This shawl is Ready To Ship.THE SUSTAINABILITY QUOTIENT (TSQ):-
Resham Chikankari (Hand Embroidery Practised Since Ancient Age).
2 Taar Resham Chikankari (very rare)
Hand Picked Ancient Archived Motifs.
Conceptual and Exclusive Chikankari Artwork on Zari Silk fabric.
Handloom Zari Silk fabric.
Museum quality Chikankari sarees that can be handed down generation to generation as a treasure.
KHAYAAL (Mood-board):
Gold on Gold tone Chikankari was a dream drape, that we could only imagine a Goddess draping on herself. Our moodboard was a wrap that is rich like molten gold, embroidered like it is carved using finest craftsmanship on gold, malleable like it is a rich gold lava flowing...
This is what shaped the Shahi Paan Gold Wrap/Shawl. We wanted a drape so exceedingly rich & lustrous, and yet so incredibly detailed with antique quality Chikankari, that it makes hearts stop.
POSHAAK (About the garmemt):
The stunning Shahi Paan silk shawl, is embroidered with extremely delicate and prized stitches of Conceptual Chikankari Art work.
The either side of the shawl width has the grand Shahi Paan motif, that we re created basis an archival image of a 18th Century Chikankari motif.
The body is made of an intricate trellis jaal, where hand cut work stitches like hathkati have been used extensively, to bring out the beauty of this drape.
The shawl features some rarest stitches done in 2 Taar Resham Chikankari - hathkati, shadow, murri, phanda, orma, pechni, and many more.
It is a visual treat for any connoisseur of fine Chikankari craft.
It is extremely difficult to work on full Zari Silk Chikankari pieces, because of many reasons:
The fabric reflects light back, making it impossible to work in full light, hence it needs perfect light setting in a room and extremely skilled artisans to make it.
Such fabric requires enormous dexterity and a very fine level of craftsmanship, therefore the number of artisans working on it are just 1-2 only. This means it takes more time than other sarees
Words will fall short in the praise of this exquisite beauty of a drape!! Some of these motifs are centuries old, and some freshly carved looking at centuries old motifs. A rare piece of Art.
This shawl is a timeless heirloom that you would like to pass on generation after generation.
This Shawl will pair fabulously with Shahi Paan Gold Zari Silk 2 Taar Chikankari Kurta set
P.S: If you are noticing dark patches anywhere in the pictures, then that is the Zari reflecting the light back to the camera, and this is not present on the shawl.
Avoid moisture seeping into such pieces. Always store them in a dry place and in the Meiraas bag we deliver them in. Keep opening Silk Fabrics in every 6 months and changing its folds.
“There is a dialogue exchange in one of my favourite director, Satyajit Ray's, historical classic based on my city, Lucknow, Shatranj Ke Khiladi. The scene is like this - General Outram (portrayed very effectively by British actor Sir Richard Attenborough), the British appointed Resident at Lucknow, is conversing with a British doctor and legal practitioner, Ferra, on the ways to annex Awadh. During the conversation, General Outram, a true Brit, remarks on the perfume that the Nawab wears, which he calls "extraordinary" in sarcasm, but complains that his uniform reeks of it, even 3 months after the interview with the Nawab Wajid Ali Shah. Ferra remarks that the perfume is " attar", a Damask Rose Parfum made locally in Awadh. The slight on this fabulous perfume from Awadh was hurtful, yet expected from a character like Outram, who did not understand concepts of Indian aesthetics and was brought up to demean them. My mind however got stuck on Ferra's explanation of "Perfume of Damask Rose". My personal collection of perfumes is only of Ittar from Awadh - Khus, Gulaab, Sandal - being my absolute favourite. I always wanted to incorporate their name into a luxury piece created in Meiraas. So here is presenting a whiff of Damask Rose - The Gulaab Ittar Dupatta ” - Vidhi Rastogi, Head of Creative, Meiraas.
A true museum art piece, the Gulab Ittar dupatta, is an exemplary piece of Luxury Chikankari. Created on supple Handwoven Tussar Silk, the dupatta is dyed in the shade of dark Kaner Gulaab, and embroidered upon with a lovely Coral Pink Orange resham thread.
