This shirt is Made on Order only!
A smart casual Men's Chikankari shirt in Handwoven Cotton! A true connoisseur's delight.
The Sustainability Quotient (TSQ):
Old, classic motifs: The shirt uses old classic motifs of Chikankari, away from the commercial market mores, in a very functional & contemporary format.
Rarest stitches: The shirt features some of the rarest stitches like Qasab taar Jaali, Orma, Ghaspatti, Phanda, amongst many others to bring the antique art alive.
Sustainable fabric base - Handloom Cotton
Bespoke stitching - Cut perfected over many trials to make the perfect solution for men.
KHAYAL (moodboard):The artist in you..The traveller in you..The entrepreneur in you..The photographer in you..The reader in you; Advait, is for the man of discerning taste in you!
A labour of love for past 3 years, we have finally perfected the Advait Chikankari Shirt that is perfect for the man of today who loves juggling work and leisure, whether in city or out for travel.
POSHAAK (about the garment): The back of this shirt features a stunning Fish and Awadh Crown motif with very fine Jaali stitch.
The loop button detailing gives the Handcrafted shirt a much needed edge.
The fine workmanship is like a breath of calm on soothing Cotton. Once you wear it, there is no turning back!
Additional Details: The Shirt is Made on Order only. Please feel free to give your custom sizing (please specify body or garment sizing), in case you don't find your perfect fit in our size chart.
For more queries, please mark a mail on namaste@meiraas.com ; we will be happy to guide you through the process.
This saree is Ready To Ship.THE SUSTAINABILITY QUOTIENT (TSQ):-
Resham Chikankari (Hand Embroidery Practised Since Ancient Age).
Hand Picked Ancient Archived Motifs.
Conceptual and Exclusive Chikankari Artwork on Zari Silk fabric.
Handloom Zari Silk fabric.
Museum quality Chikankari sarees that can be handed down generation to generation as a treasure.
KHAYAAL (Mood-board):
The Khayal or Aatmamanthan behind keeping this collection under the name Dhanlakshmi was very clear. We wanted to make a repository of Heirloom Sarees, where we can create colours and palettes that signify the opulence of Sri Lakshmi.
After our series of metallic sarees of Swarna Lakshmi (Gold), Rajat Lakshmi (Silver), Krishna Lakshmi (Black Gold), we are now introducing, TaamraLakshmi, signifying the 3rd most important metal in our culture, Copper. The celebration of metal names is deeply spiritual, in accordance to the deity they are ascribed to, i.e., Sri Lakshmi.
We wish the radiance of Sri Lakshmi, who visits deserving households during Deepawali, to bring them prosperity and wholesome progress.
TaamraLakshami is a stunning Red Gold Zari Silk Chikankari saree, with Red Resham embroidery, a piece de resistance, and one that creates new Heirlooms and Textile Traditions.
POSHAAK (About the garmemt):
The stunning TaamraLakshami, is embroidered with extremely delicate and prized stitches of Conceptual Chikankari Art work.
The palla features a combination of two antique miniature floral motifs. Along with that a delicate and detailed circular floral motif is placed along the length of the palla and has stunning embroidery of Zari Taar Jaali (extremely difficult to do on this fabric), murri, keel, ghaaspatti, phanda, zanjeera, rahet etc.
It is extremely difficult to work on full Zari Silk sarees, because of many reasons:
The saree reflects light back, making it impossible to work in full light, hence it needs perfect light setting in a room and extremely skilled artisans to make it.
Such fabric requires enormous dexterity and a very fine level of craftsmanship, therefore the number of artisans working on it are just 1-2 only. This means it takes more time than other sarees
Zari Taar Jaali work is extremely difficult to do on this saree; Cutting jaali by hand is a difficult and time consuming process as it is (this is why its artisans are reducing, as they demand better wages for the time and skill, which popular market is unwilling to pay). Cutting a jaali using Zari Taar filament is the toughest level, as the Zari Taar is not visible to the naked eye easily. In this case Zari Taar has been used to cut Jaali on full Zari Silk saree, making it the toughest level. This obviously commands time and best wages for the artisans involved.
Words will fall short in the praise of this exquisite beauty of a saree!! Some of these motifs are centuries old, and some freshly carved looking at centuries old motifs. A rare piece of Art.
