Reminiscent of the Bollywood divas of 1950s, the sarees in this collection aim at re living that timeless & elegant era, that is so close to the timelessness of Mukaish Embroidery. This Amethyst coloured Saree is adorned with delicate embroidery of Dancing Cranes (original Meiraas motif) on palla in a triangle flight pattern, while rest of the saree is covered with stars of Mukaish. A Gold tissue facing gives the much needed finish to this beautiful saree.
Reminiscent of the Bollywood divas of 1950s, the sarees in this collection aim at re living that timeless & elegant era, that is so close to the timelessness of Mukaish Embroidery. This Royal Blue Saree is adorned with delicate embroidery of Dancing Cranes (original Meiraas motif) on palla in a triangle flight pattern, while rest of the saree is covered with stars of Mukaish. A Gold tissue facing gives the much needed finish to this beautiful saree.
Mukaish Hand Embroidery with proper "ghutaai" - this means Mukaish embroidery has been rubbed using old technique of filling pebbles in a bottle and rubbing on the embroidery, instead of new age roller press method. This one method ensures long lasting Mukaish. In itself Mukaish is more sustainable craft that sequins or "salma sitaara" embroidery, as Mukaish never comes off, maintaing the look of the garment for much longer time.
Handloom Chanderi Dupatta woven in Chanderi, MP.
Azo Free, thrice filtered, dye
KHAYAL (mood-board): The lightly bling dupattas are an ode to the era gone by, of gossamer odhanis, delicately dusted with Mukaish embroidery, as the women of Lucknow rarely stepped out in anything that could be termed plain.
POSHAAK (about the dupatta): Handloom Chanderi Dupatta dyed in bright Yellow shade and dusted lightly with Mukaish Daana Embroidery. Perfect for gifting & wearing on multiple festive or light occasions.
Imp: Colours may vary a bit, although they are all shot professionally in studio set up & closest colour has been photographed; Any variation can be due to digital medium of photography that is outside our control.
Mukaish Hand Embroidery with proper "ghutaai" - this means Mukaish embroidery has been rubbed using old technique of filling pebbles in a bottle and rubbing on the embroidery, instead of new age roller press method. This one method ensures long lasting Mukaish. In itself Mukaish is more sustainable craft that sequins or "salma sitaara" embroidery, as Mukaish never comes off, maintaing the look of the garment for much longer time.
Handloom Chanderi Dupatta woven in Chanderi, MP.
Azo Free, thrice filtered, dye
KHAYAL (mood-board): The lightly bling dupattas are an ode to the era gone by, of gossamer odhanis, delicately dusted with Mukaish embroidery, as the women of Lucknow rarely stepped out in anything that could be termed plain.
POSHAAK (about the dupatta): Handloom Chanderi Dupatta dyed in blush Pink/Peach shade and dusted lightly with Mukaish Daana Embroidery. Perfect for gifting & wearing on multiple festive or light occasions.
Imp: Colours may vary a bit, although they are all shot professionally in studio set up & closest colour has been photographed; Any variation can be due to digital medium of photography that is outside our control.
Mukaish Hand Embroidery with proper "ghutaai" - this means Mukaish embroidery has been rubbed using old technique of filling pebbles in a bottle and rubbing on the embroidery, instead of new age roller press method. This one method ensures long lasting Mukaish. In itself Mukaish is more sustainable craft that sequins or "salma sitaara" embroidery, as Mukaish never comes off, maintaing the look of the garment for much longer time.
Handloom Chanderi Dupatta woven in Chanderi, MP.
Azo Free, thrice filtered, dye
KHAYAL (moodboard): The lightly bling dupattas are an ode to the era gone by, of gossamer odhanis, delicately dusted with Mukaish embroidery, as the women of Lucknow rarely stepped out in anything that could be termed plain.
POSHAAK (about the dupatta): Handloom Chanderi Dupatta dyed in lush Lilac shade and dusted lightly with Mukaish Daana Embroidery. Perfect for gifting & wearing on multiple festive or light occasions.
