Antique Masterclass Jaali Chikankari Hand Embroidery Dupatta on handwoven Organza with Ganga Jamuna borders of Tested Zari Gold & Silver on either side.
The Sustainability Quotient (TSQ):
Century plus antique Chikankari motif found and restored for use.
Masterclass Jaali stitch using Zari filament, which is extremely difficult to do.
Sustaining highest quality of Jaali stitch as centrepiece, which is almost vanishing from the craft or getting replaced with sequins and cutdana.
Handwoven Pure Organza Silk with tested Zari borders of Gold & Silver, making it a Hand embroidered and Hand Woven wholesome piece of wearable art.
KHAYAL (moodboard): If Chikankari embroidery is Poetry on Textile, then Jaali stitch is its Evocative Drama!! Jaali is an exceptionally brilliant optical illusion created on fabric by the hands of the karigars, where they replicate the trellis pattern of windows. Windows through which the first rays of sunshine sieve and enter a dark room, and spread their warmth in an alluring pattern. Windows through which the silver glow of a full Moon, enters in a cosmic colour play of calmness. Jaali has more spiritual connect with the artisans than we can think; maybe this is what makes the stitch the high point of Chikankari art.
POSHAAK (about the garment): The Antique Ambi motif is a Century plus old motif. The Jaali work on this motif is done using Qasab or Zari filament, which is the toughest level of Jaali stitch done on any fabric. To top this, this intricate hand cut stitch has been done on cloud like pure Organza Silk. Teasing the fabric apart to the precise extent, and creating perfect trellis pattern with Zari Filament (which is almost invisible to the eye), is the speciality of this heirloom Dupatta. It is a piece of wearable art that you would love to pass on generation to generation.
Important: You can email us at namaste@meiraas.com if you wish to get this dupatta in any other colour or wish to plan a Kurta with it.
This saree is Made on Order Only. Please read all details below:
White Pure Organza Kaamdaani saree of Meiraas Exclusive motif - Amer!! This one is a Royal Reverie!!
THE SUSTAINABILITY QUOTIENT (TSQ):
- EXCLUSIVE AMER MOTIF CREATED SEEING AMER FORT, JAIPUR
- SKILLED KAMDAANI WORK
- PURE ORGANZA
KHAYAAL (moodboard):
Amer
The Rajasthani Floral art of Amer motif has mesmerised us, since we first laid eyes on it, during our travel in 2010. It is simple, yet an attractive motif of a flower vase encased inside an aala. The original motif is made using molten glass as paint. We always wanted to showcase this motif in a Muakish saree in exactly the manner of the original artwork in Amer Fort.
This saree is reminiscent of the Maharanis of India & their Royal Splendour. The dainty Organza or Chiffon sarees, the delicate Mukaish embroidery on them, the vintage Basra pearls around their slender necks and their regal style!! One of our most beautiful memories of a past gone by.
POSHAAK (about the saree):
Clouds of White Organza are held down with the glamour of Gold!!
Amer Mukaish or Kaamdaani Saree has Meiraas Exclusive motif of a flower vase encased inside an aala, as seen in Amer Fort. The saree has this grand and exclusive motif on the Palla. The Rest of this showstopper concept saree has dainty Mukaish daana all over.
Imp: While the saree images here show scalloping on the palla, we will instead finish the saree with white silk selvedge.
The saree can be dyed and made also on request in a colour patron chooses.
Storage: Please store safely in the cloth bag we provide. Air it after every few months.
Golden Trellis is our heirloom collection of Mukaish work that was historically done once upon a time in Awadh region, but is not done any more. Golden Trellis is a result of, one of the many research projects we are working upon simultaneously. We know some might not see light of the day (although we firmly believe that everything can be revived if we just have the right patience and the will to keep going), some will prove to be false tales - a mirage of a narrative built for dramatic value and nothing more...but some, like Golden Trellis will be a reality that can be translated to fabric yet again, even if in a small way, or a shadow of its one time glory...at least there will be a start.
Golden Trellis is part of the Art & Antiquities Project undertaken by Meiraas.The Sustainability Quotient (TSQ):
Heritage Mukaish work re created: This work comes under Kamdani Embroidery. The name we have given to this particular style is "glasswork", after we got our Amer saree designed in same stitch. This is due to the fact, that we get it especially rubbed in ghutaai process to get the metal wires to shine like molten glass (we wanted the molten glass painting look of Amer Fort art). This is extremely dexterous work and is done on miniature motif style to ensure its wearability on multiple occasions, instead of it being relegated for very few. This work was historically done in Lucknow. What can be better sustainability than finding out a lost artwork in a craft & helping revive it again to wearable pieces, & most importantly in pieces that can be part of today's Heritage Builders' private collection; this will ensure the craft's continued sustainability.
Mukaish Hand Embroidery with proper "ghutaai" - this means Mukaish embroidery has been rubbed using old technique of filling pebbles in a bottle and rubbing on the embroidery, instead of new age roller press method. This one method ensures long lasting Mukaish. In itself Mukaish is more sustainable craft that sequins or "salma sitaara" embroidery, as Mukaish never comes off, maintaining the look of the garment for much longer time.
