Please check last image for Size Chart to find your perfect fit.
THE SUSTAINABILITY QUOTIENT (TSQ):
Sufficient margins to enable little alteration
Cotton purchased from top quality sources only, as they maintain basic hygiene and sustainability benchmarks mandated by the government.
Handmade in India
Azo Free Dyes
KHAYAL (mood board):
Dopehri is a summer song of Lucknow presented by Meiraas!! Through this entry range collection of ours, we want you to step into the oasis of slow summer living of yesteryears that we are all trying to bring back collectively!!
POSHAAK (about the product):
Kesar Kulfi - Saffron doused, slow cooked by mother's hands, frozen to perfection, un-moulded & served with dollops of love first to family deity, then as prasad to the whole family; this is the indelible memory attached with Lucknow summers and Kesar Kulfi. We thought of re-creating this colour on a Flared Pant.
The colour of these pants is Soft Buttery Yellow.
Soft cotton Chikankari Flared Pants with ghaspatti, shadow phanda hand embroidery and crochet lace details
These gorgeous Creme Flared Pants are ankle to calf cut & have no elastic & only fabric drawstring tie up, so waistline in size chart is maximum waist size this can be worn in.
Important:
Chikankari garments are translucent by nature as they are mostly made on lighter cottons & in natural white or pastel shades. To wear a slip underneath is subjective to the wearer's comfort
Only Pants is available to shop from this post.
Fabric: Powerloom Cotton
Styling Tip: The colour is soft buttery Yellow. In the images we have shown it paired with contrasting Khus Green colour, and it looks resplendent. You can pair this with same colour Kurtas or have fun in mixing & matching.
Select options
This product has multiple variants. The options may be chosen on the product page
Please refer to Size Chart and not sizing guide to know your perfect fit.
THE SUSTAINABILITY QUOTIENT (TSQ):
Artisan Skill enhancement: One of a kind tunic design with exceptional blocks that were not used for years; a delight for creative minds.
MARGINS - all Meiraas Ready to Wear comes with margins to enable minor alteration; Margins are most important feature if one wishes to make more sustainable ready to wear pieces. Margins need expert hand tailoring and are neatly managed in the in seams to keep wearer's comfort in mind.
Successful replication of Nawabi neckline that has not been used for many years, we brought this old world charming neckline back and adapted it for women's wear.
Handmade in India
KHAYAL (mood board):
Dopehri is a summer song of Lucknow presented by Meiraas!! Through this entry range collection of ours, we want you to step into the oasis of slow summer living of yesteryears that we are all trying to bring back collectively!!
POSHAAK (about the product):
Nawabi is a tunic designed taking references from Bengal style neckline that was very much in vogue right uptil 70s. Largely used for mens' fashion in the past, we have made the design gender neutral by creating it for women.
This is self woven pattern (Jaquard) Pure Cotton Chikankari Kurta with beautiful chanapatti, shadow, phanda (hand cutwork) stitches, with Mother of Pearl button detailing.
The shade of the Kurta: ECRU
What is ECRU? Ecru is an un-White colour; meaning a white that has subtle hint of another colour. At Meiraas, we are exploring an un-White colour palette, and Ecru is a colour we have successfully replicated after many trials on fabric samples.
Ecru is generally of two kind - White with hint of olive green, White with hint of olive brown. While both Ecru are ethereal, we lean more towards the green tint; so summer fresh and elegant.
Important:
Chikankari garments are translucent by nature as they are mostly made on lighter cottons & in natural white or pastel shades. To wear a slip underneath is subjective to the wearer's comfort
Only Kurta is available to shop from this post.
Fabric: Pure Cotton with self woven pattern
Styling Tip: Will work beautifully with Gul Cotton Chikankari Pyajama.
Select options
This product has multiple variants. The options may be chosen on the product page
Rare Hand Embroidery: Nuanced Tepchi Hand Embroidery using Resham Thread
Handloom Kota Doria: A rarity in itself now. We came upon this batch with great difficulty as most of the Kota available now in market is not handwoven.
KHAYAL (moodboard): Jane Eyre (1847) is an English Classic Novel penned by Charlotte Bronte under her pseudonym Currer Bell. Jane Eyre is an extremely moving story of an orphan who, despite the bleakness of her situation in life, aspires & hopes to find life, light & love, and eventually through her own journey finds everything she wished for. Her chance for hope is symbolised by lemon yellow embroidery (colour of hope), against the coldness of white. This dupatta is Jane Eyre.
POSHAAK (about the dupatta): White Handloom Kota Dupatta embroidered with stark lemon yellow delicate Tepchi Chikankari in floral pattern. Last image is taken against a backlight.