Imp: Colours may vary a bit, although they are all shot professionally in studio set up & closest colour has been photographed; Any variation can be due to digital medium of photography that is outside our control.
Mukaish Hand Embroidery with proper "ghutaai" - this means Mukaish embroidery has been rubbed using old technique of filling pebbles in a bottle and rubbing on the embroidery, instead of new age roller press method. This one method ensures long lasting Mukaish. In itself Mukaish is more sustainable craft that sequins or "salma sitaara" embroidery, as Mukaish never comes off, maintaing the look of the garment for much longer time.
Azo Free, thrice filtered, dye
KHAYAL (mood-board): The lightly bling dupattas are an ode to the era gone by, of gossamer odhanis, delicately dusted with Mukaish embroidery, as the women of Lucknow rarely stepped out in anything that could be termed plain.
POSHAAK (about the dupatta): Cotton Silk Dupatta dyed in deep Sindoori shade and dusted lightly with Mukaish Daana Embroidery. Perfect for gifting & wearing on multiple festive or light occasions.
Imp: The shade is deep maroon red, however it might appear lighter in photographs. This is due to digital medium of photography that is outside our control.
Mukaish Hand Embroidery with proper "ghutaai" - this means Mukaish embroidery has been rubbed using old technique of filling pebbles in a bottle and rubbing on the embroidery, instead of new age roller press method. This one method ensures long lasting Mukaish. In itself Mukaish is more sustainable craft that sequins or "salma sitaara" embroidery, as Mukaish never comes off, maintaing the look of the garment for much longer time.
Handloom Tussar Silk woven in Bhagalpur.
Azo Free, thrice filtered, dye
KHAYAL (moodboard): Jewel toned, lightly bling dupattas are an ode to the era gone by, of gossamer odhanis, delicately dusted with Mukaish embroidery, as the women of Lucknow rarely stepped out in anything that could be termed plain.
POSHAAK (about the dupatta): Handloom Tussar Silk Dupatta dyed in Teal and Royal Blue shade and dusted lightly with Mukaish Daana Embroidery. Perfect for gifting & wearing on multiple festive or light occasions. The dupatta has crochet lace details.
Please note gemstone names to the product are given as a creative touch, for actual colour do see the photographs.
Please Note: On these dupattas, the Zari strip in the width has shifted a bit due to round frames of Mukaish embroidery; this is natural with round embroidery frames, and not a damage. The Zari borders are looking aesthetically pleasing. Please keep this into consideration before deciding to purchase.Â
Imp:
Colours like Red, Green, Blue tend to look different in different lights, that is the nature of some colours.
Colours may vary a bit, although they are all shot professionally in studio set up & closest colour has been photographed; Any variation can be due to digital medium of photography that is outside our control.
Mukaish Hand Embroidery with proper "ghutaai" - this means Mukaish embroidery has been rubbed using old technique of filling pebbles in a bottle and rubbing on the embroidery, instead of new age roller press method. This one method ensures long lasting Mukaish. In itself Mukaish is more sustainable craft that sequins or "salma sitaara" embroidery, as Mukaish never comes off, maintaing the look of the garment for much longer time.
Handloom Tussar Silk woven in Bhagalpur.
Azo Free, thrice filtered, dye
KHAYAL (moodboard): Jewel toned, lightly bling dupattas are an ode to the era gone by, of gossamer odhanis, delicately dusted with Mukaish embroidery, as the women of Lucknow rarely stepped out in anything that could be termed plain.
POSHAAK (about the dupatta): Handloom Tussar Silk Dupatta dyed in Ruby Red shade and dusted lightly with Mukaish Daana Embroidery. Perfect for gifting & wearing on multiple festive or light occasions. The dupatta has crochet lace details.
Imp:
Colours like Red, Green, Blue tend to look different in different lights, that is the nature of some colours.
Colours may vary a bit, although they are all shot professionally in studio set up & closest colour has been photographed; Any variation can be due to digital medium of photography that is outside our control.
