Please refer to Size Chart and not sizing guide to know your perfect fit.
THE SUSTAINABILITY QUOTIENT (TSQ):
Artisan Skill enhancement: One of a kind tunic design with exceptional blocks that were not used for years; a delight for creative minds.
Handmade in India
KHAYAL (mood board):
Dopehri is a summer song of Lucknow presented by Meiraas!! Through this entry range collection of ours, we want you to step into the oasis of slow summer living of yesteryears that we are all trying to bring back collectively!!
POSHAAK (about the product):
This White cotton essential Palazzo Pant is made in the traditional - Khada Pyajama - style. It has a long paisley motif on the ankles.
For new Meiraas patrons: The pant is made in soft Cotton and has an elasticised waistband with fabric drawstring. To know your perfect waist size see the waist size on the size chart and add 4 inches to it, this will be the exact waist size when the band stretches. Rest of the measurements will be exactly as per size chart.
For returning Meiraas patrons: Please choose the size you always take.
The shade of the Pant: White
Important:
Chikankari garments are translucent by nature as they are mostly made on lighter cottons & in natural white or pastel shades. To wear a slip underneath is subjective to the wearer's comfort
Only Palazzo Pant is available to shop from this post.
Fabric: Pure Cotton
Styling Tip: Pair with any Meiraas Kurta.
Select options
This product has multiple variants. The options may be chosen on the product page
Please refer to Size Chart and not sizing guide to know your perfect fit.
THE SUSTAINABILITY QUOTIENT (TSQ):
Artisan Skill enhancement: One of a kind tunic design with exceptional blocks that were not used for years; a delight for creative minds.
Handmade in India
KHAYAL (mood board):
Dopehri is a summer song of Lucknow presented by Meiraas!! Through this entry range collection of ours, we want you to step into the oasis of slow summer living of yesteryears that we are all trying to bring back collectively!!
POSHAAK (about the product):
This White cotton essential Palazzo Pant is made in the traditional - Khada Pyajama - style. It has a small paisley motif on the ankles.
For new Meiraas patrons: The pant is made in soft Cotton and has an elasticised waistband with fabric drawstring. To know your perfect waist size see the waist size on the size chart and add 4 inches to it, this will be the exact waist size when the band stretches. Rest of the measurements will be exactly as per size chart.
For returning Meiraas patrons: Please choose the size you always take.
The shade of the Pant: White
Important:
Chikankari garments are translucent by nature as they are mostly made on lighter cottons & in natural white or pastel shades. To wear a slip underneath is subjective to the wearer's comfort
Only Palazzo Pant is available to shop from this post.
Fabric: Pure Cotton
Styling Tip: Pair with any Meiraas Kurta.
Select options
This product has multiple variants. The options may be chosen on the product page
Golden Trellis is our heirloom collection of Mukaish work that was historically done once upon a time in Awadh region, but is not done any more. Golden Trellis is a result of, one of the many research projects we are working upon simultaneously. We know some might not see light of the day (although we firmly believe that everything can be revived if we just have the right patience and the will to keep going), some will prove to be false tales - a mirage of a narrative built for dramatic value and nothing more...but some, like Golden Trellis will be a reality that can be translated to fabric yet again, even if in a small way, even if a shadow of its one time glory...at least there will be a start.
Golden Trellis is part of the Art & Antiquities Project undertaken by Meiraas.
The Sustainability Quotient (TSQ):
Heirloom Full Jaal Mukaish: While Mukaish as a craft has mostly now become an embellishment to Chikankari, we at Meiraas have been trying consistently, to introduce this beautiful craft in all its individual glory, & in more heritage yet functional ways to wear it, to increase the longevity and heirloom value of each piece. Mukaish Jaal Dupattas on Silk are stand alone Heirloom Dupattas, that are versatile to be paired with any Kurta.
Mukaish Hand Embroidery with proper "ghutaai" - this means Mukaish embroidery has been rubbed using old technique of filling pebbles in a bottle and rubbing on the embroidery, instead of new age roller press method. This one method ensures long lasting Mukaish. In itself Mukaish is more sustainable craft that sequins or "salma sitaara" embroidery, as Mukaish never comes off, maintaing the look of the garment for much longer time.
