif of Flower Vase with rare stitches & masterpiece Jaali work on one side (in place of front pocket). The same motif is present on either sleeves & back, making this one stunning & bold kurta.
The kurta is paired with Glazed Cotton pants in the same shade. It adds depth & character to classic Chikankari, & makes it a novelty, without taking away from the core essence of the craft.
Additional Details: The Kurta is Made on Order only. Please feel free to give your custom sizing (please specify body or garment sizing), in case you don't find your perfect fit in our size chart.
The Kurta will be accompanied with a pair of plain Glazed Cotton Pants in same shade as Kurta. You can choose to make a pyajama or a pant; please put this option in the customer note.
For more queries, please mark a mail on namaste@meiraas.com ; we will be happy to guide you through the process.
This Product is Made on Order
Tussar Silk catches gorgeous colours; if you wish us to dye this in a shade you prefer, please email us after you have purchased the product.If you want us to stitch your blouse with this fabric too, then after shopping for the fabric you can drop us an email at namaste@meiraas.com"Meiraas has created and re created motifs of Archival quality that speak of the heritage of this craft and the history associated around it; wearing Sarees & Suits in Meiraas Chikankari is a luxury that our patrons love to save and invest into, to create their own heritage. We also wanted our patrons to enjoy the Luxury of Meiraas Archive Quality Chikankari on an everyday or more frequent basis, or mix & match with more crafts, that is why we decided to make these beautiful statement blouse fabrics, that can be worn with any saree and on any occasion - whether workplace meetings, brunches or cafe outings, or even weddings. We hope you enjoy these Everyday Luxury pieces from Meiraas" - Vidhi Rastogi, Head of Creative, Meiraas.
The 7 petal Lotus motif is extremely beautiful and the rarest one; the motif is made with fine ghaspatti stitch, making it look ethereal. This motif will come allover on the blouse with small keel motif. The embroidery is done in same colour thread as Tussar base. Please get it fully lined when getting it stitched. It will work beautifully with most sarees as an added oomph.
Tussar Silk catches gorgeous colours; if you wish us to dye this in a shade you prefer, please email us after you have purchased the product.If you want us to stitch your blouse with this fabric too, then after shopping for the fabric you can drop us an email at namaste@meiraas.com"Meiraas has created and re created motifs of Archival quality that speak of the heritage of this craft and the history associated around it; wearing Sarees & Suits in Meiraas Chikankari is a luxury that our patrons love to save and invest into, to create their own heritage. We also wanted our patrons to enjoy the Luxury of Meiraas Archive Quality Chikankari on an everyday or more frequent basis, or mix & match with more crafts, that is why we decided to make these beautiful statement blouse fabrics, that can be worn with any saree and on any occasion - whether workplace meetings, brunches or cafe outings, or even weddings. We hope you enjoy these Everyday Luxury pieces from Meiraas" - Vidhi Rastogi, Head of Creative, Meiraas.
The beautiful miniature motif of a twig of beautiful flowers, makes Phool Manjari a rare motif; it is also a very old motif, & such miniature motifs are not crafted now. This motif will come on front & back of the blouse. This is coupled with a small keel boota on the sleeves. The embroidery is done in white on natural Tussar base. Please get it fully lined when getting it stitched. It will work beautifully with most sarees as an added oomph.
Tussar Silk catches gorgeous colours; if you wish us to dye this in a shade you prefer, please email us after you have purchased the product.If you want us to stitch your blouse with this fabric too, then after shopping for the fabric you can drop us an email at namaste@meiraas.com"Meiraas has created and re created motifs of Archival quality that speak of the heritage of this craft and the history associated around it; wearing Sarees & Suits in Meiraas Chikankari is a luxury that our patrons love to save and invest into, to create their own heritage. We also wanted our patrons to enjoy the Luxury of Meiraas Archive Quality Chikankari on an everyday or more frequent basis, or mix & match with more crafts, that is why we decided to make these beautiful statement blouse fabrics, that can be worn with any saree and on any occasion - whether workplace meetings, brunches or cafe outings, or even weddings. We hope you enjoy these Everyday Luxury pieces from Meiraas" - Vidhi Rastogi, Head of Creative, Meiraas.
