This shawl is Ready To Ship.THE SUSTAINABILITY QUOTIENT (TSQ):-
Resham Chikankari (Hand Embroidery Practised Since Ancient Age).
2 Taar Resham Chikankari (very rare)
Hand Picked Ancient Archived Motifs.
Conceptual and Exclusive Chikankari Artwork on Zari Silk fabric.
Handloom Zari Silk fabric.
Museum quality Chikankari sarees that can be handed down generation to generation as a treasure.
KHAYAAL (Mood-board):
Gold on Gold tone Chikankari was a dream drape, that we could only imagine a Goddess draping on herself. Our moodboard was a wrap that is rich like molten gold, embroidered like it is carved using finest craftsmanship on gold, malleable like it is a rich gold lava flowing...
This is what shaped the Shahi Paan Gold Wrap/Shawl. We wanted a drape so exceedingly rich & lustrous, and yet so incredibly detailed with antique quality Chikankari, that it makes hearts stop.
POSHAAK (About the garmemt):
The stunning Shahi Paan silk shawl, is embroidered with extremely delicate and prized stitches of Conceptual Chikankari Art work.
The either side of the shawl width has the grand Shahi Paan motif, that we re created basis an archival image of a 18th Century Chikankari motif.
The body is made of an intricate trellis jaal, where hand cut work stitches like hathkati have been used extensively, to bring out the beauty of this drape.
The shawl features some rarest stitches done in 2 Taar Resham Chikankari - hathkati, shadow, murri, phanda, orma, pechni, and many more.
It is a visual treat for any connoisseur of fine Chikankari craft.
It is extremely difficult to work on full Zari Silk Chikankari pieces, because of many reasons:
The fabric reflects light back, making it impossible to work in full light, hence it needs perfect light setting in a room and extremely skilled artisans to make it.
Such fabric requires enormous dexterity and a very fine level of craftsmanship, therefore the number of artisans working on it are just 1-2 only. This means it takes more time than other sarees
Words will fall short in the praise of this exquisite beauty of a drape!! Some of these motifs are centuries old, and some freshly carved looking at centuries old motifs. A rare piece of Art.
This shawl is a timeless heirloom that you would like to pass on generation after generation.
This Shawl will pair fabulously with Shahi Paan Gold Zari Silk 2 Taar Chikankari Kurta set
P.S: If you are noticing dark patches anywhere in the pictures, then that is the Zari reflecting the light back to the camera, and this is not present on the shawl.
Avoid moisture seeping into such pieces. Always store them in a dry place and in the Meiraas bag we deliver them in. Keep opening Silk Fabrics in every 6 months and changing its folds.
Antique Masterclass Jaali Chikankari Hand Embroidery Dupatta on handwoven Organza with Ganga Jamuna borders of Tested Zari Gold & Silver on either side.
The Sustainability Quotient (TSQ):
Masterclass Jaali stitch work using Zari filament, which is extremely difficult to do.
Sustaining highest quality of Jaali stitch as centrepiece, which is almost vanishing from the craft or getting replaced with sequins and cutdana.
Very fine resham taar Chikankari done with immense detailing inside the motif
Handwoven Pure Organza Silk with tested Zari borders of Gold & Silver, making it a Hand embroidered and Hand Woven wholesome piece of wearable art.
KHAYAL (moodboard): Have you ever seen Lucknow's famous 500 plus year old dessert recipe, Malai Gilauri? For those who have not, it is Malai or Khurchan cooked over hours, that is removed from the sides of a paan, when cooled down. The layer of cooked Malai is then decorated with many beautiful condiments - pistachios, almonds, sugar, kewra water - before rolling into a Gilauri. The process just before making the Gilauri is a beautiful sight. This motif with the finest stitches of most beautiful & complex embroidery, and Jaali stitch, reminds us of the Gilauri, just before getting folded and bound into a mouthful of sweet bliss.
POSHAAK (about the garment): This dupatta has 3 Malai Gilauri motifs along the centre length, making it look full, yet not overwhelming, so that the extremely beautiful Gilauri motif looks clutter free and neat, resting upon delicate Organza. A subtle stunner!! Small floral bootis accompany this one of a kind dupatta.
Important: You can email us at namaste@meiraas.com if you wish to get this dupatta in any other colour or wish to plan a Kurta with it.
Rare Hand Embroidery: Three colour embroidery on re created Bijli Boota with intricate cutwork like Bijli, Hathkati & Jaali in one motif! A rare feat indeed.