KHAYAL (moodboard): Poetry etched in fabric, Golden Trellis alludes to the once opulent courts of the ancient royalties of India. Trellis is the jaali like window pattern, a signature architecture in heritage monuments of the Golden Era. This museum quality piece of legacy bound, wearable art will a pride for any one who owns it.
POSHAAK (about the dupatta): Handloom Pure Organza Dupatta embroidered beautifully with the rare & precious Swarna Chakra or Golden Diskette. This beautiful Swarna Chakra has very neat & delicate Kamdani work closed with a ring embroidery; the miniature embroidery is allover the dupatta. A historic dupatta, that will always be the pride of the owner & will remain as part of handpicked private collection.
Golden Trellis is our heirloom collection of Mukaish work that was historically done once upon a time in Awadh region, but is not done any more. Golden Trellis is a result of, one of the many research projects we are working upon simultaneously. We know some might not see light of the day (although we firmly believe that everything can be revived if we just have the right patience and the will to keep going), some will prove to be false tales - a mirage of a narrative built for dramatic value and nothing more...but some, like Golden Trellis will be a reality that can be translated to fabric yet again, even if in a small way, or a shadow of its one time glory...at least there will be a start.
Golden Trellis is part of the Art & Antiquities Project undertaken by Meiraas.The Sustainability Quotient (TSQ):
Heritage Mukaish work re created: This work is known as Gukhru work. It has not been done in India or is extremely rarely done anymore. This is overlapping mesh Jaali work done in Mukaish. Its karigars are not alive now, and some of the karigars who learnt this art do not work in India. This was re created when one of them came on a small visit to his family in India. He has taught some amount of work to our small group of artisans in Lucknow. This work was historically done in Lucknow only. What can be better sustainability than finding out a lost artwork in a craft & helping revive it again to wearable pieces, & most importantly in pieces that can be part of today's Heritage Builders' private collection; this will ensure the craft's continued sustainability.
Mukaish Hand Embroidery with proper "ghutaai" - this means Mukaish embroidery has been rubbed using old technique of filling pebbles in a bottle and rubbing on the embroidery, instead of new age roller press method. This one method ensures long lasting Mukaish. In itself Mukaish is more sustainable craft that sequins or "salma sitaara" embroidery, as Mukaish never comes off, maintaining the look of the garment for much longer time.
KHAYAL (moodboard): Poetry etched in fabric, Golden Trellis alludes to the once opulent courts of the ancient royalties of India. Trellis is the jaali like window pattern, a signature architecture in heritage monuments of the Golden Era. This museum quality piece of legacy bound, wearable art will a pride for any one who owns it.
POSHAAK (about the dupatta): Pure Organza Silk Dupatta embroidered beautifully with the rare & precious Golden Kairi (Paisley). This is a very complex embroidery where Mukaish wires are embroidered one on top of another to make a mesh trellis patten & is then interlocked within a ring. The back of this dupatta (3rd image) leaves the onlooker startled with the dexterity that would have been employed. It is like "weaving" embroidery within the fabric! Even in this miniature motif, the craftsmanship is unbelievable. A historic dupatta, that will always be the pride of the owner & will remain as part of handpicked private collection.
White Pure Organza Kaamdaani saree of Meiraas Exclusive motif - Amer!! To top this, there is our Exclusive Golden Trellis Rings all through the saree!! This one is a Royal Romance in a Grand Palace!!
THE SUSTAINABILITY QUOTIENT (TSQ):
- EXCLUSIVE AMER MOTIF CREATED SEEING AMER FORT, JAIPUR
- REVIVAL OF TRELLIS WORK IN KAMDAANI EMBROIDERY: A rarity, Golden Trellis, has been elusive in the repertoire of Kamdaani embroidery for over many centuries. Now this work is done for select Royalty globally, and Meiraas has got this done for you.
- PURE ORGANZA
KHAYAAL (moodboard):
Amer
The Rajasthani Floral art of Amer motif has mesmerised us, since we first laid eyes on it, during our travel in 2010. It is simple, yet an attractive motif of a flower vase encased inside an aala. The original motif is made using molten glass as paint. We always wanted to showcase this motif in a Muakish saree in exactly the manner of the original artwork in Amer Fort.
The Golden Trellis motif is designed after the round Trellis water reserve covers designed so aesthetically in Amer Fort!! It was a sheer delight to see the level of Indian Art & Aesthetic sense to even design an otherwise drab water reserve tops with such skill.
This saree is reminiscent of the Maharanis of India & their Royal Splendour. The dainty Organza or Chiffon sarees, the delicate Mukaish embroidery on them, the vintage Basra pearls around their slender necks and their regal style!! One of our most beautiful memories of a past gone by.
POSHAAK (about the saree):
Clouds of White Organza are held down with the glamour of Gold!!
Amer Mukaish or Kaamdaani Saree has Meiraas Exclusive motif of a flower vase encased inside an aala, as seen in Amer Fort. The saree has this grand and exclusive motif on the Palla. The Rest of this showstopper concept saree has dainty Mukaish daana all over.
In between these Mukaish daana however lies the real beauty - The circular Golden Trellis or round diskettes made in rarest of rare - Kamdaani Jaali Embroidery!! A one of a kind rarity!!
Imp: While the saree images here show scalloping on the palla, we will instead finish the saree with white silk selvedge only.
The saree can be dyed and made also on request in a colour patron chooses.
