The motifs used in this saree are generally used for Pure Georgette sarees. In the local language of the artisans they called "Pure ka Boota" (meaning expensive motif). The motifs generally used for everyday Cotton Sarees are unskilled and are referred to as "chaalu kaam" (basic work) in their local parlance. The usage of this motif gave them an opportunity to work upon designs that they generally never get, thereby enhancing their skill set.
Jaali Stitch - fast vanishing from all artisans skill set, the Jaali stitch now remains a cynosure of premium Chikankari units only. The bargain basement embroidery market has completely devolved the artisan skill in Chikankari. We got them back to practising Jaali stitch by commissioning the same on Rajnigandha saree. (please refer to last image for reference, as initial photos did not have Jaali. The last image is taken indoors with mobile phone to show jaali).
Khayal (moodboard):"Rajnigandha Collection was born out of my love of 70s effortless and relatable genre of Hindi Cinema, and the look of the heroines of such films, who felt closer to the women in my family & around me – my mother, my aunts, my teachers – all of whom were heroines in their own life, and were changing the societal mindset, to accept women who knew their mind, could go out & work, or homemakers who needed personal time, have a life and defined choices, while taking their family along in this journey. It was an interesting time!!
Rajnigandha was especially chosen for Chikankari sarees, because they were heavily worn by women of all age groups in Lucknow, light worked ones and heavier Tepchi ones in pretty sorbet & pastel shades.
The collection is also my heart collective, as it involves Artisan Skill Enhancement at each level, along with using good quality handwoven cotton fabric, all of which has completely disappeared from Chikankari everyday sarees."- Vidhi Rastogi, Head of Creative, MeiraasPoshaak (about the saree): An oblong Cypress Boota, a rare find, anoints itself on this beautiful Chikankari saree, that we choose to call Black Currant. The motif is extremely rare, and has beautiful & very rare Jaali stitch done in cotton thread, a rarity now in everyday Chikankari sarees.
It is a beautiful Lavender hued saree, that needs very little to dress it up or down for various occasions.
Wear it for office with silver jewellery, or brunch with friends with well chosen Tribal Jewels.
This is Amber Charkha spun (non motorised) & Handwoven soft Cotton from West Bengal. It is embroidered with intricate Cypress motif, a rare motif to be found in Lucknow, with intricate workmanship and most importantly Jaali embroidery (please refer to last image). Rest of the saree has small floral bootis all over.
It is a perfect light office/lunch/brunch/casual wear saree, yet one that will make heads turn. The drape is perfect for any weather.
Artisan Skill Enhancement: The artisan unit that has embroidered this Chikankri Saree had never worked on a saree before or done skilled stitch work. They had never even worked on any pure fabric & only did "shadow" "phanda" stitches for fast moving Chikan goods. Such nuanced work enhanced their skill and gives them better chance of earning more.
Slow Layout of Embroidery: The embroidery layout is in typical style of an Heirloom saree with more designs and even Shadow work. This breaks away from the allover simple Tepchi embroidery that is the norm of fast moving Chikan work.
Non Motorised Amber Charkha Spun Fabric yarn.
Handwoven high count Cotton Saree
Azo Free filtered dyeing
Khayal (moodboard): Rajnigandha collection is inspired by Everyday Effortless charm of saree draping from 1970s-80s, when the ladies of our homes used to drape sarees for everyday chores, & not just for occasions. There was a certain careless abandon in this style, that made the drapes very relatable and one with the wearer, which is an emotion missing now from saree draping. Since the collection finds its muse in 1970s middle cinema heroines, like Vidya Sinha, the names are kept reminiscent of the romance of those ages!! Badra (Monsoon Clouds) is a slice of life name, that is evocative of the simple yet soulful era!!
Poshaak (about the saree):
Beautiful & rare Peacock Motif along with a stunning floral shadow motif and Lotus creepers come together to celebrate this beautiful Chikankari saree. To create this one of a kind Tepchi with Shadow embroidery layout, we re-imagined this saree in the style of design layout that is usually reserved for pure georgette Chikankari sarees; only, we gave this a twist suited best for good quality Tepchi embroidery. Instead of an allover same embroidery pattern, that is normal with Tepchi, we broke the palla layout into interesting panels to include more nuanced motifs & even included a Shadow stitch motif. This makes the layout of the saree unique, and allows the artisans to enhance their skill in Tepchi embroidery. Please remember, that only constant practise and challenges makes crafts perfect.