Re created vintage motif: Bijli boota has been re created from scratch by Meiraas. Please see our founder's IGTV, The Building Blocks, to know more.
Handloom Pure Organza Silk
KHAYAL (moodboard): Jane Bennett is a character in Pride & Prejudice (1813), a legendary classic by Jane Austen. She is one of the five lovely Bennett sisters, & is another underrated character. She has all the characteristics of a classic heroine - beautiful, calm, composed, gentle, kind with a need to see good in everyone - yet she is more of a non central protagonist in the book. Many readers find Jane very placid & simple, yet I see many character traits in Jane that are tied up better in her dearest & closest sister, Elizabeth. Jane just knows how to keep one trait apart from another. This is why this buttery Organza Dupatta with same motif in three diverse colours of Pink, Yellow & Blue symbolises Jane the best.
POSHAAK (about the garment): Natural White Handloom Organza Dupatta with pure tested Gold & Silver Zari borders, embroidered with delicate Bijli Boota re created by Meiraas from an archived block. This block has 3 master cutwork stitches in one motif - Hool, Jaali & Hathkati along with other with stitches like Phanda, Orma & Shadow. It is a rare masterpiece!
Imp: Colours may vary a bit, although they are all shot professionally in studio set up & closest colour has been photographed; Any variation can be due to digital medium of photography that is outside our control.
Please Note: Only the dupatta is for sale in this post. You can drop us a mail at namaste@meiraas.com to plan a Kurta to go with this dupatta.
“There is a dialogue exchange in one of my favourite director, Satyajit Ray's, historical classic based on my city, Lucknow, Shatranj Ke Khiladi. The scene is like this - General Outram (portrayed very effectively by British actor Sir Richard Attenborough), the British appointed Resident at Lucknow, is conversing with a British doctor and legal practitioner, Ferra, on the ways to annex Awadh. During the conversation, General Outram, a true Brit, remarks on the perfume that the Nawab wears, which he calls "extraordinary" in sarcasm, but complains that his uniform reeks of it, even 3 months after the interview with the Nawab Wajid Ali Shah. Ferra remarks that the perfume is " attar", a Damask Rose Parfum made locally in Awadh. The slight on this fabulous perfume from Awadh was hurtful, yet expected from a character like Outram, who did not understand concepts of Indian aesthetics and was brought up to demean them. My mind however got stuck on Ferra's explanation of "Perfume of Damask Rose". My personal collection of perfumes is only of Ittar from Awadh - Khus, Gulaab, Sandal - being my absolute favourite. I always wanted to incorporate their name into a luxury piece created in Meiraas. So here is presenting a whiff of Damask Rose - The Gulaab Ittar Dupatta ” - Vidhi Rastogi, Head of Creative, Meiraas.
A true museum art piece, the Gulab Ittar dupatta, is an exemplary piece of Luxury Chikankari. Created on supple Handwoven Tussar Silk, the dupatta is dyed in the shade of dark Kaner Gulaab, and embroidered upon with a lovely Coral Pink Orange resham thread.
The highlight of this luxury dupatta is the fantastic Jaali work with Gold Qasab taar (jaali stitch made using zari filament vis a vis thread, which means it is more difficult, rare and time taking to create). The Gulab Ittar Dupatta is finished on either daaman with crochet lace dyed in the same colour. It is a fragrance of true art!!
Please Note: Last Image is of a plain Handwoven Tussar Silk Kurta Fabric in contrasting complimentary colour, that we are providing with this dupatta, as a gesture.
“There is a dialogue exchange in one of my favourite director, Satyajit Ray's, historical classic based on my city, Lucknow, Shatranj Ke Khiladi. The scene is like this - General Outram (portrayed very effectively by British actor Sir Richard Attenborough), the British appointed Resident at Lucknow, is conversing with a British doctor and legal practitioner, Ferra, on the ways to annex Awadh. During the conversation, General Outram, a true Brit, remarks on the perfume that the Nawab wears, which he calls "extraordinary" in sarcasm, but complains that his uniform reeks of it, even 3 months after the interview with the Nawab Wajid Ali Shah. Ferra remarks that the perfume is " attar", a Damask Rose Parfum made locally in Awadh. The slight on this fabulous perfume from Awadh was hurtful, yet expected from a character like Outram, who did not understand concepts of Indian aesthetics and was brought up to demean them. My mind however got stuck on Ferra's explanation of "Perfume of Damask Rose". My personal collection of perfumes is only of Ittar from Awadh - Khus, Gulaab, Sandal - being my absolute favourite. I always wanted to incorporate their name into a luxury piece created in Meiraas. So here is presenting a whiff of Sandalwood Ittar through weaves & crafts of India - The Sandal Ittar Dupatta ” - Vidhi Rastogi, Head of Creative, Meiraas.