Mukaish Hand Embroidery with proper "ghutaai" - this means Mukaish embroidery has been rubbed using old technique of filling pebbles in a bottle and rubbing on the embroidery, instead of new age roller press method. This one method ensures long lasting Mukaish. In itself Mukaish is more sustainable craft that sequins or "salma sitaara" embroidery, as Mukaish never comes off, maintaing the look of the garment for much longer time.
Handloom Tussar Silk woven in Bhagalpur.
Azo Free, thrice filtered, dye
KHAYAL (moodboard): Jewel toned, lightly bling dupattas are an ode to the era gone by, of gossamer odhanis, delicately dusted with Mukaish embroidery, as the women of Lucknow rarely stepped out in anything that could be termed plain.
POSHAAK (about the dupatta): Handloom Tussar Silk Dupatta dyed in sapphire Yellow shade and dusted lightly with Mukaish Daana Embroidery. Perfect for gifting & wearing on multiple festive or light occasions. The dupatta has crochet lace details.
Imp: Colours may vary a bit, although they are all shot professionally in studio set up & closest colour has been photographed; Any variation can be due to digital medium of photography that is outside our control.
Golden Trellis is our heirloom collection of Mukaish work that was historically done once upon a time in Awadh region, but is not done any more. Golden Trellis is a result of, one of the many research projects we are working upon simultaneously. We know some might not see light of the day (although we firmly believe that everything can be revived if we just have the right patience and the will to keep going), some will prove to be false tales - a mirage of a narrative built for dramatic value and nothing more...but some, like Golden Trellis will be a reality that can be translated to fabric yet again, even if in a small way, even if a shadow of its one time glory...at least there will be a start.
Golden Trellis is part of the Art & Antiquities Project undertaken by Meiraas.
The Sustainability Quotient (TSQ):
Heritage Mukaish work re created: This work is known as Satkhani jaali. It has not been done in India or is extremely rarely done anymore. This is Jaali work done in Mukaish. Its karigars are not alive now, and some of the karigars who learnt this art do not work in India. This was re created when one of them came on a small visit to his family in India. He has taught some amount of work to our small group of artisans in Lucknow. This work was historically done in Lucknow only. What can be better sustainability than finding out a lost artwork in a craft & helping revive it again to wearable pieces, & most importantly in pieces that can be part of today's heritage builders' private wardrobe; this will ensure the craft's continued sustainability.
Mukaish Hand Embroidery with proper "ghutaai" - this means Mukaish embroidery has been rubbed using old technique of filling pebbles in a bottle and rubbing on the embroidery, instead of new age roller press method. This one method ensures long lasting Mukaish. In itself Mukaish is more sustainable craft that sequins or "salma sitaara" embroidery, as Mukaish never comes off, maintaing the look of the garment for much longer time.
KHAYAL (moodboard): Poetry etched in fabric, Golden Trellis alludes to the once opulent courts of the ancient royalties of India. Trellis is the jaali like window pattern, a signature architecture in heritage monuments of the Golden Era. This museum quality piece of legacy bound, wearable art will a pride for any one who owns it.
POSHAAK (about the dupatta): Handloom Pure Organza Dupatta embroidered beautifully with the rare & precious Golden Moon made in Satkhaani Jaali style. A tiki dot finishes the moon like a bindi finishes a beautiful face. A historic dupatta, that will always be the pride of the owner & will remain as part of handpicked private collection.
Golden Trellis is our heirloom collection of Mukaish work that was historically done once upon a time in Awadh region, but is not done any more. Golden Trellis is a result of, one of the many research projects we are working upon simultaneously. We know some might not see light of the day (although we firmly believe that everything can be revived if we just have the right patience and the will to keep going), some will prove to be false tales - a mirage of a narrative built for dramatic value and nothing more...but some, like Golden Trellis will be a reality that can be translated to fabric yet again, even if in a small way, or a shadow of its one time glory...at least there will be a start.
