THE SUSTAINABILITY QUOTIENT (TSQ):
- 120 Count Linen x Line Handloom saree: The Linen is finest quality and Handwoven for Meiraas on order
- Linen weave commissioned for Meiraas, therefore full quality control
- Thrice filtered Azo Free Dye for best & most sustainable results.
POSHAAK (detailed process about the garment)
We will go into detail in explaining our Nui Shibori process. While there are many Nui Shibori sarees available everywhere, most lack the intensity & design aesthetics; possibly this is why, despite being a beautiful art that attracts many, Nui Shibori has also seen a clutter of unfinished or less finished products that render the buyer confused about the quality.
Our Nui Shibori designs are first designed on paper, and the traced on fabric. The fabric is given more folds while creating resist pattern to increase the intensity of the design. To create resist on so many folds, a thicker needle, than usual, is used to do embroidery on the traced pattern (embroidery is done via sewing machine). Please note that these 2 steps - more folds & thicker needle that penetrates the folds - are critical to create the intense design pattern of Nui Shibori.
If the needle does not penetrate all layers, then you cannot see the clear holes on the fabric that are the mark & beauty of Nui (Embroidery) Resist.
Post embroidery, the embroidery threads are meticulously pulled to create resist (since we use very premium fabrics, this process takes time as a careless pulling can damage the fabric).
The dye is filtered thrice; this step is another important step, as Shibori is about colour textures on resist tie & dye. The smoother the pigment, the more beautiful will be the end result.
After dying, the threads of resist are meticulously pulled out, another laborious process, as one wrong pull will render the whole saree damaged. The saree is then washed in salted water to fix the colour & dried.
Our Shibori sarees win hearts wherever they go. They are stunning and intense in their design palette. The colour used in this saree is Indigo pigment mixed with Purple pigment which makes the saree give a mix of both colours in different lights!! A truly remarkable saree.
Please Note that Linen is a thermostatic fabric & absorbs & reflects back colour according to its nature. In white light the colour will carry deep Indigo Hue, & in Yellow light, its Purples will come out. This is the nature of both the colour & fabric and its beauty. Please factor this in when making the purchase.Please Note: Slight wrinkles are part of Pure Linen texture. Linen is the most low maintenance fabric. Ideally before draping this saree, take it out and spread it and hang somewhere at least a day before; its wrinkles will smoothen significantly. Mostly it should be worn with slight wrinkles, yet if you wish to iron the dhobi press will be fine, with a cloth on top.
An ethreal White Resham Chikankari saree on Handloom Linen fabric, with an antique motif (250 years old plus), of glorious White Peacocks! One of our most requested & ordered sarees.
This signature saree of Meiraas is Made on Order only. Please email us at namaste@meiraas.com for colour and fabric customisation. You can try this saree in Pure Chiffon fabric as well.
The Sustainability Quotient (TSQ):-
Resham Chikankari (Hand Embroidery Practised Since Ancient Age)
Hand Picked Ancient Archived Motifs/ New Own Created Motifs.
Conceptual & Exclusive Chikankari Artwork
Handloom Linen
Museum quality Chikankari sarees that can be handed down generation to generation as a treasure.
KHAYAAL (moodboard):
Yakshi is a celestial nymph mentioned in Ancient Puranic texts and epics like Ramayan and Mahabharat. The khayal to name this collection, Yakshi came with the Temple Art of India, like Khajuraho group of temples; the celestial nymphs are set in stone in the most beautiful expressions in these temples. They have been made with such devotion and aesthetics that one can imagine them coming to life at night, and reliving the days of past glory!!
Linen as a fabric was extensively worn in almost all Ancient Civilisations. In fact some sources suggest the possibility of white on white embroidery being worn in Chandragupta Maurya's court; some ancient texts also talk of the legendary Maharaja Harshvardhan of Kashmir, only wearing White on White embroidered fabric.