A true museum art piece, the Sandal Ittar dupatta, is an exemplary piece of Luxury Chikankari. Created on supple Handwoven Tussar Silk, the dupatta is crafted on the natural shade of Tussar Silk, a Golden beige, as balmy as Sandal, and embroidered upon with the same coloured resham thread.
The highlight of this luxury dupatta is the fantastic Jaali work with Gold Qasab taar (jaali stitch made using zari filament vis a vis thread, which means it is more difficult, rare and time taking to create). The Sandal Ittar Dupatta is finished on either daaman with crochet lace dyed in the same colour. It is a fragrance of true art!!
Please Note: Last Image is of a plain Handwoven Tussar Silk Kurta Fabric in contrasting complimentary colour, that we are providing with this dupatta, as a gesture.
Pink Dupatta with Blue Tepchi Chikankari with Bel Boota (floral vine) motif, inspired by Nawab era & Rajasthani Flower Art. A perfect dupatta for Light Occasion or Office Wear.
This motif is also the identification of chiseled stone crafted art in many historical monuments of India.
All Meiraas motifs of Chikankari are extremely high quality & rare to be found.
Details: The fabric used here is Cotton Silk.
Additional Information:
Washing Instructions: Dry Clean Only
BIO WASHED (COMPLETELY ELIMINATING TRADITIONAL ACID WASH METHOD)
KHAYAL (mood-board):Paan, the rarely used, yet as significant a symbol of Awadh's iconography. The broad spectrum of Paan (Betel Leaf) provides platform for artistry, which ancient artisans used to fill with mystique & romance through their skilled artwork.
POSHAAK (about the outfit): Handloom Tussar Silk stole embroidered with Antique Chikankari with Betel leaf or Paan motif. A beautiful souvenir from the Handloom & Handicraft Industry of India.
Antique Masterclass Jaali Chikankari Hand Embroidery Dupatta on handwoven Organza with Ganga Jamuna borders of Tested Zari Gold & Silver on either side.
The Sustainability Quotient (TSQ):
Masterclass Jaali stitch work using Zari filament, which is extremely difficult to do.
Sustaining highest quality of Jaali stitch as centrepiece, which is almost vanishing from the craft or getting replaced with sequins and cutdana.
Very fine resham taar Chikankari done with immense detailing inside the motif
Handwoven Pure Organza Silk with tested Zari borders of Gold & Silver, making it a Hand embroidered and Hand Woven wholesome piece of wearable art.
KHAYAL (moodboard): Have you ever seen Lucknow's famous 500 plus year old dessert recipe, Malai Gilauri? For those who have not, it is Malai or Khurchan cooked over hours, that is removed from the sides of a paan, when cooled down. The layer of cooked Malai is then decorated with many beautiful condiments - pistachios, almonds, sugar, rose water, gulkand - before rolling into a Gilauri. The process just before making the Gilauri is a beautiful sight. This motif with the finest stitches of most beautiful & complex embroidery in Pink & Peach, and Jaali stitch, reminds us of the Gulaab Gilauri, just before getting folded and bound into a mouthful of sweet bliss.
POSHAAK (about the garment): This dupatta has 3 Gulaab Gilauri motifs along the centre length, making it look full, yet not overwhelming, so that the extremely beautiful Gilauri motif looks clutter free and neat, resting upon delicate white Organza. A subtle stunner!! Small floral bootis accompany this one of a kind dupatta.
Important: You can email us at namaste@meiraas.com if you wish to plan a Kurta with this dupatta.
White Dupatta with White Chikankari with unique Meiraas Patta Boota(Floral) motif, inspired by Nawab era & Rajasthani Flower Art. A perfect dupatta for Light Occasion or Office Wear.
This motif is also the identification of Mughal Art seen in many historical palaces of India.
All Meiraas motifs of Chikankari are extremely high quality & rare to be found.
Details: The fabric used here is Cotton Silk.
Additional Information:
Washing Instructions: Cold Water & Mild Detergent or Baby Shampoo wash at home with gentle hands. You can Dry Clean also
Rare Hand Embroidery: Nuanced Tepchi Hand Embroidery using Resham Thread
Handloom Kota Doria: A rarity in itself now. We came upon this batch with great difficulty as most of the Kota available now in market is not handwoven.