Handspun Handwoven Tussar Silk: Thigh reeled, Handspun, Handwoven soft Tussar Silk from the looms of Bhagalpur, Bihar has been used as a base for these dupattas.
KHAYAL (moodboard): Poetry etched in fabric, Golden Trellis alludes to the once opulent courts of the ancient royalties of India. Trellis is the jaali like window pattern, a signature architecture in heritage monuments of the Golden Era. This museum quality piece of legacy bound, wearable art will a pride for any one who owns it.
POSHAAK (about the dupatta): Handloom Tussar Silk Dupatta embroidered beautifully with the Trellis (jaalidaar window) Pattern Mukaish (Chheenta Mukaish) all over & finished with Gold kingri gota lace detailing (not visible in images) on the daaman of the Dupatta. The dupatta shade is natural beige colour of Tussar yarn. It is a beautiful Heirloom piece that works perfectly well standalone with any Kurta - Chikankari, Banarasi, Plain Tussar, Chanderi, etc. This one dupatta is versatile to dress up and down and adds the elegance that only Heirloom Pieces can. A perfect hand me down too.
Imp: This dupatta is natural Tussar beige colour. If you want this coloured to a shade of your choice, then drop us an email at [email protected]
Golden Trellis is our heirloom collection of Mukaish work that was historically done once upon a time in Awadh region, but is not done any more. Golden Trellis is a result of, one of the many research projects we are working upon simultaneously. We know some might not see light of the day (although we firmly believe that everything can be revived if we just have the right patience and the will to keep going), some will prove to be false tales - a mirage of a narrative built for dramatic value and nothing more...but some, like Golden Trellis will be a reality that can be translated to fabric yet again, even if in a small way, even if a shadow of its one time glory...at least there will be a start.
Golden Trellis is part of the Art & Antiquities Project undertaken by Meiraas.
The Sustainability Quotient (TSQ):
Heirloom Full Jaal Mukaish: While Mukaish as a craft has mostly now become an embellishment to Chikankari, we at Meiraas have been trying consistently, to introduce this beautiful craft in all its individual glory, & in more heritage yet functional ways to wear it, to increase the longevity and heirloom value of each piece. Mukaish Jaal Dupattas on Silk are stand alone Heirloom Dupattas, that are versatile to be paired with any Kurta.
Mukaish Hand Embroidery with proper "ghutaai" - this means Mukaish embroidery has been rubbed using old technique of filling pebbles in a bottle and rubbing on the embroidery, instead of new age roller press method. This one method ensures long lasting Mukaish. In itself Mukaish is more sustainable craft that sequins or "salma sitaara" embroidery, as Mukaish never comes off, maintaing the look of the garment for much longer time.
Handspun Handwoven Tussar Silk: Thigh reeled, Handspun, Handwoven soft Tussar Silk from the looms of Bhagalpur, Bihar has been used as a base for these dupattas.
KHAYAL (moodboard): Poetry etched in fabric, Golden Trellis alludes to the once opulent courts of the ancient royalties of India. Trellis is the jaali like window pattern, a signature architecture in heritage monuments of the Golden Era. This museum quality piece of legacy bound, wearable art will a pride for any one who owns it.
POSHAAK (about the dupatta): Handloom Tussar Silk Dupatta embroidered beautifully with the Barfi Pattern Mukaish (Chheenta Mukaish and Tiki Mukaish) all over & finished with Gold kingri gota lace detailing (not visible in images) on the daaman of the Dupatta. The dupatta shade is natural beige colour of Tussar yarn. It is a beautiful Heirloom piece that works perfectly well standalone with any Kurta - Chikankari, Banarasi, Plain Tussar, Chanderi, etc. This one dupatta is versatile to dress up and down and adds the elegance that only Heirloom Pieces can. A perfect hand me down too.
Imp: This dupatta is natural Tussar beige colour. If you want this coloured to a shade of your choice, then drop us an email at [email protected]
The Tepchi format of this saree has not been kept uniform, as is the case with most bargain basement embroidery cluster workmanship. We have re-designed the Saree format in the lines of a Pure Georgette look saree, with a variety of motif styles on the Palla, increasing the dexterity involved in the work. This helps the artisans break away from the monotony of uniform one motif sarees, by giving them variety to work upon. The saree also has a unique one side heavy border, a novelty in Chikankari sarees. The motifs picked are complex & rarely worked upon.