We absolutely love Tepchi Chikankari. The delicate Tepchi is quite literally Summer embroidered on your saree.
However, off late the Tepchi we have started getting in markets is a travesty. You will be lucky to find a really good quality Tepchi for office or casual wear. We have worked very hard on this saree to create a fantastic Tepchi & some shadow work masterpiece, along with Handwoven fabric!! This is a true collector's delight.
The unconventional Indigo hue is stunning, all season fresh & outstanding , making it a perfect & must have Chikankari wear.
Creating a Chikankari saree on Handspun Handwoven Cotton weave was always our dream. We have been successful in finding the perfect sustainable drape for our delicately embroidered sarees.
This is a new design introduced this year. It is a perfect light office/lunch/brunch/casual wear saree, yet one that will make heads turn. The drape is perfect for any weather.
IMP: The model is 5ft 7.5 inches and is with 1.5 inches approx heels in the shoot.
Styling Tip: Wear with Rajnigandha Crop Top
Artisan Skill Enhancement: The artisan unit that has embroidered this Chikankri Saree had never worked on a saree before or done skilled stitch work. They had never even worked on any pure fabric & only did "shadow" "phanda" stitches for fast moving Chikan goods. Such nuanced work enhanced their skill and gives them better chance of earning more.
Slow Layout of Embroidery: The embroidery layout is in typical style of an Heirloom saree with more designs and even Shadow work. This breaks away from the allover simple Tepchi embroidery that is the norm of fast moving Chikan work.
Non Motorised Amber Charkha Spun Fabric yarn.
Handwoven high count Cotton Saree
Azo Free filtered dyeing
Khayal (moodboard): Rajnigandha collection is inspired by Everyday Effortless charm of saree draping from 1970s-80s, when the ladies of our homes used to drape sarees for everyday chores, & not just for occasions. There was a certain careless abandon in this style, that made the drapes very relatable and one with the wearer, which is an emotion missing now from saree draping. Since the collection finds its muse in 1970s middle cinema heroines, like Vidya Sinha, the names are kept reminiscent of the romance of those ages!! Khili Dhoop (Bright Sunshine) is a slice of life name, that is evocative of the simple yet soulful era!!
Poshaak (about the saree):
To create this one of a kind Tepchi with Shadow embroidery layout, we re-imagined this saree in the style of design layout that is usually reserved for pure georgette Chikankari sarees; only, we gave this a twist suited best for good quality Tepchi embroidery. Instead of an allover same embroidery pattern, that is normal with Tepchi, we broke the palla layout into interesting panels to include more nuanced motifs & even included a Shadow stitch motif. This makes the layout of the saree unique, and allows the artisans to enhance their skill in Tepchi embroidery. Please remember, that only constant practise and challenges makes crafts perfect.
We absolutely love Tepchi Chikankari. The delicate Tepchi is quite literally Summer embroidered on your saree.
However, off late the Tepchi we have started getting in markets is a travesty. You will be lucky to find a really good quality Tepchi for office or casual wear. We have worked very hard on this saree to create a fantastic Tepchi & some shadow work masterpiece, along with Handwoven fabric!! This is a true collector's delight.
The Bright Yellow hue is uplifting & outstanding , making it a perfect & must have Chikankari wear.
Creating a Chikankari saree on Handspun Handwoven Cotton weave was always our dream. We have been successful in finding the perfect sustainable drape for our delicately embroidered sarees.
This is our Bestseller Saree since year 2020, and has been brought back into stock 4th time now. It is a perfect light office/lunch/brunch/casual wear saree, yet one that will make heads turn. The drape is perfect for any weather.
IMP: The model is 5ft 7.5 inches and is without heels in the shoot.
Styling Tip: Wear with Dopehri Cotton Chikankari Crop Top
Cotton Silk is one of the most popular fabric produced by India. Cotton Silk of every state in India differs from the other & just the tracing of this beautiful buttery fabric, whether Handloom or Powerloom, is an absolute delight.
Meiraas presents Aqua Blue Rajnigandha saree on Cotton Silk.