KHAYAL (moodboard): Jane Eyre (1847) is an English Classic Novel penned by Charlotte Bronte under her pseudonym Currer Bell. Jane Eyre is an extremely moving story of an orphan who, despite the bleakness of her situation in life, aspires & hopes to find life, light & love, and eventually through her own journey finds everything she wished for. Her chance for hope is symbolised by lemon yellow embroidery (colour of hope), against the coldness of white. This dupatta is Jane Eyre.
POSHAAK (about the dupatta): White Handloom Kota Dupatta embroidered with stark lemon yellow delicate Tepchi Chikankari in floral pattern. Last image is taken against a backlight.
Imp: Colours may vary a bit, although they are all shot professionally in studio set up & closest colour has been photographed; Any variation can be due to digital medium of photography that is outside our control.
Please Note: Only the dupatta is for sale in this post
Rare Hand Embroidery: Three colour embroidery on re created Bijli Boota with intricate cutwork like Bijli, Hathkati & Jaali in one motif! A rare feat indeed.
Re created vintage motif: Bijli boota has been re created from scratch by Meiraas. Please see our founder's IGTV, The Building Blocks, to know more.
Handloom Organza: Localised production of Handwoven Organza material. This gives more new work to Handlooms in creating base fabrics.
KHAYAL (moodboard): Elizabeth Bennett is the central protagonist of Pride & Prejudice (1813), a legendary classic by Jane Austen. She is one of the five lovely Bennett sisters, & is now considered amongst the greatest heroines of English Classic Literature. Elizabeth is "second only to Jane in beauty & countenance", yet her most endearing aspect is her cynicism tempered with her sweet nature. With all the traits that Jane has & keeps each separate from the other, Elizabeth's character is a beautifully aligned composition of each one of them in a neat & witty package. This is why this buttery Organza Dupatta with three diverse colours of Pink, Yellow & Blue in one Motif symbolises Elizabeth the best, & as an evolved version of Jane.
POSHAAK (about the dupatta): Natural White Handloom Organza Dupatta with pure tested Gold & Silver Zari borders, embroidered with delicate Bijli Boota re created by Meiraas from an archived block. This block has 3 master cutwork stitches in one motif - Hool, Jaali & Hathkati along with other wtitches like Phanda, Orma & Shadow. It is a rare masterpiece!
Imp: Colours may vary a bit, although they are all shot professionally in studio set up & closest colour has been photographed; Any variation can be due to digital medium of photography that is outside our control.
Please Note: Only the dupatta is for sale in this post
Rare Hand Embroidery: Nuanced Tepchi Hand Embroidery in full jaal using Resham Thread
Handloom Kota Doria: A rarity in itself now. We came upon this batch with great difficulty as most of the Kota available now in market is not handwoven.
KHAYAL (moodboard): Catherine Earnshaw is one of the central characters of Wuthering Heights (1847), an iconic & solo work of Emily Bronte. Wuthering Heights is tumultuous, raw, untamed, complex. While many readers feel that is a symbolism of its male protagonist, Heathcliff, I have always felt that the wild English moors of this novel symbolise Catherine, its female protagonist. I felt Heathcliff reacted to everything that was Catherine. Catherine is extremely complex; raised to be a lady & aspiring to be one too, she however loves untamed wildness. The intricate jaal work of this dupatta and its creamy sophistication alongside, makes us name it Catherine.
POSHAAK (about the dupatta): Cream Handloom Kota Dupatta embroidered with delicate full jaal tone on tone Tepchi Chikankari in floral & paisley pattern. Last image is taken against a backlight. The crochet lace detailing in cream colour is a signature style of Meiraas & adds to the character of the dupatta.
Imp: Colours may vary a bit, although they are all shot professionally in studio set up & closest colour has been photographed; Any variation can be due to digital medium of photography that is outside our control.
Please Note: Only the dupatta is for sale in this post
Meiraas Patta Boota(Floral) Dupatta is a unique motif by us, inspired by Rajasthani Flower Art & Mir Taqi Mir Sahab's famous "kalaam" - Patta Patta Boota Boota. A perfect dupatta for Light Occasion or Office Wear.
All Meiraas motifs of Chikankari are extremely high quality & rare to be found.
Details: The fabric used here is Cotton Silk.
Additional Information:
Washing Instructions: Cold Water & Mild Detergent or Baby Shampoo wash at home with gentle hands. You can Dry Clean also
Style Tip: Will work perfectly with Tart Linen Shibori Kurta from Rang Deenhi Collection
Khus Dupatta with unique Meiraas Patta Boota(Floral) motif, inspired by Rajasthani Flower Art & Mir Taqi Mir Sahab's famous "kalaam" - Patta Patta Boota Boota. A perfect dupatta for Light Occasion or Office Wear with light Mukaish highlights.