The unique Red Gold colour of the saree with Red embroidery makes it stunning, regal and a timeless heirloom that you would like to pass on generation after generation.
The drape of this saree is breathtaking; rich and very form fitting and supple, making it ideal for all body types.
We will also provide a 1 metre running Chikankari embroidered Tussar Silk blouse piece in Red colour as part of the saree.
P.S: If you are noticing dark patches anywhere in the pictures, then that is the Zari reflecting the light back to the camera, and this is not present on the saree.
Avoid moisture seeping into such sarees. Always store them in a dry place and in the Meiraas bag we deliver them in. Keep opening Silk Sarees in every 6 months and changing its folds.
The saree is 41.5 inches in width, in case you want increase in the width of the saree, please drop us a mail at namaste@meiraas.com . We will add a coloured fabric seamlessly on the tucking in area to give you your desired width.
Meiraas Resham Chikankari featuring the re created archival Shahi Paan motif. The natural hue Tussar Silk Kurta has some of the finest Resham Chikankari embroidery & is an outstanding piece of art.
The Sustainability Quotient (TSQ):
Old, classic motifs: The Kurta uses old classic motifs of Chikankari, away from the commercial market mores. The Shahi Paan motif was hand carved for Meiraas exclusively using an archival Chikankari work as reference.
Rarest stitches: The kurta features some of the rarest stitches like Qasab taar Jaali, Bijli which are hand cutwork stitches, Orma, Ghaspatti, Phanda, amongst many others to bring the antique art alive.
Sustainable fabric base - Tussar Silk
Bespoke stitching.
KHAYAL (moodboard):
Paan is a very endearing moodboard of Lucknow, let alone the rest of Bharat. Paan holds not just aesthetic value for us, but it is also considered auspicious due to its various health benefits. The betel leaf is enjoyed amongst all sections of society, and has especially been patronised by the Royals of Lucknow.
Shahi Paan, which was akin to Art rolled inside the auspicious Betel Leaf, had the paan makers of that time apply the best of their culinary expertise to create a gilauri that was worthy of the Deity of the temple, which later travelled to Royal courts. This gilauri was especially wrapped with hand beaten pure silver foil called Warq.
Our Shahi Paan motif & the kalgi adorning atop it, is an homage to those Royal Beedas of the ancient past that are still in existence.
POSHAAK (about the dress): Shahi Paan natural Tussar Silk kurta has a stunning statement back of Paan and Kalgi motif, all archival motifs, that can be seen displayed in National Crafts Museum, New Delhi. Although our motif is much bigger, as that is how hand carving happens now.
Laced with very intricate detailing, the stunning motif on the back, is balanced by a beautifully minimal neckline & sleeve line. Jasmine flowers motifs adorn the front of the kurta, making it a regal & subtle piece that is perfect for Festivities & Weddings.
The kurta is paired with Glazed Cotton pants in the same shade. It adds depth & character to classic Chikankari, & makes it a novelty, without taking away from the core essence of the craft.
Additional Details: The Kurta is Made on Order only. Please feel free to give your custom sizing (please specify body or garment sizing), in case you don't find your perfect fit in our size chart.
The Kurta will be accompanied with a pair of plain Glazed Cotton Pants in same shade as Kurta. You can choose to make a pyajama or a pant; please put this option in the customer note.
For more queries, please mark a mail on namaste@meiraas.com ; we will be happy to guide you through the process.
The classic White on White Chikankari embroidery meets its Noir version with Meiraas created Noir Chikankari moodboard of Black on Black Chikankari. Dark, perfectly decadent and desirous Noir Homme...
The Sustainability Quotient (TSQ):
1. Skilled Resham Hand Embroidery
2. Antique quality statement Chikankari motifs used
3. Handloom Eri Silk or Ahimsa/Peace Silk, one of the most conscious and sustainable fabrics that is thermostatic and hence all weather conducive. It ages better with use.
4. Conceptual Chikankari work, that might someday be housed in a museum of crafts, or a well researched coffee table book.
KHAYAL (mood-board):
Noir is desire, Noir is decadence, Noir is dark, Noir is a mood. Chikankari Noir is a moodboard introduced by Meiraas as a reversal of the classic White on White Chikankari. The Noir version is the Black Swan to the classic White Swan Chikankari. It is rarer, deeper and goes to darker depths of mystery.
