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A stunning Resham Chikankari dupatta on softest cotton fabric with Meiraas Exclusive Bisaat motif featuring Nawab Era chess pieces.
The Sustainability Quotient (TSQ):
Meiraas Exclusive Bisaat Chess motifs researched from Nawab era chess.
Resham Chikankari Hand Embroidery
2 Motif fusion pattern all over the dupatta.
KHAYAL (moodboard):
The Power of the Next Move!!
Taking inspiration from celebrated Indian author, Munshi Premchand's story, Shatranj Ke Khiladi, we created Bisaat. Celebrated Indian Filmmaker, Satyajit Ray, also made a classic adaptation of this story in 1977. Bisaat or the chessboard was the biggest conversation starter in Awadh; this past legacy has been recreated on this showstopper dupatta.
Painstaking research work was done to recreate these motif that you can read here FalaknumaPOSHAAK (about the garment): Red & Black motifs of Chess stand boldly against the butter white backdrop of the Dupatta - Power of Silence.
Stitches like Orma, Keel, Kangan, Ghaspatti, etc bring to life these evocative motifs that recall the past glory this Game of Chess in the homes of Lucknow aristocracy.
Best paired with Bisaat Power of Silence Chikankari Kurta
FROM THE VAULT COLLECTIVE : Sonchiraiya is possibly the most beautiful saree on our website. This Heirloom saree has Resham Chikankari along with Zardozi hand embroidery, with conceptual artwork by Meiraas! It is a museum worthy collector's piece.
The Sustainability Quotient (TSQ):
A rare masterpiece of 3 Awadhi embroideries - Chikankari, Zardozi & Aari
2 Taar Resham Chikankari
The finest quality of Zardozi
Qasab taar Aari embroidery
Conceptual artwork by Meiraas
Pure Georgette Silk fabric
Hand me down Heirloom Chikankari saree
Khayal (Moodboard): Note from the Founder"Daughters are like the Sonchiraiya of a home. Isn’t that true?! The Golden Bird that keeps twittering at every nook and corner since childhood. Whose presence lights up the face; and who one day, becomes the elusive Golden Bird - Sonchiraiya. One that is the most beautiful and prized and yet rare to be seen. This is what a daughter and her marriage means. I designed the Sonchiraiya saree for our niece’s wedding keeping this thought in mind.Having gone through this phase too, I wanted to dedicate one saree to the daughter of the house.The mood board comes from our design range - Birds of Paradise - launched on IG this March/April that features many birds of Nawabgunj Bird Sanctuary.While the posse of those birds is huge, I just plucked out the Gauraiya or Sparrow from the the bouquet, as that is what daughters are, to my mind, sweet sparrows blooming in the home, who later metamorphose into the Golden Bird or Sonchiraiya.The grand saree is designed with dense Resham Chikankari, with Sonchiraiya sitting in Zardozi craft, in a twittering and prancing pattern (how daughters are and sparrows are). The saree is detailed with Kasab Taar on the borders and is finished with the finest Zardozi elements of micro sequins and rainbow beads, that are of the most premium kind.The grand saree is hand dyed in Damask Rose shade, to match the blush of a daughter’s face as she becomes a bride."
Vidhi Rastogi, Founder, Meiraas.
Poshaak (about the saree):Â
This is a saree fit for a Vault Collective.
Palla and Body till 2.5 metres : The Pure Georgette Silk saree has almost 2.5 metres of heavy Chikankari work done in Resham with masterclass shadow work. The embroidery is done with Golden Cream shade on Pink base, and creates illusion of a different colour as the thread colour lends its own shade to the Pink shade.
Gauraiya motif is interspersed in between the geometric shadow design to show a bird flying in and out. These are hand embroidered in very fine Zardozi craft, with Qasab Taar Aari outline for each bird. Each bird has Chikankari stitches, along with very fine Zardozi embroidery with micro sequins and rainbow glass beads. These beads though very tiny to the naked eye, catch and reflect colour beautifully, while leaving the onlooker bewildered as to where the glow is emanating from.
Each Golden Bird stands out richly on the palla and body, till 2.5 metres
Body : The saree has very beautiful antique borders of Chikankari, where at places a Qasab Taar (zari coated filament) has been intertwined with Resham Taar to do embroidery and at places they have been embroidered separately on same motif in a definite pattern. This is to give rich attention to detailing in every nook and corner of the saree.
Rest of the body has floral bootis scattered all over.
Micro Sequins are tucked in all over the saree, that give the saree a subtle, graceful glow.
This saree is a Rare, Conceptual piece of Art, and meant for Collectors of the Craft.
Blouse: Pure Crepe Blouse with micro sequins embroidered all over
This saree does not need very heavy jewellery, as it is a jewel in itself. Just some well chosen diamonds will complete the look.
Email us at namaste@meiraas.com if you wish to discuss any aspect before placing the order, or want to see the saree via IG Video or a personalised Video Call.
FROM THE VAULT COLLECTIVE : A masterpiece of a rarity...a mobile piece of art..an allover stunning Heirloom Chikankari saree with all hand cutwork stitches in one saree!! It also includes many other rare stitches of the craft.