Storage: Please store safely in the cloth bag we provide. Air it after every few months.
Golden Trellis is our heirloom collection of Mukaish work that was historically done once upon a time in Awadh region, but is not done any more. Golden Trellis is a result of, one of the many research projects we are working upon simultaneously. We know some might not see light of the day (although we firmly believe that everything can be revived if we just have the right patience and the will to keep going), some will prove to be false tales - a mirage of a narrative built for dramatic value and nothing more...but some, like Golden Trellis will be a reality that can be translated to fabric yet again, even if in a small way, even if a shadow of its one time glory...at least there will be a start.
Golden Trellis is part of the Art & Antiquities Project undertaken by Meiraas.
The Sustainability Quotient (TSQ):
Heritage Mukaish work re created: This work is known as Satkhani jaali. It has not been done in India or is extremely rarely done anymore. This is Jaali work done in Mukaish. Its karigars are not alive now, and some of the karigars who learnt this art do not work in India. This was re created when one of them came on a small visit to his family in India. He has taught some amount of work to our small group of artisans in Lucknow. This work was historically done in Lucknow only. What can be better sustainability than finding out a lost artwork in a craft & helping revive it again to wearable pieces, & most importantly in pieces that can be part of today's heritage builders' private wardrobe; this will ensure the craft's continued sustainability.
Mukaish Hand Embroidery with proper "ghutaai" - this means Mukaish embroidery has been rubbed using old technique of filling pebbles in a bottle and rubbing on the embroidery, instead of new age roller press method. This one method ensures long lasting Mukaish. In itself Mukaish is more sustainable craft that sequins or "salma sitaara" embroidery, as Mukaish never comes off, maintaing the look of the garment for much longer time.
KHAYAL (moodboard): Poetry etched in fabric, Golden Trellis alludes to the once opulent courts of the ancient royalties of India. Trellis is the jaali like window pattern, a signature architecture in heritage monuments of the Golden Era. This museum quality piece of legacy bound, wearable art will a pride for any one who owns it.
POSHAAK (about the dupatta): Handloom Pure Organza Dupatta embroidered beautifully with the rare & precious Golden Moon made in Satkhaani Jaali style. A tiki dot finishes the moon like a bindi finishes a beautiful face. A historic dupatta, that will always be the pride of the owner & will remain as part of handpicked private collection.
Golden Trellis is our heirloom collection of Mukaish work that was historically done once upon a time in Awadh region, but is not done any more. Golden Trellis is a result of, one of the many research projects we are working upon simultaneously. We know some might not see light of the day (although we firmly believe that everything can be revived if we just have the right patience and the will to keep going), some will prove to be false tales - a mirage of a narrative built for dramatic value and nothing more...but some, like Golden Trellis will be a reality that can be translated to fabric yet again, even if in a small way, or a shadow of its one time glory...at least there will be a start.
Golden Trellis is part of the Art & Antiquities Project undertaken by Meiraas.The Sustainability Quotient (TSQ):
Heritage Mukaish work re created: This work is known as Satkhani jaali. It has not been done in India or is extremely rarely done anymore. This is Jaali work done in Mukaish. Its karigars are not alive now, and some of the karigars who learnt this art do not work in India. This was re created when one of them came on a small visit to his family in India. He has taught some amount of work to our small group of artisans in Lucknow. This work was historically done in Lucknow only. What can be better sustainability than finding out a lost artwork in a craft & helping revive it again to wearable pieces, & most importantly in pieces that can be part of today's Heritage Builders' private collection; this will ensure the craft's continued sustainability.
Mukaish Hand Embroidery with proper "ghutaai" - this means Mukaish embroidery has been rubbed using old technique of filling pebbles in a bottle and rubbing on the embroidery, instead of new age roller press method. This one method ensures long lasting Mukaish. In itself Mukaish is more sustainable craft that sequins or "salma sitaara" embroidery, as Mukaish never comes off, maintaining the look of the garment for much longer time.
KHAYAL (moodboard): Poetry etched in fabric, Golden Trellis alludes to the once opulent courts of the ancient royalties of India. Trellis is the jaali like window pattern, a signature architecture in heritage monuments of the Golden Era. This museum quality piece of legacy bound, wearable art will a pride for any one who owns it.
POSHAAK (about the dupatta): Handloom Pure Organza Dupatta embroidered beautifully with the rare & precious Golden Leaf or Swarna Paatra made in Satkhaani Jaali style. This beautiful Golden Leaf is particularly complex to create and is allover the dupatta. A historic dupatta, that will always be the pride of the owner & will remain as part of handpicked private collection.
Golden Trellis is our heirloom collection of Mukaish work that was historically done once upon a time in Awadh region, but is not done any more. Golden Trellis is a result of, one of the many research projects we are working upon simultaneously. We know some might not see light of the day (although we firmly believe that everything can be revived if we just have the right patience and the will to keep going), some will prove to be false tales - a mirage of a narrative built for dramatic value and nothing more...but some, like Golden Trellis will be a reality that can be translated to fabric yet again, even if in a small way, or a shadow of its one time glory...at least there will be a start.