POSHAAK (about the saree):
Shwet saree has the stunning Mayur motif running on the palla; this motif in itself was one of the first 250 year old motif we had introduced. The border is a beautiful floral bel running through the saree, and the body has small floral bootis scattered all over.
Please Note: Slight wrinkles are part of Pure Linen texture. Linen is the most low maintenance fabric. Ideally before draping this saree, take it out and spread it and hang somewhere at least a day before; its wrinkles will smoothen significantly.
Golden Trellis is our heirloom collection of Mukaish work that was historically done once upon a time in Awadh region, but is not done any more. Golden Trellis is a result of, one of the many research projects we are working upon simultaneously. We know some might not see light of the day (although we firmly believe that everything can be revived if we just have the right patience and the will to keep going), some will prove to be false tales - a mirage of a narrative built for dramatic value and nothing more...but some, like Golden Trellis will be a reality that can be translated to fabric yet again, even if in a small way, or a shadow of its one time glory...at least there will be a start.
Golden Trellis is part of the Art & Antiquities Project undertaken by Meiraas.The Sustainability Quotient (TSQ):
Heritage Mukaish work re created: This work comes under Kamdani Embroidery. The name we have given to this particular style is "glasswork", after we got our Amer saree designed in same stitch. This is due to the fact, that we get it especially rubbed in ghutaai process to get the metal wires to shine like molten glass (we wanted the molten glass painting look of Amer Fort art). This is extremely dexterous work and is done on miniature motif style to ensure its wearability on multiple occasions, instead of it being relegated for very few. This work was historically done in Lucknow. What can be better sustainability than finding out a lost artwork in a craft & helping revive it again to wearable pieces, & most importantly in pieces that can be part of today's Heritage Builders' private collection; this will ensure the craft's continued sustainability.
Mukaish Hand Embroidery with proper "ghutaai" - this means Mukaish embroidery has been rubbed using old technique of filling pebbles in a bottle and rubbing on the embroidery, instead of new age roller press method. This one method ensures long lasting Mukaish. In itself Mukaish is more sustainable craft that sequins or "salma sitaara" embroidery, as Mukaish never comes off, maintaining the look of the garment for much longer time.
KHAYAL (moodboard): Poetry etched in fabric, Golden Trellis alludes to the once opulent courts of the ancient royalties of India. Trellis is the jaali like window pattern, a signature architecture in heritage monuments of the Golden Era. This museum quality piece of legacy bound, wearable art will a pride for any one who owns it.
POSHAAK (about the dupatta): Handloom Pure Organza Dupatta embroidered beautifully with the rare & precious Swarna Chakra or Golden Diskette. This beautiful Swarna Chakra has very neat & delicate Kamdani work closed with a ring embroidery; the miniature embroidery is allover the dupatta. A historic dupatta, that will always be the pride of the owner & will remain as part of handpicked private collection.
Golden Trellis is our heirloom collection of Mukaish work that was historically done once upon a time in Awadh region, but is not done any more. Golden Trellis is a result of, one of the many research projects we are working upon simultaneously. We know some might not see light of the day (although we firmly believe that everything can be revived if we just have the right patience and the will to keep going), some will prove to be false tales - a mirage of a narrative built for dramatic value and nothing more...but some, like Golden Trellis will be a reality that can be translated to fabric yet again, even if in a small way, or a shadow of its one time glory...at least there will be a start.
Golden Trellis is part of the Art & Antiquities Project undertaken by Meiraas.The Sustainability Quotient (TSQ):
Heritage Mukaish work re created: This work is known as Gukhru work. It has not been done in India or is extremely rarely done anymore. This is overlapping mesh Jaali work done in Mukaish. Its karigars are not alive now, and some of the karigars who learnt this art do not work in India. This was re created when one of them came on a small visit to his family in India. He has taught some amount of work to our small group of artisans in Lucknow. This work was historically done in Lucknow only. What can be better sustainability than finding out a lost artwork in a craft & helping revive it again to wearable pieces, & most importantly in pieces that can be part of today's Heritage Builders' private collection; this will ensure the craft's continued sustainability.