Azo Free Dyes
Khayal (moodboard):"Rajnigandha Collection was born out of my love of 70s effortless and relatable genre of Hindi Cinema, and the look of the heroines of such films, who felt closer to the women in my family & around me – my mother, my aunts, my teachers – all of whom were heroines in their own life, and were changing the societal mindset, to accept women who knew their mind, could go out & work, or homemakers who needed personal time, have a life and defined choices, while taking their family along in this journey. It was an interesting time!! Rajnigandha was especially chosen for Chikankari sarees, because they were heavily worn by women of all age groups in Lucknow, light worked ones and heavier Tepchi ones in pretty sorbet & pastel shades. The collection is also my heart collective, as it involves Artisan Skill Enhancement at each level, along with using good quality handwoven cotton fabric, all of which has completely disappeared from Chikankari everyday sarees."- Vidhi Rastogi, Head of Creative, MeiraasPoshaak (about the saree):
Tepchi Chikankari on Fluid Kota Doria is like a floating dream on a celestial river. The saree has rarely used unique paisley motifs that form the centrepiece design. We have given a very different theme of the Pallu with complex motifs & designing sensibility borrowed from premium pure georgette sarees in Chikankari.
The saree boasts of a one side heavier Palla, a rarity in design sensibility in Chikankari, that was inspired by some handwoven sarees of India. This makes the saree a rare masterpiece in Tepchi Chikankari.
The saree has been finished with crochet lace & sea shell details.
The soft Lemony Yellow hue is soothing to the scorched summer soul, & the Kota is light & airy like a feather.
Styling Tip: Wear these sarees with soothing pearl jewellery or stunning silver, and take these beauties out for lunch, work, brunch, any casual day out.
Imp: Kota Doria Chikankari sarees have lesser width, as soft Kota shrinks with heavy work. We will attach a same colour cotton fabric in the tucking in part seamlessly to provide a ready width of 44 inches, at no additional cost.
The Tepchi format of this saree has not been kept uniform, as is the case with most bargain basement embroidery cluster workmanship. We have re-designed the Saree format in the lines of a Pure Georgette look saree, with a variety of motif styles on the Palla, increasing the dexterity involved in the work. This helps the artisans break away from the monotony of uniform one motif sarees, by giving them variety to work upon. The saree also has a unique one side heavy border, a novelty in Chikankari sarees. The motifs picked are complex & rarely worked upon.
Azo Free Dyes
Khayal (moodboard):"Rajnigandha Collection was born out of my love of 70s effortless and relatable genre of Hindi Cinema, and the look of the heroines of such films, who felt closer to the women in my family & around me – my mother, my aunts, my teachers – all of whom were heroines in their own life, and were changing the societal mindset, to accept women who knew their mind, could go out & work, or homemakers who needed personal time, have a life and defined choices, while taking their family along in this journey. It was an interesting time!! Rajnigandha was especially chosen for Chikankari sarees, because they were heavily worn by women of all age groups in Lucknow, light worked ones and heavier Tepchi ones in pretty sorbet & pastel shades. The collection is also my heart collective, as it involves Artisan Skill Enhancement at each level, along with using good quality handwoven cotton fabric, all of which has completely disappeared from Chikankari everyday sarees."- Vidhi Rastogi, Head of Creative, MeiraasPoshaak (about the saree):
Tepchi Chikankari on Fluid Kota Doria is like a floating dream on a celestial river. The saree has rarely used unique paisley motifs that form the centrepiece design. We have given a very different theme of the Pallu with complex motifs & designing sensibility borrowed from premium pure georgette sarees in Chikankari.
The saree boasts of a one side heavier Palla, a rarity in design sensibility in Chikankari, that was inspired by some handwoven sarees of India. This makes the saree a rare masterpiece in Tepchi Chikankari.
The saree has been finished with crochet lace & sea shell details.
The soft Shell Pink (Lilac Pink) hue is soothing to the scorched summer soul, & the Kota is light & airy like a feather.