The beautiful miniature motif of a twig of beautiful flowers found in the wild, makes Manjari a rare motif; it is also a very old motif, & such miniature motifs are not crafted now. This motif will come allover on the blouse. Please get it fully lined when getting it stitched. It will work beautifully with most sarees as an added oomph.
Tussar Silk catches gorgeous colours; if you wish us to dye this in a shade you prefer, please email us after you have purchased the product.If you want us to stitch your blouse with this fabric too, then after shopping for the fabric you can drop us an email at namaste@meiraas.com"Meiraas has created and re created motifs of Archival quality that speak of the heritage of this craft and the history associated around it; wearing Sarees & Suits in Meiraas Chikankari is a luxury that our patrons love to save and invest into, to create their own heritage. We also wanted our patrons to enjoy the Luxury of Meiraas Archive Quality Chikankari on an everyday or more frequent basis, or mix & match with more crafts, that is why we decided to make these beautiful statement blouse fabrics, that can be worn with any saree and on any occasion - whether workplace meetings, brunches or cafe outings, or even weddings. We hope you enjoy these Everyday Luxury pieces from Meiraas" - Vidhi Rastogi, Head of Creative, Meiraas.
The wholesome miniature motif of Mango resting upon Mango leaves, makes Aamra Patta a rare motif; it is also a very old motif, & such miniature motifs are not crafted now. This motif will come on front & back of the blouse. The sleeves will have smaller keel motif. Please get it fully lined when getting it stitched. It will work beautifully with most sarees as an added oomph.
This saree is MADE ON ORDER now & will take 10-12 weeks approximately to get made & shipped. For colour customisation, please drop in a mail to namaste@meiraas.com
The Sustainability Quotient (TSQ):-
Resham Chikankari (Hand Embroidery Practised Since Ancient Age)
Mukaish Embroidery (Ancient Beaten Metal Wire Embroidery)
Hand Picked Ancient Archived Motifs/ New Own Created Motifs.
Conceptual & Exclusive Chikankari Artwork
Handspun Handloom Tussar Silk
Saree finishing in handwoven mulberry silk - because what touches your body from the inside, should be as beautiful as what shows outside.
Museum quality Chikankari sarees that can be handed down generation to generation as a treasure.
KHAYAAL (moodboard):
The Khayal or Aatmamanthan behind keeping this collection under the name Dhanlakshmi was very clear. We wanted to make a repository of Heirloom Sarees, where we can create colours & palettes that signify the opulence of Sri Lakshmi. After successfully venturing into Gold, Silver hues, and Pearl, Firoza, Precious stones like Tourmaline, Agate hues, we wanted to include Gemstone shades.
Our lands are blessed with a variety of natural minerals and gemstones that have immense energy stored within them. Formed under the envelope of Bhoodevi's (Earth) womb, they radiate and reflect back her energy and lend them to the wearer. Our Chanderi sarees, adorned with heirloom quality Chikankari, are named after these soft and deeply spiritual stones.
Jambumani or Amethsyt is a beautiful Lilac hued clear looking gemstone. This beautiful Lilac rich Chikankari Tussar Silk saree with antique quality embroidery, is the perfect connect to that emotion with us, that resonates with carrying forward a revered Textile Tradition.
POSHAAK (about the saree):
Jambumani or Amethyst saree is a lilac coloured Tussar Silk beauty, embroidered with extremely delicate and prized stitches of Conceptual Chikankari Art work.
The palla has our Bijli boota motif put together like a Rangoli or Alpana. Bijli boota is our motif commissioned on an archived centuries old art work. The motif has Zari taar ki jaali amongst other prized stitches.
A small Bijli boota accompanies the larger one all through the palla & body of the saree.
The border & palla of the saree have an antique 100 year old plus bel boota running all through the saree, that has extremely prized Zari taar jaali & murri stitches!! A masterclass border.
But the highlight of this masterpiece is the Bel Boota falling down from the shoulder; delicate and anointed with some of the rarest stitches, this boota is like the rice paste alpana we make outside our homes.
The embroidery is done with darker lilac shade, making it stand out, and stars of Mukaish are embroidered lovingly with the embroidery to resemble lit diyas on Deepawali.
Saree is further finished with Pure Handwoven Mulberry Silk selvedge in beautiful Berry Pink, providing just the right contrast, and we will also provide a 1 metre approx blouse piece in same fabric and same colour.