Mukaish Hand Embroidery with proper "ghutaai" - this means Mukaish embroidery has been rubbed using old technique of filling pebbles in a bottle and rubbing on the embroidery, instead of new age roller press method. This one method ensures long lasting Mukaish. In itself Mukaish is more sustainable craft that sequins or "salma sitaara" embroidery, as Mukaish never comes off, maintaining the look of the garment for much longer time.
KHAYAL (moodboard): Poetry etched in fabric, Golden Trellis alludes to the once opulent courts of the ancient royalties of India. Trellis is the jaali like window pattern, a signature architecture in heritage monuments of the Golden Era. This museum quality piece of legacy bound, wearable art will a pride for any one who owns it.
POSHAAK (about the dupatta): Pure Organza Silk Dupatta embroidered beautifully with the rare & precious Golden Kairi (Paisley). This is a very complex embroidery where Mukaish wires are embroidered one on top of another to make a mesh trellis patten & is then interlocked within a ring. The back of this dupatta (3rd image) leaves the onlooker startled with the dexterity that would have been employed. It is like "weaving" embroidery within the fabric! Even in this miniature motif, the craftsmanship is unbelievable. A historic dupatta, that will always be the pride of the owner & will remain as part of handpicked private collection.
The colours Clementine citrusy orange & Coal Black come alive on this beautiful Tussar Silk Dupatta with Hand Dyed Shibori. The rich silk fabric is all-weather & the colour is stunning to wear with any neutral colour attire.
Indian Nui Shibori Stole on Tussar Silk (Pure) fabric.
Please Read:
Indian NUI Shibori is a varied version of the original Japanese Nui Shibori. The Japanese Shibori is done only by hand & generally makes one big pattern on a small swatch of fabric.
In India, this method varies. The patterns in Indian NUI are drawn by hand on papern, and then sewn by sewing machine allover the fabric.
The handmade process involved here is drawing the pattern, tracing on fabric, tying & dyeing post machine embroidery, opening of all tie to reveal final product, finishing treatment (eco friendly).
Note: These days a lot of Digitally made Shibori from India is doing the round of market that looks very intricate in the first look. However on deeper 2nd look, you see that the NUI holes (made from sewing machine embroidery) are barely visible & light cannot pass through them. Therefore please bear in mind that the Indian NUI Shibori will have prominent needle marks in pattern (refer to the last image).
The colours of a Meadow - Green velvety Grass & Pristine Blue lake come alive on this beautiful Tussar Silk Dupatta with Hand Dyed Shibori. The rich silk fabric is all weather & the colour is stunning to wear with any neutral colour attire.
Indian Nui Shibori Stole on Tussar Silk (Pure) fabric.
Please Read:
Indian NUI Shibori is a varied version of the original Japanese Nui Shibori. The Japanese Shibori is done only by hand & generally makes one big pattern on a small swatch of fabric.
In India, this method varies. The patterns in Indian NUI are drawn by hand on papern, and then sewn by sewing machine allover the fabric.
The handmade process involved here is drawing the pattern, tracing on fabric, tying & dyeing post machine embroidery, opening of all tie to reveal final product, finishing treatment (eco friendly).
Note: These days a lot of Digitally made Shibori from India is doing the round of market that looks very intricate in the first look. However on deeper 2nd look, you see that the NUI holes (made from sewing machine embroidery) are barely visible & light cannot pass through them. Therefore please bear in mind that the Indian NUI Shibori will have prominent needle marks in pattern (refer to the last image).
The beautiful shade of Coral Red comes alive even more in this Silk Shibori stole with white Shibori Patterns of Waves.
Indian Nui Shibori Stole on Tussar Silk (Pure) fabric.
Indian NUI Shibori is a varied version of the original Japanese Nui Shibori. The Japanese Shibori is done only by hand & generally makes one big pattern on a small swatch of fabric.
In India, this method varies. The patterns in Indian NUI are drawn by hand on papern, and then sewn by sewing machine allover the fabric.