Imp: Colours may vary a bit, although they are all shot professionally in studio set up & closest colour has been photographed; Any variation can be due to digital medium of photography that is outside our control.
Please Note: Only the dupatta is for sale in this post
Please refer to the Size Chart and not the sizing guide to know your perfect fit.
THE SUSTAINABILITY QUOTIENT (TSQ):
Sufficient margins in ready to wear to enable alteration at any stage.
Handmade in India
KHAYAL (mood board):
Dopehri is a summer song of Lucknow presented by Meiraas!! Through this entry range collection of ours, we want you to step into the oasis of slow summer living of yesteryears that we are all trying to bring back collectively!!
POSHAAK (about the product):
Gorgeous Chikankari Flax Cotton Pants in slightly thick yet comfortable fabric with pocket detailing. Comfortable elastic band & tie ups on Pant Waistline is given.
It pairs extremely well with our Flax Cotton Chikankari Kurta
This fabric is slightly thicker & with more use & wash becomes softer & like a second skin. Once worn, this will be your favourite go to pair of Pants.
The colour of the Pant is Natural Off White of the fabric. It is NOT bleached pure white. Kindly bear that in mind & see images before placing your order.
Important:
Only Pant is available to shop from this post.
Fabric: Powerloom Flax Cotton
Styling Tip: Pair them with our Chikankari Flax Cotton Kurta
Select options
This product has multiple variants. The options may be chosen on the product page
Please refer to Size Chart and not sizing guide to know your perfect fit.THIS DRESS IS SLIM FIT, therefore ideally choose 1 size bigger than the Meiraas size that fits you. For XXL shoppers in this case, we will provide alteration of Slim Fit, rest shoppers can choose 1 size bigger.
THE SUSTAINABILITY QUOTIENT (TSQ):
Handloom Cotton
Artisan Skill enhancement: One of a kind tunic design with exceptional blocks that were not used for years; a delight for creative minds.
Handmade in India
KHAYAL (mood board):
Dopehri is a summer song of Lucknow presented by Meiraas!! Through this entry range collection of ours, we want you to step into the oasis of slow summer living of yesteryears that we are all trying to bring back collectively!!
POSHAAK (about the product):
Nawabi is a tunic designed taking references from Bengal style neckline that was very much in vogue right uptil 70s. Largely used for mens' fashion in the past, we have made the design gender neutral by creating it for women.
This is handloom cotton Chikankari Kurta with beautiful chanapatti, shadow, phanda (hand cutwork) stitches, with Mother of Pearl button & pocket detailing.
Important:
Chikankari garments are translucent by nature as they are mostly made on lighter cottons & in natural white or pastel shades. To wear a slip underneath is subjective to the wearer's comfort
Only Kurta is available to shop from this post.
Fabric: Handloom Cotton
Styling Tip: Will work beautifully with Creme Chikankari Flared Pants.
Select options
This product has multiple variants. The options may be chosen on the product page
Please refer to Size Chart and not sizing guide to know your perfect fit.
THE SUSTAINABILITY QUOTIENT (TSQ):
Azo Free Dye
Sufficient margins in ready to wear to enable alteration at any stage.
Artisan Skill enhancement: Hathkati stitch done by regular unit who is only used to do very basic shadow phanda work.
Handmade in India
KHAYAL (mood board):
Dopehri is a summer song of Lucknow presented by Meiraas!! Through this entry range collection of ours, we want you to step into the oasis of slow summer living of yesteryears that we are all trying to bring back collectively!!
POSHAAK (about the product):
Soft cotton Chikankari Kurta with beautiful ghaspatti, shadow, orma & lovely hathkati (hand cutwork) stitches, dyed in Azo Free Dyes with Mother of Pearl button detailing.
Jamuni is a reference to berry & phalsa sherbet made in homes for a summer refresher, & also the wait for monsoons that bring purple juice explosion with Jaamun fruit!! The colour inspiration is from that indigenous fruit crop of the continent.
Important:
Chikankari garments are translucent by nature as they are mostly made on lighter cottons & in natural white or pastel shades. To wear a slip underneath is subjective to the wearer's comfort
Only Kurta is available to shop from this post.
Fabric: Powerloom Cotton
Styling Tip: Will work beautifully with Jamuni Cotton Dupatta.
