This saree is now Made on Order, & will take 8-10 weeks approximately to get made & shipped. For colour customisation, please drop in a mail to [email protected]
THE SUSTAINABILITY QUOTIENT (TSQ):
- First Brand to launch Chikankari on the most sustainable fabric: Linen
- LINEN WEAVE COMMISSIONED FOR MEIRAAS, THEREFORE FULL QUALITY CONTROL
- RESHAM CHIKANKARI (HAND EMBROIDERY PRACTISED SINCE ANCIENT AGE)
- HAND PICKED ANCIENT ARCHIVED MOTIFS/ NEW OWN CREATED MOTIFS.
KHAYAAL (moodboard):
Yakshi Nadi - The River Goddess
Yakshi is the Goddess of Love, Passion, Nurturing, Power. Yakshi is the Goddess of Feminine Power. Yakshi Nadi (yellow) is our ode to the River Goddesses, whom we consider as our Mothers since the start of time. River is much more than a water body for us, She is a celestial mother who takes care of us. Yakshi Nadi shows the amalgamation of flora & fauna that are life supported by the power of our River Goddesses. The photograph with the model holding the water vessel is a throwback to Mother Ganga and Mother Yamuna sculptures in ancient temples holding water vessels (signifying their contribution to nurture life).
Yakshi is a celestial nymph mentioned in Ancient Puranic texts and epics like Ramayan and Mahabharat. The khayal to name this collection, Yakshi came with the Temple Art of India, like Khajuraho group of temples; the celestial nymphs are set in stone in the most beautiful expressions in these temples. They have been made with such devotion and aesthetics that one can imagine them coming to life at night, and reliving the days of past glory!!
Linen as a fabric was extensively worn in almost all Ancient Civilisations. In fact some sources suggest the possibility of white on white embroidery being worn in Chandragupta Maurya's court; some ancient texts also talk of the legendary Maharaja Harshvardhan of Kashmir, only wearing White on White embroidered fabric.
POSHAAK (about the saree):
Nadi saree has the Meiraas exclusive Kabootarbaazi motif running on the palla; signifying life of flora and fauna due to the nurturing nectar that is provided by our rivers. The border is a stunning floral bel running through the saree, and the body has small floral bootis scattered all over.
Styling Tip: Like most Meiraas creations, this saree can be dressed up & down for multiple occasions, whether work wear or party wear. It has its own charm in both situations.
Please Note: Slight wrinkles are part of Pure Linen texture. Linen is the most low maintenance fabric. Ideally before draping this saree, take it out and spread it and hang somewhere at least a day before; its wrinkles will smoothen significantly. Mostly it should be worn with slight wrinkles, yet if you wish to iron the dhobi press will be fine, with a cloth on top.
This saree is Made on Order.
THE SUSTAINABILITY QUOTIENT (TSQ):
- First Brand to launch Chikankari on the most sustainable fabric: Linen
- LINEN WEAVE COMMISSIONED FOR MEIRAAS, THEREFORE FULL QUALITY CONTROL
- RESHAM CHIKANKARI (HAND EMBROIDERY PRACTISED SINCE ANCIENT AGE)
- HAND PICKED ANCIENT ARCHIVED MOTIFS/ NEW OWN CREATED MOTIFS.
KHAYAAL (moodboard):
Yakshi Ra - The Sun Goddess
Yakshi is the Goddess of Love, Passion, Nurturing, Power. Yakshi is the Goddess of Feminine Power. Yakshi Ra (yellow) is our re-imagination of Feminine Power in the place of Sun God - Surya or Ra. Yakshi Ra is the manifestation of Woman as Sun or Sun Goddess, the one that gives life & nurtures with her divine presence. The saree shows Floral Motifs to signify the power of Nature's birth through the energy of Sun.
Yakshi is a celestial nymph mentioned in Ancient Puranic texts and epics like Ramayan and Mahabharat. The khayal to name this collection, Yakshi came with the Temple Art of India, like Khajuraho group of temples; the celestial nymphs are set in stone in the most beautiful expressions in these temples. They have been made with such devotion and aesthetics that one can imagine them coming to life at night, and reliving the days of past glory!!