The handmade process involved here is drawing the pattern, tracing on fabric, tying & dyeing post machine embroidery, opening of all tie to reveal final product, finishing treatment (eco friendly).
Note: These days a lot of Digitally made Shibori from India is doing the round of market that looks very intricate in the first look. However on deeper 2nd look, you see that the NUI holes (made from sewing machine embroidery) are barely visible & light cannot pass through them. Therefore please bear in mind that the Indian NUI Shibori will have prominent needle marks in pattern (refer to the last image).
The names of the stoles are creative & not an indication of exact colour match with the name provided. Please bear that in mind when making the purchase.
Charcoal glimmers in sun with its distinct Black hue and white depths hiding a lot inside. The Black Silk stole with White Shibori looks stunning imagery of a Charcoal.
Indian Nui Shibori Stole on Tussar Silk (Pure) fabric.
Indian NUI Shibori is a varied version of the original Japanese Nui Shibori. The Japanese Shibori is done only by hand & generally makes one big pattern on a small swatch of fabric.
In India, this method varies. The patterns in Indian NUI are drawn by hand on papern, and then sewn by sewing machine allover the fabric.
The handmade process involved here is drawing the pattern, tracing on fabric, tying & dyeing post machine embroidery, opening of all tie to reveal final product, finishing treatment (eco friendly).
Note: These days a lot of Digitally made Shibori from India is doing the round of market that looks very intricate in the first look. However on deeper 2nd look, you see that the NUI holes (made from sewing machine embroidery) are barely visible & light cannot pass through them. Therefore please bear in mind that the Indian NUI Shibori will have prominent needle marks in pattern (refer to the last image).
Haldi yellow coloured beautiful Handwoven Desi Tussar Silk Kurta Fabric from the looms of Bhagalpur, Bihar. This is a must have ideal Kurta/Dress Fabric for any season, especially for festive winter occasions.
Pair them with plain Cotton Silk pants in same colour for classy monochromatic ensemble.
Styling Tip: Will pair beautifully with our The Crown Gold Zari Silk Chikankari DupattaWhat is Desi Tussar?
In India, mainly 4 varieties of silk are produced - Tussar, Eri, Mulberry, Muga. Out of these, Mulberry Silk is cultivated silk, whereas the rest 3 silks are Wild silks. This is an important distinction, this means yarn for the wild silks are obtained from indigenous silk worm species feeding on wild forest tree leaves. Tussar Silk yarn is extracted from silk worms that feed on wild forest trees and has a natural golden glow. Its weaving is centred mainly in Bihar, Jharkhand and Chattisgarh. Please note like all Tussar Silk, this is Wild Silk, handspun, thigh reeled and Handwoven. Desi Tussar is just a colloquial term used by weavers of Bhagalpur, Bihar to indicate towards the purest variety of woven Tussar Silk yardage. The same fabric and process will be called Kosa Silk if woven in Chattisgarh. The silk you are seeing here is therefore the purest variety of Handloom Tussar Silk. Desi Tussar term is just used here for colloquial purpose.
FROM THE VAULT COLLECTIVE
Chandrakala is our final firm foray into the World of Aari & Zardozi art of Lucknow. We always wanted to do this art, but only for Museum Quality wearable art pieces, & nothing less!! Chandrakala is just that.