THE SUSTAINABILITY QUOTIENT (TSQ):
- HANDSPUN, THIGH REELED, HANDWOVEN PURE TUSSAR SILK.
- WEAVE COMMISSIONED FOR MEIRAAS, THEREFORE FULL QUALITY CONTROL
- RESHAM CHIKANKARI (HAND EMBROIDERY PRACTISED SINCE ANCIENT AGE)
- MUKAISH EMBROIDERY (ANCIENT BEATEN METAL WIRE EMBROIDERY)
- HAND PICKED ANCIENT ARCHIVED MOTIFS/ NEW OWN CREATED MOTIFS.
KHAYAAL (moodboard):
The Khayal or Aatmamanthan behind keeping this collection under the name Dhanlakshmi was very clear, we wanted to make a repository of Heirloom Sarees, where we can create colours & palettes that signify the opulence of Sri Lakshmi. After successfully venturing into Gold, Silver hues, and Pearl, Firoza, Precious stones like Tourmaline, Agate hues, we wanted to include Gemstone shades.
Even as we though about it, it was amply clear to us that this is only possible on Tussar Silk from Bhagalpur looms. Tussar Silk is one of the most perfect fabrics for antique quality Chikankari; it is appropriately supple, tenacious, luminous at the same time, & yet it's earthy texture provides a rich background for elegant stitches of Chikankari, and in gemstones colour we want.
Harinmani is Sanskrit word for Emerald. This beautiful light Emerald saree is an Heirloom Piece for your wardrobe, that will create the wearer's own heritage till they wear it, that they can hand down to generations that will love to showcase it in a private viewing perhaps!!
POSHAAK (about the saree):
Harinmani is our first set of Dhanlakshami Chikankari saree on Handspun and Handwoven Tussar Silk, a dream that we had been working on for past 2 years.
The pallu has very old archived motifs, re created recently in our unit. The stitched used are of 3 broad quality: Embossing, Surface Texture and Hand CutWork.
The palla has a rare quality of “ulti bakhiya” or Reverse Shadow that is now used extremely less, as higher embroidery filament count and “chaalu/rough” embroidery style started making it look very vulgar; but with the fine handwork that Meiraas employs and 2 taar Resham Chikankari, the result is stunning, rare and exquisite.
The stars of Mukaish anoint this saree strategically. If the palla is viewed from the top, it gives the impression of an ancient, well laid out city!!!
The beautiful light emerald saree (an auspicious colour for all weddings and festivals), is finished with complimenting yellow Tussar silk selvedge.
Please Note: Shades like Green & Red appear different in different lights (indoor/outdoor), this is the nature of such colours and out of anyone's control. Please keep this factor in mind before ordering.
This saree is MADE ON ORDER only & will take 13 weeks approximately to get made & shipped. For colour customisation, please drop in a mail to namaste@meiraas.com.
THE SUSTAINABILITY QUOTIENT (TSQ):
- HANDSPUN, THIGH REELED, HANDWOVEN PURE TUSSAR SILK.
- WEAVE COMMISSIONED FOR MEIRAAS, THEREFORE FULL QUALITY CONTROL
- RESHAM CHIKANKARI (HAND EMBROIDERY PRACTISED SINCE ANCIENT AGE)
- MUKAISH EMBROIDERY (ANCIENT BEATEN METAL WIRE EMBROIDERY)
- HAND PICKED ANCIENT ARCHIVED MOTIFS/ NEW OWN CREATED MOTIFS.
KHAYAAL (moodboard):
The Khayal or Aatmamanthan behind keeping this collection under the name Dhanlakshmi was very clear, we wanted to make a repository of Heirloom Sarees, where we can create colours & palettes that signify the opulence of Sri Lakshmi. After successfully venturing into Gold, Silver hues, and Pearl, Firoza, Precious stones like Tourmaline, Agate hues, we wanted to include Gemstone shades.
Even as we though about it, it was amply clear to us that this is only possible on Tussar Silk from Bhagalpur looms. Tussar Silk is one of the most perfect fabrics for antique quality Chikankari; it is appropriately supple, tenacious, luminous at the same time, & yet it's earthy texture provides a rich background for elegant stitches of Chikankari, and in gemstones colour we want.