All Meiraas motifs of Chikankari are extremely high quality & rare to be found.
Details: The fabric used here is Cotton Silk.
Additional Information:
Washing Instructions: Cold Water & Mild Detergent or Baby Shampoo wash at home with gentle hands. You can Dry Clean also
Style Tip: Will work perfectly with Khus Chikankari Cotton Kurta in Dopehri 2022 Collection.
Rare Hand Embroidery: We have focussed on finding rare & very old motifs belonging to actual Regency Era that were used in Chikankari back then. This is one of those miniature old motifs that otherwise is never visible in Chikankari. When wearing this motif you are wearing a piece of History. Please see our founder's IGTV "The Building Blocks" for more details.
Handloom Kota Doria: A rarity in itself now. We came upon this batch with great difficulty as most of the Kota available now in market is not handwoven.
KHAYAL (moodboard): Bronte's World - Bronte's World refers to the three sisters of Classic English Literature scene - Charlotte, Emily & Anne. The three were less celebrated & underrated authors. Charlotte wrote Jane Eyre and Shirley; Emily wrote the magnetic & solo Wuthering Heights; Anne was further underrated amongst the trio & wrote Agnes Grey and the now iconic The Tenant of Wildfell Hall. While set near about three decades after Austen, Bronte sisters explored a bleaker take of English countryside. The setting is more or less same, but where Austen's World is cheerful & simple, Bronte's World is untamed, bleak & raw with hope for sunshine. Blue & Yellow embroidery thus made perfect sense to symbolise Bronte's World.
POSHAAK (about the dupatta): White Handloom Kota Dupatta embroidered with a 250 plus year old motif in our workshop that did not look inspired by any local flora icon that is commonly used. The two tone embroidery is done in Powder Blue & Butter Yellow.
Imp: Colours may vary a bit, although they are all shot professionally in studio set up & closest colour has been photographed; Any variation can be due to digital medium of photography that is outside our control.
Rare Hand Embroidery: We have focussed on finding rare & very old motifs belonging to actual Regency Era that were used in Chikankari back then. This is one of those miniature old motifs that otherwise is never visible in Chikankari. When wearing this motif you are wearing a piece of History. Please see our founder's IGTV "The Building Blocks" for more details.
Handloom Kota Doria: A rarity in itself now. We came upon this batch with great difficulty as most of the Kota available now in market is not handwoven.
KHAYAL (moodboard): Austen's World - Set in Regency Era, Austen's World refers to the classic books written by English Author, Jane Austen. The world she creates is a lilting melody that celebrates the small happiness of the usual life. There is sunshine, English gardens, summer balls, love, heartbreak, a clever dichotomy of aspiring middle class English society & the upscale Aristocracy reaching out for a humble approach to life. Pink & Yellow floral motif on soft white gossamer Kota fabric symbolises Austen's sunshine World.
POSHAAK (about the dupatta): White Handloom Kota Dupatta embroidered with a 250 plus year old motif in our workshop that did not look inspired by any local flora icon that is commonly used. The two tone embroidery is done in Powder Pink & Butter Yellow.
Imp: Colours may vary a bit, although they are all shot professionally in studio set up & closest colour has been photographed; Any variation can be due to digital medium of photography that is outside our control.
Rare Hand Embroidery: Nuanced Tepchi Hand Embroidery using Resham Thread
Handloom Kota Doria: A rarity in itself now. We came upon this batch with great difficulty as most of the Kota available now in market is not handwoven.
KHAYAL (moodboard): Emma (1815) is an English Classic penned by the legendary Jane Austen. Emma Woodhouse's World is carefree, full of peachy youth, an eagerness to help and fix everyone's problems and as a result create more problems. Austen's writing exposes a very different English society, one that is more simple & relatable to the slice of every day life. Emma's adorable character traits made us name this Peach dupatta after her.
POSHAAK (about the dupatta): Peach Handloom Kota Dupatta embroidered with delicate tone on tone Tepchi Chikankari in floral pattern of unique Meiraas Motif created in 2017. Last image is taken against a backlight. The crochet lace detailing in peach colour is a signature style of Meiraas & adds to the character of the dupatta.
Imp: Colours may vary a bit, although they are all shot professionally in studio set up & closest colour has been photographed; Any variation can be due to digital medium of photography that is outside our control.
Please Note: Only the dupatta is for sale in this post