Linen as a fabric was extensively worn in almost all Ancient Civilisations. In fact some sources suggest the possibility of white on white embroidery being worn in Chandragupta Maurya's court; some ancient texts also talk of the legendary Maharaja Harshvardhan of Kashmir, only wearing White on White embroidered fabric.
POSHAAK (about the saree):
Ra saree has the beautiful floral art motifs running on the palla; In light pastel yellow colour, this looks like resplendent glow of Sun that births life in the form of flowers. The border is a stunning floral bel running through the saree, and the body has small floral bootis scattered all over.
Styling Tip: Like most Meiraas creations, this saree can be dressed up & down for multiple occasions, whether work wear or party wear. It has its own charm in both situations.
Please Note: Slight wrinkles are part of Pure Linen texture. Linen is the most low maintenance fabric. Ideally before draping this saree, take it out and spread it and hang somewhere at least a day before; its wrinkles will smoothen significantly. Mostly it should be worn with slight wrinkles, yet if you wish to iron the dhobi press will be fine, with a cloth on top.
Meiraas Exclusive Falaknuma Chikankari Kurta with our own created motifs of Chess pieces of the Nawab Times (Badshah, Wazir, Haathi, Ghoda), & a Chess Board (Bisaat) fitted inside a Paisley shape. A true work of art & conceptual Kurta in Chikankari.
The Sustainability Quotient (TSQ):
Exclusive Meiraas Motifs:Â Celebrating the iconographies that define the culture of Lucknow & carry forward its legacy via Textile Art, like Chikankari.
Concept Work: in coherence with the Cultural History of the city where the craft Chikankari is practised.
Sustainable fabric base - Pure Linen
Bespoke stitching.
KHAYAL (moodboard):
Falaknuma motifs were created by Meiraas in 2018, and all of them were paying an ode to the iconographies rooted in the culture of Awadh; Chess Pieces & a Game of Chess was one of them.
Taking inspiration from celebrated Indian author, Munshi Premchand's story, Shatranj Ke Khiladi, we created Bisaat. Celebrated Indian Filmmaker, Satyajit Ray, also made a classic adaptation of this story in 1977.
Bisaat or the chessboard was the biggest conversation starter in Awadh; this past legacy has been recreated on this showstopper Kurta
POSHAAK (about the dress): This is a Pure Linen Yellow Kurta with Bisaat motifs of Badshah (King), Wazir (Minister), Haathi (Elephant) & Ghoda (Horse), which were re created as a reference from pieces used in playing chess during the times of Nawab Wajid Ali Shah.
The front panel has these iconic motifs scattered artfully in a pair in the colours of Off White & Brown, that will compliment the Yellow base.
The back has a statement motif of a Paisley, inside which is fitted a checkboard of the Bisaat of Chess Board, making it a unique statement piece of Art & a Conversation Starter.
Additional Details: The Kurta is Made on Order only. Please feel free to give your custom sizing (please specify body or garment sizing), in case you don't find your perfect fit in our size chart.
The Kurta will be accompanied with a pair of plain Flax Cotton Pants in natural off white shade. You can choose to make a pyajama or a pant; please put this option in the customer note.
For more queries, please mark a mail on [email protected] ; we will be happy to guide you through the process.
White Handloom Linen Semi Stitched Kurta with Resham Chikankari embroidery showing tiny Jacaranda blossoms & lace detailing. Stitching of the Kurta is complimentary by Meiraas. Please choose your size from the size chart.
The Sustainability Quotient (SQ):
1. Skilled Resham Hand Embroidery
2. Handwoven Linen
KHAYAL (mood-board):
We dreamt of Chikankari on Linen, with small wisps of Resham Blossoms of the craft sprouting on the fabric, like spring invoking the birth of fresh flowers from the Earth, after the first melting of the snow. Experimenting on Linen fabric was always a vision we saw, as a possible replacement to the antique quality Chikankari done on Bengal Muslin, which is rare and largely inaccessible now. We wanted the moodboard to be Soft Romance of nature against a gossamer, sustainable fabric.
POSHAAK (about the dress):
Handloom Linen Tunic with lace detailing & Resham Chikankari done on the front & back of beautiful purple Jacaranda blossoms.
Additional Details: This Kurta can be stitched upto sizes S (small) to XXL (Extra Extra Large) only. Please select your size & we will stitch it complimentary. You can leave length preference in the Customer Note.