Manikyam is Sanskrit word for Ruby. This beautiful deep Red saree is an Heirloom Piece for your wardrobe, that will create the wearer's own heritage till they wear it, that they can hand down to generations that will love to showcase it in a private viewing perhaps!!
POSHAAK (about the saree):
Manikyam is our first set of Dhanlakshami Chikankari saree on Handspun and Handwoven Tussar Silk, a dream that we had been working on for past 2 years.
The pallu has very old archived motifs, re created recently in our unit. All major motifs seen here are especially commissioned by Meiraas, taking reference from archival motifs. The stitched used are of 3 broad quality: Embossing, Surface Texture and Hand CutWork.
The palla has our boota, coupled artistically with another archival motif in a beautiful design symmetry.
The stars of Mukaish anoint this saree strategically. If the palla is viewed from the top, it gives the impression of a rich engraving on an ancient monument.
The luscious Ruby Red saree (an auspicious colour for all weddings and festivals), is finished with complimenting rust orange tussar silk selvedge.
Please Note: Shades like Green & Red appear different in different lights (indoor/outdoor), this is the nature of such colours and out of anyone's control. Please keep this factor in mind before ordering.
“There is a dialogue exchange in one of my favourite director, Satyajit Ray's, historical classic based on my city, Lucknow, Shatranj Ke Khiladi. The scene is like this - General Outram (portrayed very effectively by British actor Sir Richard Attenborough), the British appointed Resident at Lucknow, is conversing with a British doctor and legal practitioner, Ferra, on the ways to annex Awadh. During the conversation, General Outram, a true Brit, remarks on the perfume that the Nawab wears, which he calls "extraordinary" in sarcasm, but complains that his uniform reeks of it, even 3 months after the interview with the Nawab Wajid Ali Shah. Ferra remarks that the perfume is " attar", a Damask Rose Parfum made locally in Awadh. The slight on this fabulous perfume from Awadh was hurtful, yet expected from a character like Outram, who did not understand concepts of Indian aesthetics and was brought up to demean them. My mind however got stuck on Ferra's explanation of "Perfume of Damask Rose". My personal collection of perfumes is only of Ittar from Awadh - Khus, Gulaab, Sandal - being my absolute favourite. I always wanted to incorporate their name into a luxury piece created in Meiraas. So here is presenting a whiff of Damask Rose - The Gulaab Ittar Dupatta ” - Vidhi Rastogi, Head of Creative, Meiraas.
A true museum art piece, the Gulab Ittar dupatta, is an exemplary piece of Luxury Chikankari. Created on supple Handwoven Tussar Silk, the dupatta is dyed in the shade of dark Kaner Gulaab, and embroidered upon with a lovely Coral Pink Orange resham thread.
The highlight of this luxury dupatta is the fantastic Jaali work with Gold Qasab taar (jaali stitch made using zari filament vis a vis thread, which means it is more difficult, rare and time taking to create). The Gulab Ittar Dupatta is finished on either daaman with crochet lace dyed in the same colour. It is a fragrance of true art!!
Please Note: Last Image is of a plain Handwoven Tussar Silk Kurta Fabric in contrasting complimentary colour, that we are providing with this dupatta, as a gesture.
“There is a dialogue exchange in one of my favourite director, Satyajit Ray's, historical classic based on my city, Lucknow, Shatranj Ke Khiladi. The scene is like this - General Outram (portrayed very effectively by British actor Sir Richard Attenborough), the British appointed Resident at Lucknow, is conversing with a British doctor and legal practitioner, Ferra, on the ways to annex Awadh. During the conversation, General Outram, a true Brit, remarks on the perfume that the Nawab wears, which he calls "extraordinary" in sarcasm, but complains that his uniform reeks of it, even 3 months after the interview with the Nawab Wajid Ali Shah. Ferra remarks that the perfume is " attar", a Damask Rose Parfum made locally in Awadh. The slight on this fabulous perfume from Awadh was hurtful, yet expected from a character like Outram, who did not understand concepts of Indian aesthetics and was brought up to demean them. My mind however got stuck on Ferra's explanation of "Perfume of Damask Rose". My personal collection of perfumes is only of Ittar from Awadh - Khus, Gulaab, Sandal - being my absolute favourite. I always wanted to incorporate their name into a luxury piece created in Meiraas. So here is presenting a whiff of Sandalwood Ittar through weaves & crafts of India - The Sandal Ittar Dupatta ” - Vidhi Rastogi, Head of Creative, Meiraas.