This saree has a beautifully embroidered long & heavy palla of Indian Garden Art & the borders of the palla are locked with an unique "bel" (creeper) of Paisley.
The saree is embroidered by our regular unit & is yet another example of how we managed to create highly skilled craft from a unit that was accustomed to making rough & unskilled work.
When you choose to add this saree to your wardrobe, you contribute towards encouraging skilled & improved craftsmanship for artisans who toiled for over 1 year in creating these wonders.
Additional Details:
Gota Kingri in Gold/Silver is not visible in the images, but will be added on the saree before shipping. To see how that looks, you can check Pink Rajnigandha Cotton Silk Saree of same price range.
The Model in the picture is of 5ft 7.5 inches height & is wearing no heels.
Colours like Blue, Red & Green are a little difficult in catching the exact colour. However, we are posting the closest colour here. Some variation in colour will happen due to digital medium of viewing the product.
This saree feels like a full delicate Indian Garden dumped beautifully on butter silk folds of the saree.
Cotton Silk is one of the most popular fabric produced by India. Cotton Silk of every state in India differs from the other & just the tracing of this beautiful buttery fabric, whether Handloom or Powerloom, is an absolute delight.
Meiraas presents Butter Yellow Royale Rajnigandha saree on Cotton Silk.
This saree has a stunning palla composition starting with intricate floral creepers & two distinct Floral Arts inside clever geometric patterns. The rest of the saree has stunning bel boota all over it. This is a delight for any night or day functions, or even in festivities like Navratra & Pujo.
The saree is embroidered by our regular unit & is yet another example of how we managed to create highly skilled craft from a unit that was accustomed to making rough & unskilled work.
When you choose to add this saree to your wardrobe, you contribute towards encouraging skilled & improved craftsmanship for artisans who toiled for over 1 year in creating these wonders.
Additional Details:
The Model in the picture is of 5ft 7.5 inches height & is wearing no heels.
Colours like Blue, Red & Green are a little difficult in catching the exact colour. However, we are posting the closest colour here. Some variation in colour will happen due to digital medium of viewing the product.
Artisan Skill Enhancement: The artisan unit that has embroidered this Chikankri Saree had never worked on a saree before or done skilled stitch work. They had never even worked on any pure fabric & only did "shadow" "phanda" stitches for fast moving Chikan goods. Such nuanced work enhanced their skill and gives them better chance of earning more.
Slow Layout of Embroidery: The embroidery layout is in typical style of an Heirloom saree with more designs and even Shadow work. This breaks away from the allover simple Tepchi embroidery that is the norm of fast moving Chikan work.
Non Motorised Amber Charkha Spun Fabric yarn.
Handwoven high count Cotton Saree
Azo Free filtered dyeing
Khayal (moodboard): Rajnigandha collection is inspired by Everyday Effortless charm of saree draping from 1970s-80s, when the ladies of our homes used to drape sarees for everyday chores, & not just for occasions. There was a certain careless abandon in this style, that made the drapes very relatable and one with the wearer, which is an emotion missing now from saree draping. Since the collection finds its muse in 1970s middle cinema heroines, like Vidya Sinha, the names are kept reminiscent of the romance of those ages!! Thandi Chhaon (Cool Shade) is a slice of life name, that is evocative of the simple yet soulful era!!
Poshaak (about the saree):
To create this one of a kind Tepchi with Shadow embroidery layout, we re-imagined this saree in the style of design layout that is usually reserved for pure georgette Chikankari sarees; only, we gave this a twist suited best for good quality Tepchi embroidery. Instead of an allover same embroidery pattern, that is normal with Tepchi, we broke the palla layout into interesting panels to include more nuanced motifs & even included a Shadow stitch motif. This makes the layout of the saree unique, and allows the artisans to enhance their skill in Tepchi embroidery. Please remember, that only constant practise and challenges makes crafts perfect.
We absolutely love Tepchi Chikankari. The delicate Tepchi is quite literally Summer embroidered on your saree.
However, off late the Tepchi we have started getting in markets is a travesty. You will be lucky to find a really good quality Tepchi for office or casual wear. We have worked very hard on this saree to create a fantastic Tepchi & some shadow work masterpiece, along with Handwoven fabric!! This is a true collector's delight.
The Grey hue is unconventional & outstanding , making it a perfect & must have Chikankari wear.