Noir was first introduced as a concept on Silks (Tussar & Chanderi), and now we had added one of teh conscious fabrics, Eri Silk in its repertoire, with exemplary antique 3 taar Resham embroidery done on antique motifs with masterclass detailing.
POSHAAK (about the dress):
The front of the kurta has an antique miniature floral booti scattered all over, with a fine Ghaspatti bel. The black on black rare work, on an even rarer fabric, gives it a very rich look. The sleeves have smaller floral bootis. The back has a stunning statement Floral Art arrangement. Finest and rarest of stitches in Chikankari have made this kurta come to reality.
The Quiet Luxury that Noir Homme exudes is a power dressing that is conscious, ethical and sustainable.
It is one incredible masterpiece & will be the most preferred wear for almost any occasion, and will age very well with repeated use. Being thermostatic in nature, this rare Chikankari Eri Silk kurta can be worn any time of the year.
Additional Details: Made On Order Kurta. Please select your size & we will stitch it complimentary.
Drop us an email at namaste@meiraas.com if you wish to get this kurta made on any other fabric than Eri Silk.
Meiraas introduces Airavat! The first of its kind motifs based on our Pauranic Literature & History. The Eri Silk kurta with Resham Chikankari exudes power & mystique!
The Sustainability Quotient (TSQ):
1. Skilled Resham Hand Embroidery with very extensive use of Jaali work
2. Meiraas Exclusive motif Art - Airavat! The mount of Indra
3. Handloom Eri Silk or Ahimsa/Peace Silk, one of the most conscious and sustainable fabrics that is thermostatic and hence all weather conducive. It ages better with use.
4. Conceptual Chikankari work, that might someday be housed in a museum of crafts, or a well researched coffee table book.
KHAYAL (mood-board):
Our Pauranic Literature & History mentions many great Gods, Demi Gods, Fantastical beasts that are deified, all of whom have birthed the species that exist today on our planet. Airavat, the father of elephants, is described as an 11 trunked, three headed, many tusked gigantic elephant king, that serves as the Mount of Indra, the God of Rain and the King of Devas.
Airavat has been a part of many Dev Asur battles, and has a significant presence in our Pauranic lores. The idea to introduce Pauranic creatures in Chikankari, was birthed basis an 18th Century swatch of Sri Lakshmi goddess in Chikankari, housed in National Museum, New Delhi.
This, and an informal interviews with private collectors and ancestral artisans confirmed, that Deities of Pauranic lore, were very much part of Chikankari.
Taking inspiration from this thought, we now launch our first motif of this kind, Airavat. The one that exudes Power & Intelligence, along with humility & grace!
POSHAAK (about the dress):
This Eri Silk kurta has one of the most stunning & creative workmanship of Meiraas. The statement back of Airavat features the 11 trunked Elephant King, hand carved in our unit, & brought to life using very fine quality craftsmanship using very extensive and intricate Qasab (Zari) Taar Jaali stitch (inspired from 18th Century Sri Lakshmi swatch in National Crafts Museum, New Delhi).
Other stitches like Murri, Ghaaspatti, Shadow complete this stunning, exclusive Jaali motif!
The front of the kurta has a Star shaped motif to bring in the celestial connect of Airavat, and those stars have also been done in Jaali stitch and closed using Orma sitch. The neckline has a ghaspatti bel.
The base of this stunning Yellow Kurta is handwoven Eri/Ahimsa/Peace Silk, with work done in shades of Rust & Dark Chocolate.
This is Quiet Luxury like never before! Just like Airavat & the species he birthed on Earth, this kurta represents Power & Gravity with its conceptual motif work that connects to our history, but also carried forward Ethical & Conscious tradition, with the use of Ahimsa Silk.
It is one incredible masterpiece & will be the most preferred wear for almost any occasion, and will age very well with repeated use. Being thermostatic in nature, this rare Chikankari Eri Silk kurta can be worn any time of the year.
Additional Details: Made On Order Kurta. Please select your size & we will stitch it complimentary.
Drop us an email at namaste@meiraas.com if you wish to get this kurta customised in any way.