The highlight of this luxury dupatta is the fantastic Jaali work with Gold Qasab taar (jaali stitch made using zari filament vis a vis thread, which means it is more difficult, rare and time taking to create). The Gulab Ittar Dupatta is finished on either daaman with crochet lace dyed in the same colour. It is a fragrance of true art!!
Please Note: Last Image is of a plain Handwoven Tussar Silk Kurta Fabric in contrasting complimentary colour, that we are providing with this dupatta, as a gesture.
“There is a dialogue exchange in one of my favourite director, Satyajit Ray's, historical classic based on my city, Lucknow, Shatranj Ke Khiladi. The scene is like this - General Outram (portrayed very effectively by British actor Sir Richard Attenborough), the British appointed Resident at Lucknow, is conversing with a British doctor and legal practitioner, Ferra, on the ways to annex Awadh. During the conversation, General Outram, a true Brit, remarks on the perfume that the Nawab wears, which he calls "extraordinary" in sarcasm, but complains that his uniform reeks of it, even 3 months after the interview with the Nawab Wajid Ali Shah. Ferra remarks that the perfume is " attar", a Damask Rose Parfum made locally in Awadh. The slight on this fabulous perfume from Awadh was hurtful, yet expected from a character like Outram, who did not understand concepts of Indian aesthetics and was brought up to demean them. My mind however got stuck on Ferra's explanation of "Perfume of Damask Rose". My personal collection of perfumes is only of Ittar from Awadh - Khus, Gulaab, Sandal - being my absolute favourite. I always wanted to incorporate their name into a luxury piece created in Meiraas. So here is presenting a whiff of Sandalwood Ittar through weaves & crafts of India - The Sandal Ittar Dupatta ” - Vidhi Rastogi, Head of Creative, Meiraas.
A true museum art piece, the Sandal Ittar dupatta, is an exemplary piece of Luxury Chikankari. Created on supple Handwoven Tussar Silk, the dupatta is crafted on the natural shade of Tussar Silk, a Golden beige, as balmy as Sandal, and embroidered upon with the same coloured resham thread.
The highlight of this luxury dupatta is the fantastic Jaali work with Gold Qasab taar (jaali stitch made using zari filament vis a vis thread, which means it is more difficult, rare and time taking to create). The Sandal Ittar Dupatta is finished on either daaman with crochet lace dyed in the same colour. It is a fragrance of true art!!
Please Note: Last Image is of a plain Handwoven Tussar Silk Kurta Fabric in contrasting complimentary colour, that we are providing with this dupatta, as a gesture.
Golden Trellis is our heirloom collection of Mukaish work that was historically done once upon a time in Awadh region, but is not done any more. Golden Trellis is a result of, one of the many research projects we are working upon simultaneously. We know some might not see light of the day (although we firmly believe that everything can be revived if we just have the right patience and the will to keep going), some will prove to be false tales - a mirage of a narrative built for dramatic value and nothing more...but some, like Golden Trellis will be a reality that can be translated to fabric yet again, even if in a small way, even if a shadow of its one time glory...at least there will be a start.
Golden Trellis is part of the Art & Antiquities Project undertaken by Meiraas.
The Sustainability Quotient (TSQ):
Heirloom Full Jaal Mukaish: While Mukaish as a craft has mostly now become an embellishment to Chikankari, we at Meiraas have been trying consistently, to introduce this beautiful craft in all its individual glory, & in more heritage yet functional ways to wear it, to increase the longevity and heirloom value of each piece. Mukaish Jaal Dupattas on Silk are stand alone Heirloom Dupattas, that are versatile to be paired with any Kurta.
Mukaish Hand Embroidery with proper "ghutaai" - this means Mukaish embroidery has been rubbed using old technique of filling pebbles in a bottle and rubbing on the embroidery, instead of new age roller press method. This one method ensures long lasting Mukaish. In itself Mukaish is more sustainable craft that sequins or "salma sitaara" embroidery, as Mukaish never comes off, maintaing the look of the garment for much longer time.