Creating a Chikankari saree on Handspun Handwoven Cotton weave was always our dream. We have been successful in finding the perfect sustainable drape for our delicately embroidered sarees.
This is our Bestseller Saree since year 2020, and has been brought back into stock 4th time now. It is a perfect light office/lunch/brunch/casual wear saree, yet one that will make heads turn. The drape is perfect for any weather.
IMP: The model is 5ft 7.5 inches and is without heels in the shoot.
Styling Tip: Wear with Dopehri Cotton Chikankari Crop Top
Artisan Skill Enhancement: The motifs used in this saree are generally used by non premium work units for Viscose or Pure Georgette sarees. In their local language they called "Pure ka Boota" (meaning expensive motif). The motifs generally used for everyday Cotton Sarees are unskilled and are referred to as "chaalu kaam" (basic work) in their local parlance. The usage of this motif gave them an opportunity to work upon designs that they generally never get.
Azo Free Dyes
Khayal (moodboard):"Rajnigandha Collection was born out of my love of 70s effortless and relatable genre of Hindi Cinema, and the look of the heroines of such films, who felt closer to the women in my family & around me – my mother, my aunts, my teachers – all of whom were heroines in their own life, and were changing the societal mindset, to accept women who knew their mind, could go out & work, or homemakers who needed personal time, have a life and defined choices, while taking their family along in this journey. It was an interesting time!!
Rajnigandha was especially chosen for Chikankari sarees, because they were heavily worn by women of all age groups in Lucknow, light worked ones and heavier Tepchi ones in pretty sorbet & pastel shades.
The collection is also my heart collective, as it involves Artisan Skill Enhancement at each level, along with using good quality handwoven cotton fabric, all of which has completely disappeared from Chikankari everyday sarees." - Vidhi Rastogi, Head of Creative, MeiraasPoshaak (about the saree): We have named this saree Jamuni. This hue is one of the favourite ones in Meiraas. Jamun or Indian Java Plum is a fruit indigenous to Jambudwipa or India Subcontinent. We grew up on a diet of its lassi & shake that had this beautiful lilac colour, so pleasing and fresh to the eyes and senses!!
This is Amber Charkha spun (non motorised) & Handwoven soft Cotton from West Bengal. It is embroidered with intricate Paan motif, an endearing motif of Lucknow, that is reminiscent of the favourite mouth freshener Luckhnavis are addicted to. Rest of the saree has small floral bootis all over.
It is a perfect light office/lunch/brunch/casual wear saree, yet one that will make heads turn. The drape is perfect for any weather.
P.S: This saree shade is soft very Pastel Lilac.
The motifs used in this saree are generally used for Pure Georgette sarees. In the local language of the artisans they called "Pure ka Boota" (meaning expensive motif). The motifs generally used for everyday Cotton Sarees are unskilled and are referred to as "chaalu kaam" (basic work) in their local parlance. The usage of this motif gave them an opportunity to work upon designs that they generally never get, thereby enhancing their skill set.
Jaali Stitch - fast vanishing from all artisans skill set, the Jaali stitch now remains a cynosure of premium Chikankari units only. The bargain basement embroidery market has completely devolved the artisan skill in Chikankari. We got them back to practising Jaali stitch by commissioning the same on Rajnigandha saree. (please refer to last image for reference, as initial photos did not have Jaali. The last image is an indoor mobile phone click to show jaali).
Khayal (moodboard):"Rajnigandha Collection was born out of my love of 70s effortless and relatable genre of Hindi Cinema, and the look of the heroines of such films, who felt closer to the women in my family & around me – my mother, my aunts, my teachers – all of whom were heroines in their own life, and were changing the societal mindset, to accept women who knew their mind, could go out & work, or homemakers who needed personal time, have a life and defined choices, while taking their family along in this journey. It was an interesting time!! Rajnigandha was especially chosen for Chikankari sarees, because they were heavily worn by women of all age groups in Lucknow, light worked ones and heavier Tepchi ones in pretty sorbet & pastel shades. The collection is also my heart collective, as it involves Artisan Skill Enhancement at each level, along with using good quality handwoven cotton fabric, all of which has completely disappeared from Chikankari everyday sarees."- Vidhi Rastogi, Head of Creative, MeiraasPoshaak (about the saree): An oblong Cypress Boota, a rare find, anoints itself on this beautiful Chikankari saree, that we choose to call MadhuMaalti. The motif is extremely rare, and has beautiful & very rare Jaali stitch done in cotton thread, a rarity now in everyday Chikankari sarees.