This saree is Made On Order only. Please email us at namaste@meiraas.com for colour or fabric customisation
The grand Mayur motif of Yakshi Shwet saree, finds a new look in this glorious handloom Mulberry Silk saree with Resham Chikankari, depicting a pair of Peacocks enclosed inside a window. The perfect saree that takes inspiration from the subtle embroidered sarees of the past, and allows the fine quality workmanship and the glow of the saree to create the magic of Slow Fashion.
THE SUSTAINABILITY QUOTIENT (TSQ):
1. Skilled Resham Hand Embroidery on absolutely novel motif art.
2. 200 year old Mayurheritage hand carved motif.
3. Handloom Mulberry Silk.
4. Conceptual Chikankari work, that might someday be housed in a museum of crafts, or a well researched coffee table book.
KHAYAL (Mood-board):
In Meiraas, we treat our Chikankari sarees as a canvas, on which we display our expressions or Khayal, via heritage hand embroidery. Ratna Mayur saree is an expression evolved over our many travels throughout the country, where the elegant peacocks are a common sight to behold. It is amazing how much joy the mere sight of a peacock can bring, to lift up even the most bleak days one could be facing. No wonder, this elegant bird is attached to our Divinity, and also accosted the status of our National Bird. The interplay of Golden Yellow base with Firozi Peacocks came to us from various fort paintings all across Rajasthan. Since most of these personal travels happened during our winter breaks, we especially wanted to create a symposium of all these reveries, into one saree. The saree base was kept as Golden Yellow to indicate the pleasant softness of winter sun in North India.
POSHAAK (About the garment):
This handloom Mulberry Silk saree has a buttery yellow hue, that is accentuated with Firozi Resham Chikankari embroidery to bring out the colour on colour interplay of the craft, that is usually known for monotone look.
The palla has a grand window made of border floral Bel. Inside this window, we have embroidered two Peacocks, making a lover's knot, poetically. Stitches of Ghaaspatti, Zari Taar ki Jaali, Hool, Bijli, amongst other stitches, create this visual poetry.
The rest of the palla has an interplay of miniature peacock motifs, along with floral motifs.
It is a very rich texture saree with stunning work, and is finished with crochet lace in the colour of the embroidery.
Soothing tones of Grey Silver of the Moon, glow in this Resham Chikankari saree on Handloom Tussar Silk, touched with delicate stars of Mukaish all through.
THE SUSTAINABILITY QUOTIENT (TSQ):-
Resham Chikankari (Hand Embroidery Practised Since Ancient Age)
Mukaish Embroidery (Ancient Beaten Metal Wire Embroidery)
Hand Picked Ancient Archived Motifs
Conceptual and Exclusive Chikankari Artwork
Handspun Handloom Tussar Silk
Museum quality Chikankari sarees that can be handed down generation to generation as a treasure.
KHAYAAL (Mood-board):
The Khayal or Aatmamanthan behind keeping this collection under the name Dhanlakshmi was very clear. We wanted to make a repository of Heirloom Sarees, where we can create colours and palettes that signify the opulence of Sri Lakshmi. After successfully venturing into Gold, Silver hues, and Pearl, Firoza, Precious stones like Tourmaline, Agate hues, we wanted to include Gemstone shades.
Our lands are blessed with a variety of natural minerals and gemstones that have immense energy stored within them. Formed under the envelope of Bhoodevi's (Earth) womb, they radiate and reflect back her energy and lend them to the wearer. Our Chanderi sarees, adorned with heirloom quality Chikankari, are named after these soft and deeply spiritual stones.
Chandramani or Moonstone is a beautiful grey silver hued sometimes clear, sometimes cloudy to opaque looking gemstone. This beautiful Grey rich Chikankari Tussar Silk saree with antique quality embroidery in white Resham, is the perfect connect to that emotion with us, that resonates with carrying forward a revered Textile Tradition.
POSHAAK (About the garment):Chandramani, as the name suggests is a soothing Grey Chikankari Tussar Silk saree, that glows radiant like the soft & soothing glow of the Moon.
We decided to use White Resham embroidery on this saree, to symbolise Bela and Motiya blossoms under the soft Moon Glow in the festive months.