Handspun Handwoven Tussar Silk: Thigh reeled, Handspun, Handwoven soft Tussar Silk from the looms of Bhagalpur, Bihar has been used as a base for these dupattas.
KHAYAL (moodboard): Poetry etched in fabric, Golden Trellis alludes to the once opulent courts of the ancient royalties of India. Trellis is the jaali like window pattern, a signature architecture in heritage monuments of the Golden Era. This museum quality piece of legacy bound, wearable art will a pride for any one who owns it.
POSHAAK (about the dupatta): Handloom Tussar Silk Dupatta embroidered beautifully with the Trellis (jaalidaar window) Pattern Mukaish (Chheenta Mukaish) all over & finished with Gold kingri gota lace detailing (not visible in images) on the daaman of the Dupatta. The dupatta shade is natural beige colour of Tussar yarn. It is a beautiful Heirloom piece that works perfectly well standalone with any Kurta - Chikankari, Banarasi, Plain Tussar, Chanderi, etc. This one dupatta is versatile to dress up and down and adds the elegance that only Heirloom Pieces can. A perfect hand me down too.
Imp: This dupatta is natural Tussar beige colour. If you want this coloured to a shade of your choice, then drop us an email at namaste@meiraas.com
Golden Trellis is our heirloom collection of Mukaish work that was historically done once upon a time in Awadh region, but is not done any more. Golden Trellis is a result of, one of the many research projects we are working upon simultaneously. We know some might not see light of the day (although we firmly believe that everything can be revived if we just have the right patience and the will to keep going), some will prove to be false tales - a mirage of a narrative built for dramatic value and nothing more...but some, like Golden Trellis will be a reality that can be translated to fabric yet again, even if in a small way, even if a shadow of its one time glory...at least there will be a start.
Golden Trellis is part of the Art & Antiquities Project undertaken by Meiraas.
The Sustainability Quotient (TSQ):
Heirloom Full Jaal Mukaish: While Mukaish as a craft has mostly now become an embellishment to Chikankari, we at Meiraas have been trying consistently, to introduce this beautiful craft in all its individual glory, & in more heritage yet functional ways to wear it, to increase the longevity and heirloom value of each piece. Mukaish Jaal Dupattas on Silk are stand alone Heirloom Dupattas, that are versatile to be paired with any Kurta.
Mukaish Hand Embroidery with proper "ghutaai" - this means Mukaish embroidery has been rubbed using old technique of filling pebbles in a bottle and rubbing on the embroidery, instead of new age roller press method. This one method ensures long lasting Mukaish. In itself Mukaish is more sustainable craft that sequins or "salma sitaara" embroidery, as Mukaish never comes off, maintaing the look of the garment for much longer time.
Handspun Handwoven Tussar Silk: Thigh reeled, Handspun, Handwoven soft Tussar Silk from the looms of Bhagalpur, Bihar has been used as a base for these dupattas.
KHAYAL (moodboard): Poetry etched in fabric, Golden Trellis alludes to the once opulent courts of the ancient royalties of India. Trellis is the jaali like window pattern, a signature architecture in heritage monuments of the Golden Era. This museum quality piece of legacy bound, wearable art will a pride for any one who owns it.
POSHAAK (about the dupatta): Handloom Tussar Silk Dupatta embroidered beautifully with the Barfi Pattern Mukaish (Chheenta Mukaish and Tiki Mukaish) all over & finished with Gold kingri gota lace detailing (not visible in images) on the daaman of the Dupatta. The dupatta shade is natural beige colour of Tussar yarn. It is a beautiful Heirloom piece that works perfectly well standalone with any Kurta - Chikankari, Banarasi, Plain Tussar, Chanderi, etc. This one dupatta is versatile to dress up and down and adds the elegance that only Heirloom Pieces can. A perfect hand me down too.
Imp: This dupatta is natural Tussar beige colour. If you want this coloured to a shade of your choice, then drop us an email at namaste@meiraas.com