A rare classic of a Kurta, Jyamiti is a Royal Blue linen kurta, with 3 Taar Resham Tepchi Chikankari done allover the front & sleeves, to make it a grand royal attire, but with relaxed maximalism moodboard.
The Sustainability Quotient (TSQ):
Fine Tepchi Work:Â This kurta has the rare 1 daana Tepchi work, where each stitch of tepchi looks like a small grain, making the embroidery style look extremely neat & subtle, yet impactful. This kind of Tepchi is rarely done in the commercial, or even premium market now.
Sustainable fabric base - Pure Linen/Tussar Silk (choice of either as per order)
Bespoke stitching.
KHAYAL (moodboard): Jyamiti is the Sanskrit word for Geometry, one of the ancient most sciences from our land. Geometry is a gift of the Gods to humans, that first took birth in India, and from there travelled the World over. The progress that we have seen since the inception of humanity, is possible due to this ancient science. It has governed not only the space of Scientific accuracy, but has also permeated towards Arts, because of its rich complexity, and profound core. Many Textile Arts show beautiful patterns of Jyamiti, and Chikankari is not behind. In fact, Geometrical motifs are most suited to bring out the beauty of a well done Tepchi Chikankari, and is primarily used in a classic Tepchi work.
POSHAAK (about the dress): This is a Pure Linen Kurta/Tussar Silk Kurta (choice of either fabric as per order) in plush Royal Blue colour. The embroidery is done in 1 daana Tepchi style where each running stitch of Tepchi is not more than the size of a small grain. This is a time intensive and fine process, that lends a very regal & neat look to the Kurta, thereby bringing out the complexity & beauty of Jyamiti.
The front panel & sleeves are fully embroidered, and the back has a single motif to balance out the look. The embroidery is done in Resham Chikankari.
Additional Details: The Kurta is Made on Order only. It is a rarity & will take time to get made, as only a handful of very skilled artisans can even make it. Please feel free to give your custom sizing (please specify body or garment sizing), in case you don't find your perfect fit in our size chart.
You can also put in a request for Custom Colour, & in customer note do mention the choice of fabric between Linen & Tussar Silk.
For more queries, please mark a mail on [email protected] ; we will be happy to guide you through the process.
A rare classic of a Kurta, Syamantak Mani is a white pure linen kurta, with 2 Taar Chikankari done on re-created motifs of late 19th-early 20th century artwork. The kurta is a rarity that the men in maximalist Nawab era used to enjoy.
The Sustainability Quotient (TSQ):
Re-Created motifs, commissioned by Meiraas, using late 19th & early 20th Century Chikankari motifs as an example. The references have been drawn from Textiles housed in state & national museums and well researched archival works on the subject.
Exclusive Meiraas motifs carved following all traditional processes. No tracing of artwork.
Use of the Crown Motif which belongs to early 20th Century, and is now with Meiraas unit.
2 Taar Chikankari - the motifs used here are a re-creation of late 19th century artwork, therefore the work could only be done using 2 Taar Chikankari, to embroider on each intricate detail.
Rare stitches used in embroidery like Kaante, Hool, Jaali, Phanda, Rahet, Ghaspatti, Chanapatti vis a vis maximum 2-3 common stitches used in Kurtas.
Sustainable fabric base - Pure Handwoven Linen.
Bespoke stitching.
KHAYAL (moodboard): The legendary Syamantak Gem, mentioned in Vishnu Purana & Bhagwad Purana, is believed to the the famed Kohinoor. Legends say that Syamantak Mani was originally the jewel of the Sun God. It was granted by him to a devotee of his, who belonged to the Yadava clan of Sri Krishna. It was believed that wherever Syamantak was placed with devotion, and not greed, it would heap prosperity on that land. However if passed on or snatched away, it would create the opposite energy, equally potent as its positive energy. Predictably, as is the human greed, the Syamantak was lost, and is believed to be Koh-i-noor.
The Crown motif of this Kurta and its jaw dropping intricate 2 Taar embroidery made us name it Syamantak, alluding to The Crown with this famed jewel.
POSHAAK (about the dress): This is a Pure Linen Kurta in its natural colour. The embroidery motifs used here are all commissioned by Meiraas using images of late 19th century archival Chikankari images, and the Crown Motif is an extremely old one (possibly from early 20th Century).