A true museum art piece, the Sandal Ittar dupatta, is an exemplary piece of Luxury Chikankari. Created on supple Handwoven Tussar Silk, the dupatta is crafted on the natural shade of Tussar Silk, a Golden beige, as balmy as Sandal, and embroidered upon with the same coloured resham thread.
The highlight of this luxury dupatta is the fantastic Jaali work with Gold Qasab taar (jaali stitch made using zari filament vis a vis thread, which means it is more difficult, rare and time taking to create). The Sandal Ittar Dupatta is finished on either daaman with crochet lace dyed in the same colour. It is a fragrance of true art!!
Please Note: Last Image is of a plain Handwoven Tussar Silk Kurta Fabric in contrasting complimentary colour, that we are providing with this dupatta, as a gesture.
Golden Trellis is our heirloom collection of Mukaish work that was historically done once upon a time in Awadh region, but is not done any more. Golden Trellis is a result of, one of the many research projects we are working upon simultaneously. We know some might not see light of the day (although we firmly believe that everything can be revived if we just have the right patience and the will to keep going), some will prove to be false tales - a mirage of a narrative built for dramatic value and nothing more...but some, like Golden Trellis will be a reality that can be translated to fabric yet again, even if in a small way, even if a shadow of its one time glory...at least there will be a start.
Golden Trellis is part of the Art & Antiquities Project undertaken by Meiraas.
The Sustainability Quotient (TSQ):
Heirloom Full Jaal Mukaish: While Mukaish as a craft has mostly now become an embellishment to Chikankari, we at Meiraas have been trying consistently, to introduce this beautiful craft in all its individual glory, & in more heritage yet functional ways to wear it, to increase the longevity and heirloom value of each piece. Mukaish Jaal Dupattas on Silk are stand alone Heirloom Dupattas, that are versatile to be paired with any Kurta.
Mukaish Hand Embroidery with proper "ghutaai" - this means Mukaish embroidery has been rubbed using old technique of filling pebbles in a bottle and rubbing on the embroidery, instead of new age roller press method. This one method ensures long lasting Mukaish. In itself Mukaish is more sustainable craft that sequins or "salma sitaara" embroidery, as Mukaish never comes off, maintaing the look of the garment for much longer time.
Handspun Handwoven Tussar Silk: Thigh reeled, Handspun, Handwoven soft Tussar Silk from the looms of Bhagalpur, Bihar has been used as a base for these dupattas.
KHAYAL (moodboard): Poetry etched in fabric, Golden Trellis alludes to the once opulent courts of the ancient royalties of India. Trellis is the jaali like window pattern, a signature architecture in heritage monuments of the Golden Era. This museum quality piece of legacy bound, wearable art will a pride for any one who owns it.
POSHAAK (about the dupatta): Handloom Tussar Silk Dupatta embroidered beautifully with the Trellis (jaalidaar window) Pattern Mukaish (Chheenta Mukaish) all over & finished with Gold kingri gota lace detailing (not visible in images) on the daaman of the Dupatta. The dupatta shade is natural beige colour of Tussar yarn. It is a beautiful Heirloom piece that works perfectly well standalone with any Kurta - Chikankari, Banarasi, Plain Tussar, Chanderi, etc. This one dupatta is versatile to dress up and down and adds the elegance that only Heirloom Pieces can. A perfect hand me down too.
Imp: This dupatta is natural Tussar beige colour. If you want this coloured to a shade of your choice, then drop us an email at namaste@meiraas.com
Golden Trellis is our heirloom collection of Mukaish work that was historically done once upon a time in Awadh region, but is not done any more. Golden Trellis is a result of, one of the many research projects we are working upon simultaneously. We know some might not see light of the day (although we firmly believe that everything can be revived if we just have the right patience and the will to keep going), some will prove to be false tales - a mirage of a narrative built for dramatic value and nothing more...but some, like Golden Trellis will be a reality that can be translated to fabric yet again, even if in a small way, even if a shadow of its one time glory...at least there will be a start.