Golden Trellis is part of the Art & Antiquities Project undertaken by Meiraas.The Sustainability Quotient (TSQ):
Heritage Mukaish work re created: This work is known as Gukhru work. It has not been done in India or is extremely rarely done anymore. This is overlapping meshed Jaali work done in Mukaish. Its karigars are not alive now, and some of the karigars who learnt this art do not work in India. This was re created when one of them came on a small visit to his family in India. He has taught some amount of work to our small group of artisans in Lucknow. This work was historically done in Lucknow only. What can be better sustainability than finding out a lost artwork in a craft & helping revive it again to wearable pieces, & most importantly in pieces that can be part of today's Heritage Builders' private collection; this will ensure the craft's continued sustainability.
Mukaish Hand Embroidery with proper "ghutaai" - this means Mukaish embroidery has been rubbed using old technique of filling pebbles in a bottle and rubbing on the embroidery, instead of new age roller press method. This one method ensures long lasting Mukaish. In itself Mukaish is more sustainable craft that sequins or "salma sitaara" embroidery, as Mukaish never comes off, maintaining the look of the garment for much longer time.
KHAYAL (moodboard): Poetry etched in fabric, Golden Trellis alludes to the once opulent courts of the ancient royalties of India. Trellis is the jaali like window pattern, a signature architecture in heritage monuments of the Golden Era. This museum quality piece of legacy bound, wearable art will a pride for any one who owns it.
POSHAAK (about the dupatta): Pure Organza Silk Dupatta embroidered beautifully with the rare & precious Jugnu or Glowing Firefly design. This is a very complex embroidery where Mukaish wires are embroidered one on top of another to make a mesh trellis patten & is then interlocked within a ring. Even in this miniature motif, the craftsmanship is unbelievable. A historic dupatta, that will always be the pride of the owner & will remain as part of handpicked private collection.
Nakshatra Black Pure Organza Kaamdaani saree of Meiraas Exclusive work , The Golden Trellis with Circle Diskette & Chaand motif!! A stunning saree that celebrates forces of the Universe.
THE SUSTAINABILITY QUOTIENT (TSQ):
- REVIVAL OF TRELLIS WORK IN KAMDAANI EMBROIDERY: A rarity, Golden Trellis, has been elusive in the repertoire of Kamdaani embroidery for over many centuries. Now this work is done for select Royalty globally, and Meiraas has got this done for you.
- PURE ORGANZA
KHAYAAL (moodboard):"Summers in 1980s Lucknow meant, the whole family sleeping on the terrace at night. While one reason could be that power cuts were frequent then, another reason was its charm of sleeping under the open sky. Nani's house was a treat for me in this respect, whenever we stayed there. We would sleep under the stars, all cousins and elders around on their own charpais. Papa would take this as a moment to show me stars, planets, moon, the Milky Way, etc etc. It was fascinating & I deeply miss those innocent times. Nakshatra is a product of that reverie. Designing Nakshatra was always a dream, ever since I started working with Mukaish craft. The stars of Mukaish say so much to me than just metallic embellishments. They remind me of shooting stars, sun shining on dewdrops, planets, forces that are beyond our comprehension, and we can only see them as glittering dots, because we are limited in our scope to understand energies. This was the thought with which I explored Nakshatra.The Golden Trellis was the perfect embroidery to try this design intervention. I conceptualised a Celestial Trinity of the Sun, the Moon and the Planet to denote the Nakshatra and set it on a bed of stars in the sky in the form of this beautiful Organza Saree.I wish the patron wears it in an enchanting dinner place, under open clear sky, with millions of stars, a glass of wine and good company at hand and have a soulful time to remember & cherish forever." - Vidhi, Head of Creative, Meiraas
POSHAAK (about the saree):
This dark black sky of a soft cloudy Organza Saree has the Constellation in the form of - the Sun, the Moon & the Planet in Golden Trellish Kaamdaani embroidery. These motifs are heavily on the palla only, and the rest of the body has stars of Mukaish scattered all over its vast dark expanse.
We have finished it with Mulberry Silk selvedge in same colour.
The saree has a Mulberry Silk Blouse Piece in running with stars of Muakish.
Storage: Please store safely in the cloth bag we provide. Air it after every few months.
Jaipur Pink Pure Organza Kaamdaani saree of Meiraas Exclusive work , The Golden Trellis, with Chikankari detailing on the border!! A Regal soothing romance for the senses!!
THE SUSTAINABILITY QUOTIENT (TSQ):
- REVIVAL OF TRELLIS WORK IN KAMDAANI EMBROIDERY: A rarity, Golden Trellis, has been elusive in the repertoire of Kamdaani embroidery for over many centuries. Now this work is done for select Royalty globally, and Meiraas has got this done for you.
- PURE ORGANZA
KHAYAAL (moodboard):"The city lies on a plain, encircled by brown desert hills, with fortifications and walls snaking over their contours. The capital itself was the prettiest I had ever seen - an intricacy of domes & towers, lattices and verandahs, with all the buildings coloured a deep Oleander Pink. In the wide well planned streets, the women wore skirts, bodices and shawls instead of sarees, and all the men wore gloriously coloured turbans - Red, Magenta, Daffodil Yellow and an indescribable Pink, that was both pale & piercing." - Excerpt from A Princess Remembers . The Memoirs of the Maharani of Jaipur, by Gayatri Devi
The above reference is to Jaipur's own Pink, that is akin to the flower of Kaner. India has so many unique colours, that it can make its own shade chart & inspire a variety of embroideries & art. This was the thought that shaped the Jaipur Pink saree, with lattices embroidered in Jaali Mukaish to pay our homage to the breathtakingly gorgeous city of the Rajputs.