The back has a stunning re-created motif of Inverted Paan and below it is a motif of inverted, ornate minaret. These works are archived in scholarly works of textile art, we have re-created them in our own way. The embroidery done here is 2 Taar Chikankari.
The sleeves have the minaret, and the whole Kurta body is sprinkled with the Crown motif. The embroidery has been done in Beige & Natural White, in keeping with the work observed in the early 20th Century Textile, to create the closest effect.
The Kurta embroidery is an amalgamation of rare stitches most of which are painstakingly hand cut ones, the prime ones being Kaante (two stitches merged in one embroidery), Jaali, Hool, Ghaspatti, Murri (rice grain). This makes the Kurta a class apart creation that one would love to cherish as part of an Heirloom Collection & pass it on to future generations, who might preserve your legacy as an heirloom, and maybe in a well curated Art & Textile show in the future, can display the taste their ancestor had.
Additional Details: The Kurta is Made on Order only. It is a rarity & will take time to get made, as only a handful of very skilled artisans can even make it. Please feel free to give your custom sizing (please specify body or garment sizing), in case you don't find your perfect fit in our size chart. For more queries, please mark a mail on [email protected]
An ethreal White Resham Chikankari saree on Handloom Linen fabric, with an antique motif (250 years old plus), of glorious White Peacocks! One of our most requested & ordered sarees.
This signature saree of Meiraas is Made on Order only. Please email us at [email protected] for colour and fabric customisation. You can try this saree in Pure Chiffon fabric as well.
The Sustainability Quotient (TSQ):-
Resham Chikankari (Hand Embroidery Practised Since Ancient Age)
Hand Picked Ancient Archived Motifs/ New Own Created Motifs.
Conceptual & Exclusive Chikankari Artwork
Handloom Linen
Museum quality Chikankari sarees that can be handed down generation to generation as a treasure.
KHAYAAL (moodboard):
Yakshi is a celestial nymph mentioned in Ancient Puranic texts and epics like Ramayan and Mahabharat. The khayal to name this collection, Yakshi came with the Temple Art of India, like Khajuraho group of temples; the celestial nymphs are set in stone in the most beautiful expressions in these temples. They have been made with such devotion and aesthetics that one can imagine them coming to life at night, and reliving the days of past glory!!
Linen as a fabric was extensively worn in almost all Ancient Civilisations. In fact some sources suggest the possibility of white on white embroidery being worn in Chandragupta Maurya's court; some ancient texts also talk of the legendary Maharaja Harshvardhan of Kashmir, only wearing White on White embroidered fabric.
POSHAAK (about the saree):
Shwet saree has the stunning Mayur motif running on the palla; this motif in itself was one of the first 250 year old motif we had introduced. The border is a beautiful floral bel running through the saree, and the body has small floral bootis scattered all over.
Please Note: Slight wrinkles are part of Pure Linen texture. Linen is the most low maintenance fabric. Ideally before draping this saree, take it out and spread it and hang somewhere at least a day before; its wrinkles will smoothen significantly.
This saree is Ready To Ship.
Raktambari or the One with Blood Skyline, is a stunning Resham Chikankari saree on Handloom Linen!
The Sustainability Quotient (TSQ):
Resham Chikankari - the most skilled and rare Chikankari art form
Handloom Linen fabric
Hand Picked Ancient Archived Motifs
KHAYAAL (moodboard):
Yakshi is a celestial nymph mentioned in Ancient Puranic texts and epics like Ramayan and Mahabharat. The khayal to name this collection, Yakshi came with the Temple Art of India, like Khajuraho group of temples; the celestial nymphs are set in stone in the most beautiful expressions in these temples. They have been made with such devotion and aesthetics that one can imagine them coming to life at night, and reliving the days of past glory!!
Linen as a fabric was extensively worn in almost all Ancient Civilisations. In fact some sources suggest the possibility of white on white embroidery being worn in Chandragupta Maurya's court, on thinnest of muslins.
This is why, when we conceptualised Chikankari on Linen, we dedicated the moodboard to Yakshi of that age.
Raktambari, a Sanskrit name, which is derived from, Rakt (Blood) Ambar (Sky), is a name given to this stunning and bold Red Chikankari saree with Red Resham Embroidery; something we can imagine a Yakshi draped in.