Styling Tip: Wear these sarees with soothing pearl jewellery or stunning silver, and take these beauties out for lunch, work, brunch, any casual day out.
Imp: Kota Doria Chikankari sarees have lesser width, as soft Kota shrinks with heavy work. Please see the ready width given for this saree, and if you want more width, simply leave a comment in Customer Note with your preferred ready width. We will attach a fabric in the tucking in part seamlessly to provide the same, at no additional cost.
The Tepchi format of this saree has not been kept uniform, as is the case with most bargain basement embroidery cluster workmanship. We have re-designed the Saree format in the lines of a Pure Georgette look saree, with a variety of motif styles on the Palla, increasing the dexterity involved in the work. This helps the artisans break away from the monotony of uniform one motif sarees, by giving them variety to work upon. The saree also has a unique one side heavy border, a novelty in Chikankari sarees. The motifs picked are complex & rarely worked upon.
Azo Free Dyes
Khayal (moodboard):"Rajnigandha Collection was born out of my love of 70s effortless and relatable genre of Hindi Cinema, and the look of the heroines of such films, who felt closer to the women in my family & around me – my mother, my aunts, my teachers – all of whom were heroines in their own life, and were changing the societal mindset, to accept women who knew their mind, could go out & work, or homemakers who needed personal time, have a life and defined choices, while taking their family along in this journey. It was an interesting time!! Rajnigandha was especially chosen for Chikankari sarees, because they were heavily worn by women of all age groups in Lucknow, light worked ones and heavier Tepchi ones in pretty sorbet & pastel shades. The collection is also my heart collective, as it involves Artisan Skill Enhancement at each level, along with using good quality handwoven cotton fabric, all of which has completely disappeared from Chikankari everyday sarees."- Vidhi Rastogi, Head of Creative, MeiraasPoshaak (about the saree):
Tepchi Chikankari on Fluid Kota Doria is like a floating dream on a celestial river. The saree has rarely used unique paisley motifs that form the centrepiece design. We have given a very different theme of the Pallu with complex motifs & designing sensibility borrowed from premium pure georgette sarees in Chikankari.
The saree boasts of a one side heavier Palla, a rarity in design sensibility in Chikankari, that was inspired by some handwoven sarees of India. This makes the saree a rare masterpiece in Tepchi Chikankari.
The saree has been finished with crochet lace & sea shell details.
The soft Aqua Blue hue is soothing to the scorched summer soul, & the Kota is light & airy like a feather.
Styling Tip: Wear these sarees with soothing pearl jewellery or stunning silver, and take these beauties out for lunch, work, brunch, any casual day out.
Imp: Kota Doria Chikankari sarees have lesser width, as soft Kota shrinks with heavy work. We will attach a same colour cotton fabric in the tucking in part seamlessly to provide a ready width of 44 inches, at no additional cost.
Cotton Silk is one of the most popular fabric produced by India. Cotton Silk of every state in India differs from the other & just the tracing of this beautiful buttery fabric, whether Handloom or Powerloom, is an absolute delight.
Meiraas presents Aqua Blue Rajnigandha saree on Cotton Silk.
This saree has a beautifully embroidered long & heavy palla of Indian Garden Art & the borders of the palla are locked with an unique "bel" (creeper) of Paisley.
The saree is embroidered by our regular unit & is yet another example of how we managed to create highly skilled craft from a unit that was accustomed to making rough & unskilled work.
When you choose to add this saree to your wardrobe, you contribute towards encouraging skilled & improved craftsmanship for artisans who toiled for over 1 year in creating these wonders.
Additional Details:
Gota Kingri in Gold/Silver is not visible in the images, but will be added on the saree before shipping. To see how that looks, you can check Pink Rajnigandha Cotton Silk Saree of same price range.
The Model in the picture is of 5ft 7.5 inches height & is wearing no heels.
Colours like Blue, Red & Green are a little difficult in catching the exact colour. However, we are posting the closest colour here. Some variation in colour will happen due to digital medium of viewing the product.
KHAYAL (mood board):
Dopehri is a summer song of Lucknow presented by Meiraas!! Through this entry range collection of ours, we want you to step into the oasis of slow summer living of yesteryears that we are all trying to bring back collectively!!