POSHAAK (about the saree):
Jaipur Pink saree is an ode to Maharani Gayatri Devi's observation of Jaipur City. This soft cloud like Organza Saree is dyed a soft pink to resemble the Jaipur Pink. The saree has Chikankari detailing in the border. Its body has breath taking Kaamdaani embroidery work of Golden Trellis circles, that is heavier on the palla and grows smaller and lighter in the rest of the body.
The whole saree is sprinkled with Mukaish daana to add to its regal beauty. We have finished it with Mulberry Silk selvedge in same colour.
The saree has a running blouse piece with Mukaish daana embroidery.
Storage: Please store safely in the cloth bag we provide. Air it after every few months.
Chikankari Hand Embroidered Dupatta/Wrap on Handwoven Organza with Pure Zari borders of Silver on one side & gold on the other (100% Made in India from Yarn to Final Product).
This antique masterpiece is a Collector's Edition, & not to be found anywhere.
The Sustainability Quotient (SQ):
1. Localised Organza Production to India from China
2. 100% Handwoven Pure Silk Organza
3. Masterclass Weaving with one side SILVER and one side GOLD Pure Zari borders.
4. Chikankari - an ancient heritage hand embroidery practised in North India.
5. Bio Wash - Washed using Bio Friendly enzyme materials instead of Acid that is commonly used in Chikankari to wash Indigo Block marks of motifs.
KHAYAL (mood-board): Marble Carvings of Ancient Marble Monuments is a dream that has been captured in Chikankari Embroidery. Organza provides the exact dream like base for this Khayal. The Resham Chikan Embroidery appears like a replica of ancient marble engravings on fabric.
POSHAAK (about the outfit): A Handwoven Organza Wrap (Dupatta) that is lighter than air, made of Pure Silk Yarns, floaty like a cloud, adorned on either side with Gold & Silver Pure Zari Borders. Delicate Flowers of Chikankari Embroidery come alive on the it, making it a heart stopping piece of wearable art.
White Chikankari Hand Embroidered Dupatta/Wrap on Handwoven Organza with Pure Zari borders of Silver on one side & gold on the other (100% Made in India from Yarn to Final Product).
This antique masterpiece is a Collector's Edition, & not to be found anywhere.
The Sustainability Quotient (SQ):
1. Localised Organza Production to India from China
2. 100% Handwoven Pure Silk Organza
3. Masterclass Weaving with one side SILVER and one side GOLD Pure Zari borders.
4. Chikankari - an ancient heritage hand embroidery practised in North India.
5. Resham Aari Hand Embroidery details
6. Mukaish Hand Embroidery details.
7. Bio Wash - Washed using Bio Friendly enzyme materials instead of Acid that is commonly used in Chikankari to wash Indigo Block marks of motifs.
KHAYAL (mood-board): Marble Carvings of Ancient Marble Monuments is a dream that has been captured in Chikankari Embroidery. Organza provides the exact dream like base for this Khayal. The Resham Chikan Embroidery appears like a replica of ancient marble engravings on fabric. The Antique archive quality bel creeper with leaves is a very ancient motif of Chikankari, re-created by Meiraas.
POSHAAK (about the outfit): A Handwoven Organza Wrap (Dupatta) that is lighter than air, made of Pure Silk Yarns, floaty like a cloud, adorned on either side with Gold & Silver Pure Zari Borders. Delicate & Antique Floral Vine motif & Flowers of Chikankari Embroidery come alive on the it, making it a heart stopping piece of wearable art.
Chikankari Hand Embroidered Dupatta/Wrap on Handwoven Organza with Pure Zari borders of Silver on one side & gold on the other (100% Made in India from Yarn to Final Product).
This antique masterpiece is a Collector's Edition, & not to be found anywhere.
The Sustainability Quotient (SQ):
1. Localised Organza Production to India from China
2. 100% Handwoven Pure Silk Organza
3. Masterclass Weaving with one side SILVER and one side GOLD Pure Zari borders.
4. Chikankari - an ancient heritage hand embroidery practised in North India.
5. Bio Wash - Washed using Bio Friendly enzyme materials instead of Acid that is commonly used in Chikankari to wash Indigo Block marks of motifs.
KHAYAL (moodboard): Marble Carvings of Ancient Marble Monuments is a dream that has been captured in Chikankari Embroidery. Organza provides the exact dream like base for this Khayal. The Resham Chikan Embroidery appears like a replica of ancient marble engravings on fabric.
POSHAAK (about the outfit): A Handwoven Organza Wrap (Dupatta) that is lighter than air, made of Pure Silk Yarns, floaty like a cloud, adorned on either side with Gold & Silver Pure Zari Borders. Delicate Flowers of Chikankari Embroidery come alive on the it, making it a heart stopping piece of wearable art.
This product is Made on Order.
Masterclass dupatta with 2 antique motifs in a design pattern - the Paan Boota & the Chaand Boota. This resham Chikankari Hand Embroidery Dupatta is made on handwoven Organza with Ganga Jamuna borders of Tested Zari Gold & Silver on either side.