Golden Trellis is part of the Art & Antiquities Project undertaken by Meiraas.
The Sustainability Quotient (TSQ):
Heirloom Full Jaal Mukaish: While Mukaish as a craft has mostly now become an embellishment to Chikankari, we at Meiraas have been trying consistently, to introduce this beautiful craft in all its individual glory, & in more heritage yet functional ways to wear it, to increase the longevity and heirloom value of each piece. Mukaish Jaal Dupattas on Silk are stand alone Heirloom Dupattas, that are versatile to be paired with any Kurta.
Mukaish Hand Embroidery with proper "ghutaai" - this means Mukaish embroidery has been rubbed using old technique of filling pebbles in a bottle and rubbing on the embroidery, instead of new age roller press method. This one method ensures long lasting Mukaish. In itself Mukaish is more sustainable craft that sequins or "salma sitaara" embroidery, as Mukaish never comes off, maintaing the look of the garment for much longer time.
Handspun Handwoven Tussar Silk: Thigh reeled, Handspun, Handwoven soft Tussar Silk from the looms of Bhagalpur, Bihar has been used as a base for these dupattas.
KHAYAL (moodboard): Poetry etched in fabric, Golden Trellis alludes to the once opulent courts of the ancient royalties of India. Trellis is the jaali like window pattern, a signature architecture in heritage monuments of the Golden Era. This museum quality piece of legacy bound, wearable art will a pride for any one who owns it.
POSHAAK (about the dupatta): Handloom Tussar Silk Dupatta embroidered beautifully with the Barfi Pattern Mukaish (Chheenta Mukaish and Tiki Mukaish) all over & finished with Gold kingri gota lace detailing (not visible in images) on the daaman of the Dupatta. The dupatta shade is natural beige colour of Tussar yarn. It is a beautiful Heirloom piece that works perfectly well standalone with any Kurta - Chikankari, Banarasi, Plain Tussar, Chanderi, etc. This one dupatta is versatile to dress up and down and adds the elegance that only Heirloom Pieces can. A perfect hand me down too.
Imp: This dupatta is natural Tussar beige colour. If you want this coloured to a shade of your choice, then drop us an email at namaste@meiraas.com
The colours Clementine citrusy orange & Coal Black come alive on this beautiful Tussar Silk Dupatta with Hand Dyed Shibori. The rich silk fabric is all-weather & the colour is stunning to wear with any neutral colour attire.
Indian Nui Shibori Stole on Tussar Silk (Pure) fabric.
Please Read:
Indian NUI Shibori is a varied version of the original Japanese Nui Shibori. The Japanese Shibori is done only by hand & generally makes one big pattern on a small swatch of fabric.
In India, this method varies. The patterns in Indian NUI are drawn by hand on papern, and then sewn by sewing machine allover the fabric.
The handmade process involved here is drawing the pattern, tracing on fabric, tying & dyeing post machine embroidery, opening of all tie to reveal final product, finishing treatment (eco friendly).
Note: These days a lot of Digitally made Shibori from India is doing the round of market that looks very intricate in the first look. However on deeper 2nd look, you see that the NUI holes (made from sewing machine embroidery) are barely visible & light cannot pass through them. Therefore please bear in mind that the Indian NUI Shibori will have prominent needle marks in pattern (refer to the last image).
The colours of a Meadow - Green velvety Grass & Pristine Blue lake come alive on this beautiful Tussar Silk Dupatta with Hand Dyed Shibori. The rich silk fabric is all weather & the colour is stunning to wear with any neutral colour attire.
Indian Nui Shibori Stole on Tussar Silk (Pure) fabric.
Please Read:
Indian NUI Shibori is a varied version of the original Japanese Nui Shibori. The Japanese Shibori is done only by hand & generally makes one big pattern on a small swatch of fabric.
In India, this method varies. The patterns in Indian NUI are drawn by hand on papern, and then sewn by sewing machine allover the fabric.
The handmade process involved here is drawing the pattern, tracing on fabric, tying & dyeing post machine embroidery, opening of all tie to reveal final product, finishing treatment (eco friendly).