POSHAAK (about the product):
Very soft cotton Chikankari Dupatta with ghaspatti, shadow phanda hand embroidery, clamp dyed in Natural Dye (shiuli)
The summery dupatta is our attempt at bringing natural dyes & Chikankari closer, we have already done this in our premium collection & this is the first foray in entry range collection.
Important:
1.Please read Washing Instructions carefully as Natural dyes behave differently.
2
Important:
1.Please read Washing Instructions carefully as Natural dyes behave differently.
2.Only Dupatta is available to shop from this post.
Fabric: Powerloom Cotton
Styling Tip: Will work beautifully with any pastel or white kurta.
KHAYAL (mood board):
Dopehri is a summer song of Lucknow presented by Meiraas!! Through this entry range collection of ours, we want you to step into the oasis of slow summer living of yesteryears that we are all trying to bring back collectively!!
POSHAAK (about the product):
Very soft cotton Chikankari Dupatta with ghaspatti, shadow phanda hand embroidery, clamp dyed in Natural Dye (madder)
The summery dupatta is our attempt at bringing natural dyes & Chikankari closer, we have already done this in our premium collection & this is the first foray in entry range collection.
Important:
1.Please read Washing Instructions carefully as Natural dyes behave differently.
2
Important:
1.Please read Washing Instructions carefully as Natural dyes behave differently.
2.Only Dupatta is available to shop from this post.
Fabric: Powerloom Cotton
Styling Tip: Will work beautifully with any pastel or white kurta.
KHAYAL (mood board):
Dopehri is a summer song of Lucknow presented by Meiraas!! Through this entry range collection of ours, we want you to step into the oasis of slow summer living of yesteryears that we are all trying to bring back collectively!!
POSHAAK (about the product):
Very soft cotton Chikankari Dupatta with ghaspatti, shadow phanda hand embroidery, clamp dyed in Natural Dye (madder)
The summery dupatta is our attempt at bringing natural dyes & Chikankari closer, we have already done this in our premium collection & this is the first foray in entry range collection.
Important:
1. Please read Washing Instructions carefully as Natural dyes behave differently.
2
Important:
1.Please read Washing Instructions carefully as Natural dyes behave differently.
2.Only Dupatta is available to shop from this post.
Fabric: Powerloom Cotton
Styling Tip: Will work beautifully with any pastel or white kurta.
An ethreal White Resham Chikankari saree on Handloom Linen fabric, with an antique motif (250 years old plus), of glorious White Peacocks! One of our most requested & ordered sarees.
This signature saree of Meiraas is Made on Order only. Please email us at [email protected] for colour and fabric customisation. You can try this saree in Pure Chiffon fabric as well.
The Sustainability Quotient (TSQ):-
Resham Chikankari (Hand Embroidery Practised Since Ancient Age)
Hand Picked Ancient Archived Motifs/ New Own Created Motifs.
Conceptual & Exclusive Chikankari Artwork
Handloom Linen
Museum quality Chikankari sarees that can be handed down generation to generation as a treasure.
KHAYAAL (moodboard):
Yakshi is a celestial nymph mentioned in Ancient Puranic texts and epics like Ramayan and Mahabharat. The khayal to name this collection, Yakshi came with the Temple Art of India, like Khajuraho group of temples; the celestial nymphs are set in stone in the most beautiful expressions in these temples. They have been made with such devotion and aesthetics that one can imagine them coming to life at night, and reliving the days of past glory!!
Linen as a fabric was extensively worn in almost all Ancient Civilisations. In fact some sources suggest the possibility of white on white embroidery being worn in Chandragupta Maurya's court; some ancient texts also talk of the legendary Maharaja Harshvardhan of Kashmir, only wearing White on White embroidered fabric.
POSHAAK (about the saree):
Shwet saree has the stunning Mayur motif running on the palla; this motif in itself was one of the first 250 year old motif we had introduced. The border is a beautiful floral bel running through the saree, and the body has small floral bootis scattered all over.
Please Note: Slight wrinkles are part of Pure Linen texture. Linen is the most low maintenance fabric. Ideally before draping this saree, take it out and spread it and hang somewhere at least a day before; its wrinkles will smoothen significantly.