Golden Trellis is part of the Art & Antiquities Project undertaken by Meiraas.The Sustainability Quotient (TSQ):
Heritage Mukaish work re created: This work is known as Satkhani jaali. It has not been done in India or is extremely rarely done anymore. This is Jaali work done in Mukaish. Its karigars are not alive now, and some of the karigars who learnt this art do not work in India. This was re created when one of them came on a small visit to his family in India. He has taught some amount of work to our small group of artisans in Lucknow. This work was historically done in Lucknow only. What can be better sustainability than finding out a lost artwork in a craft & helping revive it again to wearable pieces, & most importantly in pieces that can be part of today's Heritage Builders' private collection; this will ensure the craft's continued sustainability.
Mukaish Hand Embroidery with proper "ghutaai" - this means Mukaish embroidery has been rubbed using old technique of filling pebbles in a bottle and rubbing on the embroidery, instead of new age roller press method. This one method ensures long lasting Mukaish. In itself Mukaish is more sustainable craft that sequins or "salma sitaara" embroidery, as Mukaish never comes off, maintaining the look of the garment for much longer time.
KHAYAL (moodboard): Poetry etched in fabric, Golden Trellis alludes to the once opulent courts of the ancient royalties of India. Trellis is the jaali like window pattern, a signature architecture in heritage monuments of the Golden Era. This museum quality piece of legacy bound, wearable art will a pride for any one who owns it.
POSHAAK (about the dupatta): Handloom Pure Organza Dupatta embroidered beautifully with the rare & precious Golden Leaf or Swarna Paatra made in Satkhaani Jaali style. This beautiful Golden Leaf is particularly complex to create and is allover the dupatta. A historic dupatta, that will always be the pride of the owner & will remain as part of handpicked private collection.
Golden Trellis is our heirloom collection of Mukaish work that was historically done once upon a time in Awadh region, but is not done any more. Golden Trellis is a result of, one of the many research projects we are working upon simultaneously. We know some might not see light of the day (although we firmly believe that everything can be revived if we just have the right patience and the will to keep going), some will prove to be false tales - a mirage of a narrative built for dramatic value and nothing more...but some, like Golden Trellis will be a reality that can be translated to fabric yet again, even if in a small way, or a shadow of its one time glory...at least there will be a start.
Golden Trellis is part of the Art & Antiquities Project undertaken by Meiraas.The Sustainability Quotient (TSQ):
Heritage Mukaish work re created: This work is known as Gukhru work. It has not been done in India or is extremely rarely done anymore. This is overlapping meshed Jaali work done in Mukaish. Its karigars are not alive now, and some of the karigars who learnt this art do not work in India. This was re created when one of them came on a small visit to his family in India. He has taught some amount of work to our small group of artisans in Lucknow. This work was historically done in Lucknow only. What can be better sustainability than finding out a lost artwork in a craft & helping revive it again to wearable pieces, & most importantly in pieces that can be part of today's Heritage Builders' private collection; this will ensure the craft's continued sustainability.
Mukaish Hand Embroidery with proper "ghutaai" - this means Mukaish embroidery has been rubbed using old technique of filling pebbles in a bottle and rubbing on the embroidery, instead of new age roller press method. This one method ensures long lasting Mukaish. In itself Mukaish is more sustainable craft that sequins or "salma sitaara" embroidery, as Mukaish never comes off, maintaining the look of the garment for much longer time.
KHAYAL (moodboard): Poetry etched in fabric, Golden Trellis alludes to the once opulent courts of the ancient royalties of India. Trellis is the jaali like window pattern, a signature architecture in heritage monuments of the Golden Era. This museum quality piece of legacy bound, wearable art will a pride for any one who owns it.
POSHAAK (about the dupatta): Pure Organza Silk Dupatta embroidered beautifully with the rare & precious Jugnu or Glowing Firefly design. This is a very complex embroidery where Mukaish wires are embroidered one on top of another to make a mesh trellis patten & is then interlocked within a ring. Even in this miniature motif, the craftsmanship is unbelievable. A historic dupatta, that will always be the pride of the owner & will remain as part of handpicked private collection.