The Sustainability Quotient (TSQ):
Century plus antique Chikankari motif found and restored for use.
Masterclass Jaali stitch using Zari filament, which is extremely difficult to do.
High quality stitches using Resham taar filament
Sustaining highest quality of Jaali stitch as centrepiece, which is almost vanishing from the craft or getting replaced with sequins and cutdana.
Handwoven Pure Organza Silk with tested Zari borders of Gold & Silver, making it a Hand embroidered and Hand Woven wholesome piece of wearable art.
KHAYAL (moodboard): If Chikankari embroidery is Poetry on Textile, then Jaali stitch is its Evocative Drama!! Jaali is an exceptionally brilliant optical illusion created on fabric by the hands of the karigars, where they replicate the trellis pattern of windows. Windows through which the first rays of sunshine sieve and enter a dark room, and spread their warmth in an alluring pattern. Windows through which the silver glow of a full Moon, enters in a cosmic colour play of calmness. Jaali has more spiritual connect with the artisans than we can think; maybe this is what makes the stitch the high point of Chikankari art.
POSHAAK (about the garment): This bright yellow dupatta has 2 antique Chikankari motifs - Paan and Chaand. Both motifs have very intricate detailing inside them. The bootas are placed on diagonal ends of the dupatta, & the body is filled with 3 miniature motif cluster all through. The dupatta, with its Zari Gold & Silver border, is a piece of stunning wearable art, that one can pass from generation to generation.
Only Dupatta is available to shop in this listing. The last image is to show full dupatta, when paired with a kurta.
Important: You can email us at namaste@meiraas.com if you wish to plan a Kurta with this dupatta. You can also shop this in Shahi Paan ensemble: Lemon Souffle combination.
Imp: All available sizes are now Made on Order only
Meiraas Bestseller Chikankari design since its first launch in 2018, the Power of Silence, Dance of the Cranes motif has been one of our most requested motifs. This is a Chikankari Kurta made on Handloom Chanderi with Rose and Pistachio embroidery.
The Sustainability Quotient (TSQ):
1. Skilled Resham Hand Embroidery on absolutely novel motif art.
2. Exclusive Dance of the Cranes Meiraas motifs carved following all processes.
3. Handloom Chanderi
4. Conceptual Chikankari work, that might someday be housed in a museum of crafts, or a well researched coffee table book.
KHAYAL (mood-board):
The outskirts of the historic & charming city of Lucknow are equally beautiful in their rustic charm. These ancient Indo Gangetic plains are lush with greenery & boasts of one of World's oldest agrarian civilisation. Watching the emerald landscape of Awadh is a surreal experience, even more so in winters when dotted with the migratory bird population, the most notable of these being the Siberian Cranes, that never enter the city Lucknow, but stay just outside, especially in Nawabgunj Bird Sanctuary. With this concept in mind, we wanted to design motifs that glide in the night sky in a Yin & Yang appeal; we found the desirable art style of these motifs, very surprisingly, in Japan. The ancient Japanese Art style is dramatically circular in design, & it is here that we found our serendipity, the right manner to display the Nawabgunj Cranes. The motif of Chikankari is an exclusive design of Meiraas launched in 2018. Borrowing from Japanese palette, we designed the motifs keeping Chikankari stitches in mind, that best romance the gliding flight of the Siberian Cranes.
POSHAAK (about the dress):
The cranes are falling, gliding, flying & finally in a circular Dance of Love at the statement back, in this Meiraas Exclusive Kurta made on Handloom Chanderi. The pastel pink Kurta has embroidery in fresh green colour, making it a unique pastel on pastel play Kurta.
The Kurta is accompanied by a Dupatta in Handloom Organza fabric with Gold and Silver Zari Ganga Jamuna borders. The Dupatta has a stunning Crescent Moon motif with Cranes flying atop it in two diagonal konia, and floral bootas allover the body.
If you wish to add plain Glazed Cotton pants in same shade to match, you can select the same from Glazed Cotton Plain Pants and in Customer Note mention: Please make Pants to match the selected set. We will do the needful
This post has Kurta (stitching & slip is complimentary) that can be shopped. Pants can be added extra, as explained above.
Antique Masterclass Jaali Chikankari Hand Embroidery Dupatta on handwoven Organza with Ganga Jamuna borders of Tested Zari Gold & Silver on either side.
The Sustainability Quotient (TSQ):
Century plus antique Chikankari motif found and restored for use.
Masterclass Jaali stitch using Zari filament, which is extremely difficult to do.
Sustaining highest quality of Jaali stitch as centrepiece, which is almost vanishing from the craft or getting replaced with sequins and cutdana.
Handwoven Pure Organza Silk with tested Zari borders of Gold & Silver, making it a Hand embroidered and Hand Woven wholesome piece of wearable art.
KHAYAL (moodboard): If Chikankari embroidery is Poetry on Textile, then Jaali stitch is its Evocative Drama!! Jaali is an exceptionally brilliant optical illusion created on fabric by the hands of the karigars, where they replicate the trellis pattern of windows. Windows through which the first rays of sunshine sieve and enter a dark room, and spread their warmth in an alluring pattern. Windows through which the silver glow of a full Moon, enters in a cosmic colour play of calmness. Jaali has more spiritual connect with the artisans than we can think; maybe this is what makes the stitch the high point of Chikankari art.