The signature motif used here is a lovely Floral creeper that has stunning Zari Taar Jaali stitch. Rest of the motif is done using Shadow, Ghaspatti, Chanapatti, Keel, Phanda etc. The saree has a detailed border running all through the saree, and the signature motif rests on the palla, as well as one of them also rests on the shoulder, like a brooch.
The saree is filled with little Bela blossoms in white. Stars of Mukaish add to the deeply beautiful charm of this saree. It is an unconventional colour for festive and wedding season, and yet one that will stand out gracefully, with a stately charm.
Saree is further finished with Kingri gota lace in silver, and we will also provide a 1 metre approx. running blouse piece.
Seafoam kurta is a classic Chikankari Silk Kurta, reminiscent of the yesteryears, when men used to wear soft silk kurtas for any non formal occasion, like festivals, family gatherings etc.
The Sustainability Quotient (TSQ):
Old, classic motifs: The Kurta uses old classic motifs of Chikankari, away from the commercial market mores.
Sustainable fabric base - Mulberry Silk
Bespoke stitching.
KHAYAL (moodboard):
In the older days of our grandfather & father, Silk Kurtas were worn a lot for any festive occasion in the household. Every man had a trusted Silk Kurta in their wardrobe that would instantly dress up, without intimidating & used to look relaxed, yet elegant & regal. Seafoam is a throwbcak to recreate that era, with minimalist moodboad fine Chikankari in Resham.
POSHAAK (about the dress): Seafoam kurta is made in Classic Minimalist moodboard & has a fine neckline with rare Murri & Jaali stitch. The same border is on the sleeves as well. The back has a beautiful Ambi boota with fine Murri & Jaali, making this the minimalist elegant kurta that is perfect to wear at any occasion, whether semi formal or formal.
The kurta is made on soft, buttery Mulberry Silk & is a sheer joy to wear.
Additional Details: The Kurta is Made on Order only. Please feel free to give your custom sizing (please specify body or garment sizing), in case you don't find your perfect fit in our size chart.
Custom Colour is possible in the Kurta & you can also go for the natural cream shade of Mulberry Silk, instead of Seafoam. However please mention this in the Customer Note, during checkout.
For more queries, please mark a mail on namaste@meiraas.com ; we will be happy to guide you through the process.
Meiraas Noir Chikankari Kurta in Bold, Black hue. The Tussar Silk Kurta has some of the finest Resham Chikankari embroidery & is an outstanding piece of art.
The Sustainability Quotient (TSQ):
Old, classic motifs: The Kurta uses old classic motifs of Chikankari, away from the commercial market mores. This Flower Vase motif seen here is almost a 100 years old & has more of an English than typical Awadh touch.
Concept Work: Introduction of Noir moodboard in Chikankari, which will explore darker, deeper hues to push the design envelope further.
Sustainable fabric base - Tussar Silk
Bespoke stitching.
KHAYAL (moodboard):
Noir is a term used for dark or with darker shades. The term is typically used for moodboards in film making, however, taking inspiration from there, it has been used by Global Luxury houses for perfumes with deep notes. We always wanted to explore Chikankari outside the ambit of classic, and create more varied moodboards, of which Noir is the perfect one, to give depth to this beautiful needle art.
POSHAAK (about the dress): Noir is a Tussar Silk Chikankari Kurta in Black hue. This Kurta has a beautiful neckline of SwarnaPaatra jaali work, with Zari Taar Jaali. The front of the kurta has an old motif of Flower Vase with rare stitches & masterpiece Jaali work on one side (in place of front pocket). The same motif is present on either sleeves & back, making this one stunning & bold kurta.
The kurta is paired with Glazed Cotton pants in the same shade. It adds depth & character to classic Chikankari, & makes it a novelty, without taking away from the core essence of the craft.
Additional Details: The Kurta is Made on Order only. Please feel free to give your custom sizing (please specify body or garment sizing), in case you don't find your perfect fit in our size chart.
The Kurta will be accompanied with a pair of plain Glazed Cotton Pants in same shade as Kurta. You can choose to make a pyajama or a pant; please put this option in the customer note.
For more queries, please mark a mail on namaste@meiraas.com ; we will be happy to guide you through the process.
A stunning Heirloom Resham Chikankari saree with very antique palla & border, made on handloom Zari Silk fabric.
This signature saree of Meiraas is Made on Order only. Please email us at namaste@meiraas.com for colour and fabric customisation.