KHAYAL (moodboard):
Chandrakala, or the art of crafting Moon, is a labour of extensive research we did before launching this Vault Collective Zardozi Dupatta, crafted in Lucknow. We visited the museums of Jaipur, & in one of them saw a Red silk odhani, with Moons crafted on it with Real Gold dabka wires. The antique dupatta was torn at some places, telling stories of a once glorious past, but was carefully preserved in the Museum. It was reaching out to us with a gaze that was almost saying "Resurrect Me!!". That was the moment we decided this will be our first Zardozi Dupatta. We could not photograph the Dupatta, & neither creating the exact replica was in our minds. We did have a Chikankari motif, an old one, that had a beautiful Chaand border (see here Chaand Mayur Dhanlakshami Chanderi Saree). We decided to re create a format of that antique motif that was so reminiscent of the Maharani's Dupatta we saw, that we made a Zardozi "khaaka" out of it. The fabric used was pure Handwoven Tussar Silk to create that Regal journey!! - Vidhi Rastogi, Head of Creative, MeiraasÂ
POSHAAK (about the saree):
Chandrakala Dupatta is made on Handwoven Tussar Silk that is certified by Silk Mark of India. The fabric is supple and perfect to hold and add to the grace of the regal work on it. The border is embroidered with a beautiful & unique Chaand Border (read above), and has been embroidered using both Silver & Golden Dabka wires. The Dabka is extremely fine quality, please use Zoom to see the intricate detailing. The 4 side heavy border is complemented with small flower bootis in the body. To take this further, the dupatta is finished with Handwoven Gold Pure Zari Silk selvedge detailing, to make it one of a kind outstanding Dupatta.
It is perfect as a one time investment to take on Lehengas, Kurtas, as a Light Shawl on sarees. This is a perfect gift for a new Bride as well, she will cherish it forever and pass on her legacy to her future generations.
Important: 1 Dupatta is Ready to Ship.
This saree is MADE ON ORDER and will take maximum 13 weeks to get made after placing the order. Stock quantity is mentioned to enable placing order.
Please email us at namaste@meiraas.com for Colour & Fabric (Pure Georgette Silk, Pure Chiffon, Handloom Mulberry Silk, etc) customisation.
Gorgeous Mustard Tussar Silk Saree with allover dense Mukaish Embroidery. The saree is a class apart piece of art & an Heirloom Collectible!!
THE SUSTAINABILITY QUOTIENT (TSQ):
Very fine quality heritage Mukaish Embroidery vis a vis thicker work prevalent in the market in general
Full ghutaai (rubbing the Mukaish) process in the traditional manner followed to make the work high quality & finished. Please note this process is most ignored or loosely done to cut costs.
High quality dye
Finished with expert tailoring only.
KHAYAL (moodboard): Deepmala translates to a "Garland of Diyas" or Earthen lamps, one of the most therapeutic and energising sights of Deepawali festival. There is not one soul who can say that the lit rows of Diyas with their soulful flame does not invoke a sense of calmness, positivity, love and joy. It is one of those moments of joy that is not ephemeral. Do you know why? Because the silent flame of the Diya makes you realise that this is how your Aatman is inside your Body. The realisation brings the relativity & connectivity!! We wanted to capture the glow of Diyas on a Diwali night through a Mukaish saree, and here we did it through DeepMala.
POSHAAK (about the saree): Beautiful supple Tussar Silk saree has been adorned with innumerable stars of Mukaish. This is a very high quality handcrafted Mukaish saree, unlike most of work that is now available in the market. Each dot of Mukaish has been finely rubbed to make them settle properly in the fabric & invoke beautiful lustre. The saree is dyed a lovely shade of Mustard Yellow & finished with Gold Zari Gota Lace (tested & pure).
Note: Please mail us at namaste@meiraas.com for colour customisation.
White Cotton Silk Kurta with Front & back full panel Ek Daana Tepchi Embroidery in Turquoise Blue, inspired by Jaali Khidki of Nawabi Architecture. The Safed & Firoza is a blend favoured heavily by Nawabs. Stitching of the Kurta is complimentary by Meiraas, along with Detachable Slip. Please choose your size from the size chart.
The Sustainability Quotient (SQ):
1. Skilled Resham Hand Embroidery
2. Ek Daana Painstaking Tepchi.
3.Higher price paid to the artisans than regularly paid wages in the market .
Additional Details: This Kurta can be stitched uptil sizes S (small) to XXL (Extra Extra Large) only, with same size detachable slip. Please select your size & we will stitch it complimentary with slip.
Ready Length: Approx. 44 inches.(this is meant to be 60s inspired knee length or just below the knee)