Note: These days a lot of Digitally made Shibori from India is doing the round of market that looks very intricate in the first look. However on deeper 2nd look, you see that the NUI holes (made from sewing machine embroidery) are barely visible & light cannot pass through them. Therefore please bear in mind that the Indian NUI Shibori will have prominent needle marks in pattern (refer to the last image).
The beautiful shade of Coral Red comes alive even more in this Silk Shibori stole with white Shibori Patterns of Waves.
Indian Nui Shibori Stole on Tussar Silk (Pure) fabric.
Indian NUI Shibori is a varied version of the original Japanese Nui Shibori. The Japanese Shibori is done only by hand & generally makes one big pattern on a small swatch of fabric.
In India, this method varies. The patterns in Indian NUI are drawn by hand on papern, and then sewn by sewing machine allover the fabric.
The handmade process involved here is drawing the pattern, tracing on fabric, tying & dyeing post machine embroidery, opening of all tie to reveal final product, finishing treatment (eco friendly).
Note: These days a lot of Digitally made Shibori from India is doing the round of market that looks very intricate in the first look. However on deeper 2nd look, you see that the NUI holes (made from sewing machine embroidery) are barely visible & light cannot pass through them. Therefore please bear in mind that the Indian NUI Shibori will have prominent needle marks in pattern (refer to the last image).
The names of the stoles are creative & not an indication of exact colour match with the name provided. Please bear that in mind when making the purchase.
Mukaish Hand Embroidery with proper "ghutaai" - this means Mukaish embroidery has been rubbed using old technique of filling pebbles in a bottle and rubbing on the embroidery, instead of new age roller press method. This one method ensures long lasting Mukaish. In itself Mukaish is more sustainable craft that sequins or "salma sitaara" embroidery, as Mukaish never comes off, maintaing the look of the garment for much longer time.
Handloom Tussar Silk woven in Bhagalpur.
Azo Free, thrice filtered, dye
KHAYAL (moodboard): Jewel toned, lightly bling dupattas are an ode to the era gone by, of gossamer odhanis, delicately dusted with Mukaish embroidery, as the women of Lucknow rarely stepped out in anything that could be termed plain.
POSHAAK (about the dupatta): Handloom Tussar Silk Dupatta dyed in Olive Green shade bordering on yellow, and dusted lightly with Mukaish Daana Embroidery. Perfect for gifting & wearing on multiple festive or light occasions. The dupatta has crochet lace details.
Please note gemstone names to the product are given as a creative touch, for actual colour do see the photographs.
Please Note: On these dupattas, the Zari strip in the width has shifted a bit due to round frames of Mukaish embroidery; this is natural with round embroidery frames, and not a damage. The Zari borders are looking aesthetically pleasing. Please keep this into consideration before deciding to purchase.
Imp:
Colours like Red, Green, Blue tend to look different in different lights, that is the nature of some colours.
Colours may vary a bit, although they are all shot professionally in studio set up & closest colour has been photographed; Any variation can be due to digital medium of photography that is outside our control.
Haldi yellow coloured beautiful Handwoven Desi Tussar Silk Kurta Fabric from the looms of Bhagalpur, Bihar. This is a must have ideal Kurta/Dress Fabric for any season, especially for festive winter occasions.
Pair them with plain Cotton Silk pants in same colour for classy monochromatic ensemble.
Styling Tip: Will pair beautifully with our The Crown Gold Zari Silk Chikankari DupattaWhat is Desi Tussar?
In India, mainly 4 varieties of silk are produced - Tussar, Eri, Mulberry, Muga. Out of these, Mulberry Silk is cultivated silk, whereas the rest 3 silks are Wild silks. This is an important distinction, this means yarn for the wild silks are obtained from indigenous silk worm species feeding on wild forest tree leaves. Tussar Silk yarn is extracted from silk worms that feed on wild forest trees and has a natural golden glow. Its weaving is centred mainly in Bihar, Jharkhand and Chattisgarh. Please note like all Tussar Silk, this is Wild Silk, handspun, thigh reeled and Handwoven. Desi Tussar is just a colloquial term used by weavers of Bhagalpur, Bihar to indicate towards the purest variety of woven Tussar Silk yardage. The same fabric and process will be called Kosa Silk if woven in Chattisgarh. The silk you are seeing here is therefore the purest variety of Handloom Tussar Silk. Desi Tussar term is just used here for colloquial purpose.