Select options
This product has multiple variants. The options may be chosen on the product page
Golden Trellis is our heirloom collection of Mukaish work that was historically done once upon a time in Awadh region, but is not done any more. Golden Trellis is a result of, one of the many research projects we are working upon simultaneously. We know some might not see light of the day (although we firmly believe that everything can be revived if we just have the right patience and the will to keep going), some will prove to be false tales - a mirage of a narrative built for dramatic value and nothing more...but some, like Golden Trellis will be a reality that can be translated to fabric yet again, even if in a small way, even if a shadow of its one time glory...at least there will be a start.
Golden Trellis is part of the Art & Antiquities Project undertaken by Meiraas.
The Sustainability Quotient (TSQ):
Heritage Mukaish work re created: This work is known as Satkhani jaali. It has not been done in India or is extremely rarely done anymore. This is Jaali work done in Mukaish. Its karigars are not alive now, and some of the karigars who learnt this art do not work in India. This was re created when one of them came on a small visit to his family in India. He has taught some amount of work to our small group of artisans in Lucknow. This work was historically done in Lucknow only. What can be better sustainability than finding out a lost artwork in a craft & helping revive it again to wearable pieces, & most importantly in pieces that can be part of today's heritage builders' private wardrobe; this will ensure the craft's continued sustainability.
Mukaish Hand Embroidery with proper "ghutaai" - this means Mukaish embroidery has been rubbed using old technique of filling pebbles in a bottle and rubbing on the embroidery, instead of new age roller press method. This one method ensures long lasting Mukaish. In itself Mukaish is more sustainable craft that sequins or "salma sitaara" embroidery, as Mukaish never comes off, maintaing the look of the garment for much longer time.
KHAYAL (moodboard): Poetry etched in fabric, Golden Trellis alludes to the once opulent courts of the ancient royalties of India. Trellis is the jaali like window pattern, a signature architecture in heritage monuments of the Golden Era. This museum quality piece of legacy bound, wearable art will a pride for any one who owns it.
POSHAAK (about the dupatta): Handloom Pure Organza Dupatta embroidered beautifully with the rare & precious Golden Moon made in Satkhaani Jaali style. A tiki dot finishes the moon like a bindi finishes a beautiful face. A historic dupatta, that will always be the pride of the owner & will remain as part of handpicked private collection.
Golden Trellis is our heirloom collection of Mukaish work that was historically done once upon a time in Awadh region, but is not done any more. Golden Trellis is a result of, one of the many research projects we are working upon simultaneously. We know some might not see light of the day (although we firmly believe that everything can be revived if we just have the right patience and the will to keep going), some will prove to be false tales - a mirage of a narrative built for dramatic value and nothing more...but some, like Golden Trellis will be a reality that can be translated to fabric yet again, even if in a small way, or a shadow of its one time glory...at least there will be a start.
Golden Trellis is part of the Art & Antiquities Project undertaken by Meiraas.The Sustainability Quotient (TSQ):
Heritage Mukaish work re created: This work is known as Satkhani jaali. It has not been done in India or is extremely rarely done anymore. This is Jaali work done in Mukaish. Its karigars are not alive now, and some of the karigars who learnt this art do not work in India. This was re created when one of them came on a small visit to his family in India. He has taught some amount of work to our small group of artisans in Lucknow. This work was historically done in Lucknow only. What can be better sustainability than finding out a lost artwork in a craft & helping revive it again to wearable pieces, & most importantly in pieces that can be part of today's Heritage Builders' private collection; this will ensure the craft's continued sustainability.
Mukaish Hand Embroidery with proper "ghutaai" - this means Mukaish embroidery has been rubbed using old technique of filling pebbles in a bottle and rubbing on the embroidery, instead of new age roller press method. This one method ensures long lasting Mukaish. In itself Mukaish is more sustainable craft that sequins or "salma sitaara" embroidery, as Mukaish never comes off, maintaining the look of the garment for much longer time.
KHAYAL (moodboard): Poetry etched in fabric, Golden Trellis alludes to the once opulent courts of the ancient royalties of India. Trellis is the jaali like window pattern, a signature architecture in heritage monuments of the Golden Era. This museum quality piece of legacy bound, wearable art will a pride for any one who owns it.
POSHAAK (about the dupatta): Handloom Pure Organza Dupatta embroidered beautifully with the rare & precious Golden Leaf or Swarna Paatra made in Satkhaani Jaali style. This beautiful Golden Leaf is particularly complex to create and is allover the dupatta. A historic dupatta, that will always be the pride of the owner & will remain as part of handpicked private collection.