POSHAAK (about the garment): The Antique Ambi motif is a Century plus old motif. The Jaali work on this motif is done using Qasab or Zari filament, which is the toughest level of Jaali stitch done on any fabric. To top this, this intricate hand cut stitch has been done on cloud like pure Organza Silk. Teasing the fabric apart to the precise extent, and creating perfect trellis pattern with Zari Filament (which is almost invisible to the eye), is the speciality of this heirloom Dupatta. It is a piece of wearable art that you would love to pass on generation to generation.
Important: You can email us at namaste@meiraas.com if you wish to plan a Kurta with this dupatta.
Imp: This Kurta is Made On Order. Please select your size & we will stitch it complimentary.
Meiraas Exclusive Chikankari design, Kabootarbaazi, was launched in 2018. We created a variation of that Kurta, with a Kashmiri embroidery inspired neckline in Chikankari, & the statement back with our signature Kabootar & Mehraab.
The Dupatta is our Exclusive Pine Cone Jugnu Mukaish Dupatta, with a very unique Mukaish embroidery, that cannot be found easily in even amongst the premium Chikankari pieces.
A unique and classic ensemble for all occasions, which you would like to cherish & pass on as heirloom
The Sustainability Quotient (TSQ):
1. Skilled Resham Hand Embroidery on Exclusive motif art by Meiraas
2. Exclusive & Rare Mukaish Pine Cone style embroidery.
3. Handloom Chanderi & Handloom Organza (for dupatta)
4. Conceptual Chikankari work, that might someday be housed in a museum of crafts, or a well researched coffee table book.
KHAYAL (mood-board):
Kabootarbaazi (Pigeon flying) is inherent to the culture of Lucknow and Awadh. Whether romanced in Ruskin Bond’s period novella “A Flight of the Pigeons” or appearing aesthetically in Ray’s “Shatranj ke Khiladi”, Pigeons and the skyline of Lucknow is synonymous with each other. Seen here is Kabootar (Pigeon) in the romantic Mehraab (Archways) in the EXCLUSIVE MOTIF created by Meiraas under Falaknuma Collection. The motif of Chikankari is an exclusive design of Meiraas launched in 2018.
POSHAAK (about the dress):
This beautiful Dove Grey Chikankari Kurta has a Kashmiri style heavy neckline of shadow & ghaspatti embroidery in white thread work. A pair of Doves is flying towards the floral yoke, with subtle Mukaish highlights allover.
The back has a statement motif of Kabootar in Mehraab (archway).
The Kurta is accompanied by our Umrao Mukaish Pine Cone Jugnu dupatta, an Exclusive & Rare Mukaish creation, in grey shade to match.
If you wish to add plain Glazed Cotton pants in same shade to match, you can select the same from Glazed Cotton Plain Pants and in Customer Note mention: Please make Pants to match the selected set. We will do the needful
This post has Kurta (stitching & slip is complimentary) & Dupatta that can be shopped. Pants can be added extra, as explained above.
Imp: The set is Made on Order. Please select your size & we will stitch it complimentary.
Meiraas Exclusive Chikankari design, Shahi Paan, was launched in 2020, and was made using an archival motif as reference. This is a Chikankari Kurta made on Handloom Chanderi with the dupatta accompanying this Kurta in Handloom Organza fabric with Gold and Silver Zari Ganga Jamuna borders.
A stunning and classic ensemble for all occasions, which you would like to cherish & pass on as heirloom
The Sustainability Quotient (TSQ):
1. Skilled Resham Hand Embroidery on Exclusive motif art created using archival motifs.
2. Exclusive Shahi Paan motif carved following all processes, including making a new needle to carve such an intricate motif
3. Handloom Chanderi & Handloom Organza (for dupatta)
4. Conceptual Chikankari work, that might someday be housed in a museum of crafts, or a well researched coffee table book.
KHAYAL (mood-board):
When you think of Chikankari, you invariably think of the Classic fine quality thread work, that once defined the look of this embroidery . There is an ethereal charm of that era of Chikankari, that seems like a whisper of the soul whose hands embellished the fine fabric. They carry the joy, the tears, the stories, the candour that the artisans shared, while the needles brought alive each Flower, Knot, Trellis; but how much more beautiful would it be, if this whisper of Fine Chikankari was not just relegated to beautiful coffee table books & museums as part of archived history of Textiles. It is heart wrenching to see beautiful embroidery motifs of Chikankari housed in Textile Museums, to be gawped at, but designated to a fate where they shall never be part of someone else’s story.
Shahi Paan Kurta is our endeavour from The Art and Antiquities Project of Meiraas, for which we travel through museums, seek crafts in Temples and study Historical archived images, so that the Queens in us can make these designs a part of our unique story again
POSHAAK (about the dress):
This beautiful pastel lemon yellow Kurta has breathtaking Shahi Paan embroidery done in 2 Taar Resham thread as the statement back. The front of the Kurta has Meiraas Bijli Boota embroidered, making this a Kurta with two stunning archival embroideries in one Kurta that you can cherish forever & hand down generations as part of keepsake embroidery. The bright yellow thread work on pastel lemony base, makes it classic & vibrant at the same time
The Kurta is accompanied by a stunning bright yellow Dupatta in Handloom Organza fabric with Gold and Silver Zari Ganga Jamuna borders. The Dupatta has a Crescent Moon motif with an inverted Paan in two diagonal konia, and floral bootas allover the body in white thread work.