The Sustainability Quotient (TSQ):-
Resham Chikankari (Hand Embroidery Practised Since Ancient Age)
Hand Picked Ancient Archived Motifs/ New Own Created Motifs.
Conceptual & Exclusive Chikankari Artwork
Handloom Zari Silk fabric
Saree finishing in handwoven mulberry silk - because what touches your body from the inside, should be as beautiful as what shows outside.
Museum quality Chikankari sarees that can be handed down generation to generation as a treasure.
KHAYAAL (moodboard):
The Khayal or Aatmamanthan behind keeping this collection under the name Dhanlakshmi was very clear. We wanted to make a repository of Heirloom Sarees, where we can create colours & palettes that signify the opulence of Sri Lakshmi.
Krishna Lakshmi, signifies the dark night of Amavasya (Krishna Paksha), when the radiance of Sri Lakshmi, visits deserving households, to bring them prosperity and wholesome progress.
KrishnaLakshami is a stunning Black Gold Zari Silk Chikankari saree, with Black Resham embroidery, a piece de resistance, and one that creates new Heirlooms and Textile Traditions.
POSHAAK (about the saree):
The stunning KrishnaLakshami, is embroidered with extremely delicate and prized stitches of Conceptual Chikankari Art work.
The palla has a jaw dropping Rhombus motif with most delicate and intricate workmanship ever seen. It is one of a kind motif with 3 D quality artwork done by our unit artisans. Absolutely fine Zari Taar Jaali decorates this motif, which required an exceptionally high skill to make. The Zari Silk saree is embroidered in semi darkness, as it reflects back light; when this is a Black Gold hue, it becomes even more challenging, and here if we add Zari Taar for Jaali stitch, you can gauge the level of craftsmanship and artwork we are talking about. Absolutely precise trellis of Jaali cut with perfect guesstimate; this is the magic Indian artisans have in their hands.
Words will fall short in the praise of this exquisite beauty of a saree!! The body has absolutely fine small flowers made with tiniest Ghaspatti stitch. The bel running on Palla & Border is an exquisite example of fine miniature workmanship of the past. Some of these motifs are centuries old, and some freshly carved looking at centuries old motifs. A rare piece of Art.
The unique Black Gold colour of the saree with Black embroidery makes it stunning, regal & timeless heirloom that you would like to pass on generation after generation.
Saree is further finished with Pure Handwoven Mulberry Silk selvedge in Black, and a 1 metre running Chikankari embroidered blouse piece in Black Gold is also part of the saree.
P.S: If you are noticing dark patches anywhere in the pictures, then that is the Zari reflecting the light back to the camera, and this is not present on the saree.
Avoid moisture seeping into such sarees. Always store them in a dry place and in the Meiraas bag we deliver them in. Keep opening Silk Sarees in every 6 months & changing its folds.
A gorgeous Tussar Silk Chikankari saree with antique border work full of Zari Taar Jaali & Meiraas exclusive Chikankari motifs. The lovely saree is finished with Mukaish detailing.
This signature saree of Meiraas is Made on Order only. Please email us at namaste@meiraas.com for colour and fabric customisation.
The Sustainability Quotient (TSQ):-
Resham Chikankari (Hand Embroidery Practised Since Ancient Age)
Mukaish Embroidery (Ancient Beaten Metal Wire Embroidery)
Hand Picked Ancient Archived Motifs/ New Own Created Motifs.
Conceptual & Exclusive Chikankari Artwork
Handspun Handloom Tussar Silk
Saree finishing in handwoven mulberry silk - because what touches your body from the inside, should be as beautiful as what shows outside.
Museum quality Chikankari sarees that can be handed down generation to generation as a treasure.
KHAYAAL (moodboard):
The Khayal or Aatmamanthan behind keeping this collection under the name Dhanlakshmi was very clear. We wanted to make a repository of Heirloom Sarees, where we can create colours & palettes that signify the opulence of Sri Lakshmi. After successfully venturing into Gold, Silver hues, and Pearl, Firoza, Precious stones like Tourmaline, Agate hues, we wanted to include Gemstone shades.