Golden Trellis is our heirloom collection of Mukaish work that was historically done once upon a time in Awadh region, but is not done any more. Golden Trellis is a result of, one of the many research projects we are working upon simultaneously. We know some might not see light of the day (although we firmly believe that everything can be revived if we just have the right patience and the will to keep going), some will prove to be false tales - a mirage of a narrative built for dramatic value and nothing more...but some, like Golden Trellis will be a reality that can be translated to fabric yet again, even if in a small way, or a shadow of its one time glory...at least there will be a start.
Golden Trellis is part of the Art & Antiquities Project undertaken by Meiraas.The Sustainability Quotient (TSQ):
Heritage Mukaish work re created: This work is known as Gukhru work. It has not been done in India or is extremely rarely done anymore. This is overlapping meshed Jaali work done in Mukaish. Its karigars are not alive now, and some of the karigars who learnt this art do not work in India. This was re created when one of them came on a small visit to his family in India. He has taught some amount of work to our small group of artisans in Lucknow. This work was historically done in Lucknow only. What can be better sustainability than finding out a lost artwork in a craft & helping revive it again to wearable pieces, & most importantly in pieces that can be part of today's Heritage Builders' private collection; this will ensure the craft's continued sustainability.
Mukaish Hand Embroidery with proper "ghutaai" - this means Mukaish embroidery has been rubbed using old technique of filling pebbles in a bottle and rubbing on the embroidery, instead of new age roller press method. This one method ensures long lasting Mukaish. In itself Mukaish is more sustainable craft that sequins or "salma sitaara" embroidery, as Mukaish never comes off, maintaining the look of the garment for much longer time.
KHAYAL (moodboard): Poetry etched in fabric, Golden Trellis alludes to the once opulent courts of the ancient royalties of India. Trellis is the jaali like window pattern, a signature architecture in heritage monuments of the Golden Era. This museum quality piece of legacy bound, wearable art will a pride for any one who owns it.
POSHAAK (about the dupatta): Pure Organza Silk Dupatta embroidered beautifully with the rare & precious Jugnu or Glowing Firefly design. This is a very complex embroidery where Mukaish wires are embroidered one on top of another to make a mesh trellis patten & is then interlocked within a ring. Even in this miniature motif, the craftsmanship is unbelievable. A historic dupatta, that will always be the pride of the owner & will remain as part of handpicked private collection.
The motifs used in this saree are generally used for Pure Georgette sarees. In the local language of the artisans they called "Pure ka Boota" (meaning expensive motif). The motifs generally used for everyday Cotton Sarees are unskilled and are referred to as "chaalu kaam" (basic work) in their local parlance. The usage of this motif gave them an opportunity to work upon designs that they generally never get, thereby enhancing their skill set.
Jaali Stitch - fast vanishing from all artisans skill set, the Jaali stitch now remains a cynosure of premium Chikankari units only. The bargain basement embroidery market has completely devolved the artisan skill in Chikankari. We got them back to practising Jaali stitch by commissioning the same on Rajnigandha saree. (please refer to last image for reference, as initial photos did not have Jaali. The last image is an indoor mobile phone click to show jaali).
Khayal (moodboard):"Rajnigandha Collection was born out of my love of 70s effortless and relatable genre of Hindi Cinema, and the look of the heroines of such films, who felt closer to the women in my family & around me – my mother, my aunts, my teachers – all of whom were heroines in their own life, and were changing the societal mindset, to accept women who knew their mind, could go out & work, or homemakers who needed personal time, have a life and defined choices, while taking their family along in this journey. It was an interesting time!! Rajnigandha was especially chosen for Chikankari sarees, because they were heavily worn by women of all age groups in Lucknow, light worked ones and heavier Tepchi ones in pretty sorbet & pastel shades. The collection is also my heart collective, as it involves Artisan Skill Enhancement at each level, along with using good quality handwoven cotton fabric, all of which has completely disappeared from Chikankari everyday sarees."- Vidhi Rastogi, Head of Creative, MeiraasPoshaak (about the saree): An oblong Cypress Boota, a rare find, anoints itself on this beautiful Chikankari saree, that we choose to call MadhuMaalti. The motif is extremely rare, and has beautiful & very rare Jaali stitch done in cotton thread, a rarity now in everyday Chikankari sarees.
It is a beautiful Pink hued saree, that needs very little to dress it up or down for various occasions.
Wear it for office with silver jewellery, or brunch with friends with well chosen Tribal Jewels.
This is Amber Charkha spun (non motorised) & Handwoven soft Cotton from West Bengal. It is embroidered with intricate Cypress motif, a rare motif to be found in Lucknow, with intricate workmanship and most importantly Jaali embroidery (please refer to last image). Rest of the saree has small floral bootis all over.
It is a perfect light office/lunch/brunch/casual wear saree, yet one that will make heads turn. The drape is perfect for any weather.