If you wish to add plain Glazed Cotton pants in same shade to match, you can select the same from Glazed Cotton Plain Pants and in Customer Note mention: Please make Pants to match the selected set. We will do the needful
This post has Kurta (stitching & slip is complimentary) & Dupatta that can be shopped. Pants can be added extra, as explained above.
Imp: All available sizes are now Made on Order only
Meiraas Bestseller Chikankari design since its first launch in 2018, the Power of Silence, Dance of the Cranes motif has been one of our most requested motifs. This is a Chikankari Kurta made on Handloom Chanderi with Rose & Pistachio embroidery.
The dupatta accompanying this Kurta is in Handloom Organza fabric with Gold and Silver Zari Ganga Jamuna borders.
A unique yet classic ensemble for all occasions.
The Sustainability Quotient (TSQ):
1. Skilled Resham Hand Embroidery on absolutely novel motif art.
2. Exclusive Dance of the Cranes Meiraas motifs carved following all processes.
3. Handloom Chanderi
4. Conceptual Chikankari work, that might someday be housed in a museum of crafts, or a well researched coffee table book.
KHAYAL (mood-board):
The outskirts of the historic & charming city of Lucknow are equally beautiful in their rustic charm. These ancient Indo Gangetic plains are lush with greenery & boasts of one of World's oldest agrarian civilisation. Watching the emerald landscape of Awadh is a surreal experience, even more so in winters when dotted with the migratory bird population, the most notable of these being the Siberian Cranes, that never enter the city Lucknow, but stay just outside, especially in Nawabgunj Bird Sanctuary. With this concept in mind, we wanted to design motifs that glide in the night sky in a Yin & Yang appeal; we found the desirable art style of these motifs, very surprisingly, in Japan. The ancient Japanese Art style is dramatically circular in design, & it is here that we found our serendipity, the right manner to display the Nawabgunj Cranes. The motif of Chikankari is an exclusive design of Meiraas launched in 2018. Borrowing from Japanese palette, we designed the motifs keeping Chikankari stitches in mind, that best romance the gliding flight of the Siberian Cranes.
POSHAAK (about the dress):
The cranes are falling, gliding, flying & finally in a circular Dance of Love at the statement back, in this Meiraas Exclusive Kurta made on Handloom Chanderi. The pastel pink Kurta has embroidery in fresh green colour, making it a unique pastel on pastel play Kurta.
The Kurta is accompanied by a Dupatta in Handloom Organza fabric with Gold and Silver Zari Ganga Jamuna borders. The Dupatta has a stunning Crescent Moon motif with Cranes flying atop it in two diagonal konia, and floral bootas allover the body.
If you wish to add plain Glazed Cotton pants in same shade to match, you can select the same from Glazed Cotton Plain Pants and in Customer Note mention: Please make Pants to match the selected set. We will do the needful
This post has Kurta (stitching & slip is complimentary) & Dupatta that can be shopped. Pants can be added extra, as explained above.
Brahmakamal is the most beautiful Resham Chikankari creation we have made on Pure Organza Silk fabric. The lightweight and pearly lustrous Organza holds the delicate strands of Resham embroidered into sheer poetry of a saree!!
This saree is now Made On Order.
The Sustainability Quotient (TSQ):
1. Skilled Resham Hand Embroidery on an absolutely novel border art.
2. Hand Embroidered Mukaish highlights.
3. Natural Fibre base - Pure Organza Silk.
4. Rare stitches like, Murri (Rice Grain) form the major part of the embroidery. The shadow work done in this saree is silent (which means that the shadow threadwork in the reverse is not visible from front, yet it gives the classic impression or shadow).
KHAYAL (Mood-board):
The elusive Brahmakamal, is an ancient celestial Indian flower, that is considered extremely auspicious to be offered to our prime deities. The reason behind this is its rarity of blooming in just one night between the period of late summer & early autumn, and that too in the higher Himalayas of Uttarakhand. Our scriptures revere this Brahmakamal as divine and celestial, due to this rarity. Various ancient texts of India and Tibet have mentioned its amazing therapeutic properties that can cure many fatal diseases.
Brahmakamal is that flora of our land, which was deemed as the best kept mystery of the natural secret garden of the Himalayas. We spotted some rare Brahmakamal in our many travels to the higher Himalayas, and envisioned them in the craft of Chikankari.
POSHAAK (About the garment):
As the name suggests, we envisioned this saree in pure, pristine and pearly white. Our immediate thought was using the purest Organza Silk as the base to display the snow capped peaks of Higher Himalayas, but with a mystique; hence, Organza was the choice.
The motif chosen for this saree was one that had to have a Brahmakamal like shape, which we luckily found in an old border motif. The best of stitches were brainstormed, which would bring alive this artwork. After the magnificent border, the palla was adorned with snowflake like motif to showcase the presence of the blooms in the higher altitudes of Himalayas. The rest of the body has smaller motifs. Stars of Mukaish are scattered through the saree like fireflies in the mountains glowing like celestial lamps on a full moon night!!