Our lands are blessed with a variety of natural minerals and gemstones that have immense energy stored within them. Formed under the envelope of Bhoodevi's (Earth) womb, they radiate and reflect back her energy and lend them to the wearer. Our Chanderi sarees, adorned with heirloom quality Chikankari, are named after these soft and deeply spiritual stones.
Jambumani or Amethsyt is a beautiful Lilac hued clear looking gemstone. This beautiful Lilac rich Chikankari Tussar Silk saree with antique quality embroidery, is the perfect connect to that emotion with us, that resonates with carrying forward a revered Textile Tradition.
POSHAAK (about the saree):
Jambumani or Amethyst saree is a lilac coloured Tussar Silk beauty, embroidered with extremely delicate and prized stitches of Conceptual Chikankari Art work.
The palla has our Bijli boota motif put together like a Rangoli or Alpana. Bijli boota is our motif commissioned on an archived centuries old art work. The motif has Zari taar ki jaali amongst other prized stitches.
A small Bijli boota accompanies the larger one all through the palla & body of the saree.
The border & palla of the saree have an antique 100 year old plus bel boota running all through the saree, that has extremely prized Zari taar jaali & murri stitches!! A masterclass border.
But the highlight of this masterpiece is the Bel Boota falling down from the shoulder; delicate and anointed with some of the rarest stitches, this boota is like the rice paste alpana we make outside our homes.
The embroidery is done with darker lilac shade, making it stand out, and stars of Mukaish are embroidered lovingly with the embroidery to resemble lit diyas on Deepawali.
Saree is further finished with Pure Handwoven Mulberry Silk selvedge in beautiful Berry Pink, providing just the right contrast, and we will also provide a 1 metre approx blouse piece in same fabric and same colour.
Stunning Resham Chikankari saree on Tussar Silk fabric, with archival quality embroidery & antique motifs!
This signature saree of Meiraas is Made on Order only. Please email us at namaste@meiraas.com for colour and fabric customisation.
THE SUSTAINABILITY QUOTIENT (TSQ):
Resham Chikankari in 3 Taar (filament) to make it lighter & more wearable
Antique & re-created archival motifs used for the Chikankari
Hand carved Chikankari blocks used
Mukaish detailing following all processes
Handloom Tussar Silk fabric
Hand Dyed in high quality pigments
- KHAYAAL (moodboard):
The Khayal or Aatmamanthan behind keeping this collection under the name Dhanlakshmi was very clear, we wanted to make a repository of Heirloom Sarees, where we can create colours & palettes that signify the opulence of Sri Lakshmi. After successfully venturing into Gold, Silver hues, and Pearl, Firoza, Precious stones like Tourmaline, Agate hues, we wanted to include Gemstone shades.
Even as we though about it, it was amply clear to us that this is only possible on Tussar Silk from Bhagalpur looms. Tussar Silk is one of the most perfect fabrics for antique quality Chikankari; it is appropriately supple, tenacious, luminous at the same time, & yet it's earthy texture provides a rich background for elegant stitches of Chikankari, and in gemstones colour we want.
Harinmani is Sanskrit word for Emerald. This beautiful light Emerald saree is an Heirloom Piece for your wardrobe, that will create the wearer's own heritage till they wear it, that they can hand down to generations that will love to showcase it in a private viewing perhaps!!
POSHAAK (about the saree):
Harinmani is our first set of Dhanlakshami Chikankari saree on Handspun and Handwoven Tussar Silk, a dream that we had been working on for past 2 years.
The pallu has very old archived motifs, re created recently in our unit. The stitched used are of 3 broad quality: Embossing, Surface Texture and Hand CutWork.
The palla has a rare quality of “ulti bakhiya” or Reverse Shadow that is now used extremely less, as higher embroidery filament count and “chaalu/rough” embroidery style started making it look very vulgar; but with the fine handwork that Meiraas employs and 2 taar Resham Chikankari, the result is stunning, rare and exquisite.
The stars of Mukaish anoint this saree strategically. If the palla is viewed from the top, it gives the impression of an ancient, well laid out city!!!
The beautiful light emerald saree (an auspicious colour for all weddings and festivals), is finished with complimenting yellow Tussar silk selvedge.
Please Note: Shades like Green & Red appear different in different lights (indoor/outdoor), this is the nature of such colours and out of anyone's control. Please keep this factor in mind before ordering.