POSHAAK (about the saree):
This blood red coloured handwoven Linen saree, has a beautiful floral border running all through the saree, with many dainty stitches crafted to perfection.
The palla has a cluster of floral bouquet, that has been embroidered with stitches of surface (shadow) and raised surface (ghaspatti) embroidery, amongst other stitches of Chikankari. Rest of the saree has scattered floral motifs to enhance its bold and statement making look.
The saree also comes with a running embroidered blouse piece.
Styling Tip: Like most Meiraas creations, this saree can be dressed up & down for multiple occasions, whether work wear or party wear. Dress it up with diamonds or polkis for an evening out, Gold for that traditional yet diversified look, and statement silver jewels for that special day at work.
Please Note: Slight wrinkles are part of Pure Linen texture. Linen is the most low maintenance fabric. Ideally before draping this saree, take it out and spread it and hang somewhere at least a day before; its wrinkles will smoothen significantly. Mostly it should be worn with slight wrinkles, yet if you wish to iron the dhobi press will be fine, with a cloth on top.
Pastel powder grey Handloom Linen saree with Pastel Lemon Yellow colour Chikankari embroidery of Meiraas Exclusive motif - Amer. The fabulous part about colour on colour Chikankari is that the embroidered colour lends its own character to the base colour. Please read more details about the saree below.
THE SUSTAINABILITY QUOTIENT (TSQ):
- First Brand to launch Chikankari on the most sustainable fabric: Linen
- LINEN WEAVE COMMISSIONED FOR MEIRAAS, THEREFORE FULL QUALITY CONTROL
- RESHAM CHIKANKARI (HAND EMBROIDERY PRACTISED SINCE ANCIENT AGE)
- HAND PICKED ANCIENT ARCHIVED MOTIFS/ NEW OWN CREATED MOTIFS.
KHAYAAL (moodboard):
Yakshi Amer
The Rajasthani Floral art of Amer motif has mesmerised us, since we first laid eyes on it, during our travel in 2010. It is simple, yet an attractive motif of a flower vase encased inside an aala. The original motif is made using molten glass as paint. We always wanted to showcase this motif in both Chikankari as well as Mukaish.
Yakshi is a celestial nymph mentioned in Ancient Puranic texts and epics like Ramayan and Mahabharat. The khayal to name this collection, Yakshi came with the Temple Art of India, like Khajuraho group of temples; the celestial nymphs are set in stone in the most beautiful expressions in these temples. They have been made with such devotion and aesthetics that one can imagine them coming to life at night, and reliving the days of past glory!!
Linen as a fabric was extensively worn in almost all Ancient Civilisations. In fact some sources suggest the possibility of white on white embroidery being worn in Chandragupta Maurya's court; some ancient texts also talk of the legendary Maharaja Harshvardhan of Kashmir, only wearing White on White embroidered fabric.
POSHAAK (about the saree):
Amer has Meiraas Exclusive motif of a flower vase encased inside an aala, as seen in Amer Fort. The saree has this grand and exclusive motif on the Palla. The motif showcases masterclass Jaali (hand cutwork) embroidery of 2 kinds - Katori (squares like jaali) and Siddhaul (regular Jaali), both made in Kasab Gold Taar, making the process more skilled and time consuming. The vase has an outline of another cutwork - Double Hathkati.
It is a rare example of masterclass Chikankari. Rest of the palla has small floral motif in shadow embroidery. The same motif is scattered far apart in the body of the saree saree till the end.
The colour scheme is soft pastel on pastel play of - pastel grey & light lime. One of a kind!
Styling Tip: Like most Meiraas creations, this saree can be dressed up & down for multiple occasions, whether work wear or party wear. It has its own charm in both situations.
Imp: Some threads of the fabric shift at times due to round frame of Chikankari embroidery & nature of fabric. This is normal and nothing to worry about.
Please Note: Slight wrinkles are part of Pure Linen texture. Linen is the most low maintenance fabric. Ideally before draping this saree, take it out and spread it and hang somewhere at least a day before; its wrinkles will smoothen significantly. Mostly it should be worn with slight wrinkles, yet if you wish to iron the dhobi press will be fine, with a cloth on top.