It is a beautiful Pink hued saree, that needs very little to dress it up or down for various occasions.
Wear it for office with silver jewellery, or brunch with friends with well chosen Tribal Jewels.
This is Amber Charkha spun (non motorised) & Handwoven soft Cotton from West Bengal. It is embroidered with intricate Cypress motif, a rare motif to be found in Lucknow, with intricate workmanship and most importantly Jaali embroidery (please refer to last image). Rest of the saree has small floral bootis all over.
It is a perfect light office/lunch/brunch/casual wear saree, yet one that will make heads turn. The drape is perfect for any weather.
Artisan Skill Enhancement: The motifs used in this saree are generally used for Pure Georgette sarees. In the local language of the artisans they called "Pure ka Boota" (meaning expensive motif). The motifs generally used for everyday Cotton Sarees are unskilled and are referred to as "chaalu kaam" (basic work) in their local parlance. The usage of this motif gave them an opportunity to work upon designs that they generally never get, thereby enhancing their skill set.
Azo Free Dyes
Khayal (moodboard):"Rajnigandha Collection was born out of my love of 70s effortless and relatable genre of Hindi Cinema, and the look of the heroines of such films, who felt closer to the women in my family & around me – my mother, my aunts, my teachers – all of whom were heroines in their own life, and were changing the societal mindset, to accept women who knew their mind, could go out & work, or homemakers who needed personal time, have a life and defined choices, while taking their family along in this journey. It was an interesting time!!
Rajnigandha was especially chosen for Chikankari sarees, because they were heavily worn by women of all age groups in Lucknow, light worked ones and heavier Tepchi ones in pretty sorbet & pastel shades.
The collection is also my heart collective, as it involves Artisan Skill Enhancement at each level, along with using good quality handwoven cotton fabric, all of which has completely disappeared from Chikankari everyday sarees." - Vidhi Rastogi, Head of Creative, MeiraasPoshaak (about the saree): Wine is a beautiful deep plum hued Chikankari saree, that needs very little to dress it up or down for various occasions. Wear it for office with silver jewellery, or brunch with friends with well chosen Tribal Jewels, while you order yourself a glass of Merlot.
Please Note: The saree is shot under studio light, colour will vary slightly when seen indoors & when seen outdoors in full sun. This is the nature of the colour.
This is Amber Charkha spun (non motorised) & Handwoven soft Cotton from West Bengal. It is embroidered with intricate Paan motif, an endearing motif of Lucknow, that is reminiscent of the favourite mouth freshener Luckhnavis are addicted to. Rest of the saree has small floral bootis all over.
It is a perfect light office/lunch/brunch/casual wear saree, yet one that will make heads turn. The drape is perfect for any weather.
This saree is Dyed on Order and will take 15-20 working days to be ready for dispatch once the order is placed.Â
The saree images are shot via mobile phone; professional shoot images of the saree is awaited and will be added soon.
The last image is of the same saree in Light Blue shade. That has been shared as just a reference on how the saree looks when draped.
Cotton Silk is one of the most popular fabric produced by India. Cotton Silk of every state in India differs from the other & just the tracing of this beautiful buttery fabric, whether Handloom or Powerloom, is an absolute delight.
Meiraas presents Light Jade Green Rajnigandha saree on Cotton Silk.
This saree has a beautifully embroidered long & heavy palla of Indian Garden Art & the borders of the palla are locked with an unique "bel" (creeper) of Paisley.
The saree is embroidered by our regular unit & is yet another example of how we managed to create highly skilled craft from a unit that was accustomed to making rough & unskilled work.
When you choose to add this saree to your wardrobe, you contribute towards encouraging skilled & improved craftsmanship for artisans who toiled for over 1 year in creating these wonders.
Additional Details:
We will finish this saree with beautiful crochet lace work (currently not visible in photos).
Colours like Blue, Red & Green are a little difficult in catching the exact colour. However, we are posting the closest colour here. Some variation in colour will happen due to digital medium of viewing the product.