Nakshatra Black Pure Organza Kaamdaani saree of Meiraas Exclusive work , The Golden Trellis with Circle Diskette & Chaand motif!! A stunning saree that celebrates forces of the Universe.
THE SUSTAINABILITY QUOTIENT (TSQ):
- REVIVAL OF TRELLIS WORK IN KAMDAANI EMBROIDERY: A rarity, Golden Trellis, has been elusive in the repertoire of Kamdaani embroidery for over many centuries. Now this work is done for select Royalty globally, and Meiraas has got this done for you.
- PURE ORGANZA
KHAYAAL (moodboard):"Summers in 1980s Lucknow meant, the whole family sleeping on the terrace at night. While one reason could be that power cuts were frequent then, another reason was its charm of sleeping under the open sky. Nani's house was a treat for me in this respect, whenever we stayed there. We would sleep under the stars, all cousins and elders around on their own charpais. Papa would take this as a moment to show me stars, planets, moon, the Milky Way, etc etc. It was fascinating & I deeply miss those innocent times. Nakshatra is a product of that reverie. Designing Nakshatra was always a dream, ever since I started working with Mukaish craft. The stars of Mukaish say so much to me than just metallic embellishments. They remind me of shooting stars, sun shining on dewdrops, planets, forces that are beyond our comprehension, and we can only see them as glittering dots, because we are limited in our scope to understand energies. This was the thought with which I explored Nakshatra.The Golden Trellis was the perfect embroidery to try this design intervention. I conceptualised a Celestial Trinity of the Sun, the Moon and the Planet to denote the Nakshatra and set it on a bed of stars in the sky in the form of this beautiful Organza Saree.I wish the patron wears it in an enchanting dinner place, under open clear sky, with millions of stars, a glass of wine and good company at hand and have a soulful time to remember & cherish forever." - Vidhi, Head of Creative, Meiraas
POSHAAK (about the saree):
This dark black sky of a soft cloudy Organza Saree has the Constellation in the form of - the Sun, the Moon & the Planet in Golden Trellish Kaamdaani embroidery. These motifs are heavily on the palla only, and the rest of the body has stars of Mukaish scattered all over its vast dark expanse.
We have finished it with Mulberry Silk selvedge in same colour.
The saree has a Mulberry Silk Blouse Piece in running with stars of Muakish.
Storage: Please store safely in the cloth bag we provide. Air it after every few months.
Jaipur Pink Pure Organza Kaamdaani saree of Meiraas Exclusive work , The Golden Trellis, with Chikankari detailing on the border!! A Regal soothing romance for the senses!!
THE SUSTAINABILITY QUOTIENT (TSQ):
- REVIVAL OF TRELLIS WORK IN KAMDAANI EMBROIDERY: A rarity, Golden Trellis, has been elusive in the repertoire of Kamdaani embroidery for over many centuries. Now this work is done for select Royalty globally, and Meiraas has got this done for you.
- PURE ORGANZA
KHAYAAL (moodboard):"The city lies on a plain, encircled by brown desert hills, with fortifications and walls snaking over their contours. The capital itself was the prettiest I had ever seen - an intricacy of domes & towers, lattices and verandahs, with all the buildings coloured a deep Oleander Pink. In the wide well planned streets, the women wore skirts, bodices and shawls instead of sarees, and all the men wore gloriously coloured turbans - Red, Magenta, Daffodil Yellow and an indescribable Pink, that was both pale & piercing." - Excerpt from A Princess Remembers . The Memoirs of the Maharani of Jaipur, by Gayatri Devi
The above reference is to Jaipur's own Pink, that is akin to the flower of Kaner. India has so many unique colours, that it can make its own shade chart & inspire a variety of embroideries & art. This was the thought that shaped the Jaipur Pink saree, with lattices embroidered in Jaali Mukaish to pay our homage to the breathtakingly gorgeous city of the Rajputs.
POSHAAK (about the saree):
Jaipur Pink saree is an ode to Maharani Gayatri Devi's observation of Jaipur City. This soft cloud like Organza Saree is dyed a soft pink to resemble the Jaipur Pink. The saree has Chikankari detailing in the border. Its body has breath taking Kaamdaani embroidery work of Golden Trellis circles, that is heavier on the palla and grows smaller and lighter in the rest of the body.
The whole saree is sprinkled with Mukaish daana to add to its regal beauty. We have finished it with Mulberry Silk selvedge in same colour.
The saree has a running blouse piece with Mukaish daana embroidery.
Storage: Please store safely in the cloth bag we provide. Air it after every few months.