The Sustainability Quotient (TSQ):
A rare masterpiece that has taken over 1 year in making
All 4 Chikankari hand cutwork stitches in 1 saree - Jaali (trellis stitch), Hool (eyelet stitch), Hathkati (ladder pattern stitch), Bijli (eyelet with filling stitch).
2 Taar Taagha work in this Chikankari saree, to give it a fine look
Pure Georgette Silk fabric
Hand me down Heirloom Chikankari saree
Khayal (Moodboard):Â
"Chandani ke boote aur Dhoop ki Kaliyan" - The flowers carved by Moonlight, & the Buds that bloom under mellow sunshine.
This is a title in Lucknow's cultural historian, Padma Shri Late Dr Yogesh Praveen ji's book, Aapka Lucknow. The chapter is dedicated particularly to Crafts of Awadh - Zardozi, Mukaish & Chikankari, of which "Dhoop ki Kaliyan" is especially kept for the latter craft.
Chikankari is in fact one of those rarest of rare embroideries, that looks as though crafted out of mellow Sunshine. This saree and its very fine embroidery looks every inch as the delicate flower buds that are ready to bloom in soft glow of the Sun.
Poshaak (about the saree):Â
This is a saree fit for a Vault Collective.
The saree features 2 taar taagha embroidery in Chikankari, with all 4 hand cutwork stitches (a painstaking rarity), in one saree alone. The beautiful saree is a smorgasbord of many rich & intricate motifs from the palla to the last end. The full saree features many rare stitches like - Jaali, Hool, Hathkati, Bijli, Shadow, triple Kangan, Orma, Penchni, Murri, Phanda and many others.
It is a saree to pass on from mother to daughter and onwards as a family legacy.
Hand embroidered on Pure Georgette Silk, this Heirloom saree is dyeable in any shade one desires.
Such sarees are Collectibles for fine craftsmanship enthusiasts.
FROM THE VAULT COLLECTIVE : A masterpiece of a rarity...a mobile piece of art..an allover stunning Chikankari saree with 14 unique stitches in its folds!!
The Sustainability Quotient (TSQ):
A rare masterpiece that has taken over 1 year in making
14 unique Chikankari stitches in one saree -
Jaali
Bijli
Shadow
Phanda
Kaante
Rahet
Orma
Kauri
Keel
Kangan
Ghaspatti
Murri
Double Kangan
Pechni
2 Taar work in this Chikankari saree, to give it a fine look
Pure Georgette Silk fabric
Hand me down Heirloom Chikankari saree
Khayal (Moodboard):Â
The month of Chaitra (roughly March mid to April mid), is one with Pink summers setting in, where the air is still free of the upcoming scorching heat, and the coolness of the winter months gone by, make the mornings and evenings very pleasant. It is a month, where the Earth, especially in Northern plains of India, springs the most beautiful blossoms all around. The most prominent amongst them are tall Kaner bushes, with stunning Pink blossoms all over them, weighing the delicate boughs down in their sweet ambrosia. These Kaner flowers are also known as Chaitra Gulaab, as their appearance is similar to roses, and colour is a stunning Pink. When reflected against a cornflower blue sky, and with other blossoms filling up all garden spaces, they make a meadow in any city, town or village.
In Lucknow, they are a common sight, and one that fills the heart with joy. Coupled with these are the tiny mangoes on tree boughs, that promise to soon grow into large vats of heavenly nectar. Together, they make Chaitra Upvan an oasis to cherish. This is the Khayal that defines this saree the best.
Poshaak (about the saree):Â
This is a saree fit for a Vault Collective. The saree Pallu itself has 14 unique embroidery patterns; please note that this adds intricacy & complexity in the work & thus makes it more premium. Even the corner most areas of the saree has nuanced details
The body is all over painstakingly embroidered with unique embroidery patterns.
Such sarees are made in hair like 2-3 taar filament of super fine embroidery thread only, allowing deeper patterns to be made. Time taken to make such sarees is almost a year. Sarees of this kind are the finest and rarest quality of Chikankari, that classify as Heirloom pieces.
Such sarees are Collectibles for fine craftsmanship enthusiasts.
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A beautiful Rose Pink coloured Chikankari Dupatta with 2 motif fusion of Miniature Peacock and Jasmine flowers along with Mukaish embroidery all over
The Sustainability Quotient (TSQ):
Rare & antique miniature Peacock motif
Resham Chikankari Hand Embroidery
Mukaish Hand Embroidery
2 Motif fusion pattern all over the dupatta.
Handloom Chanderi fabric
KHAYAL (moodboard): Lucknow has its own way of naming various colours; a colloquial shade chart, if you will. No one says Pink or Hot Pink over there, but we have grown up hearing names like Roohafza Gulaabi, Gajari, Rani and Gulkandi, for various shades of Pink. As soon as someone would say Gulkandi, the mind would immediately travel to the sweetness of the indigenous condiment in Paan, or in summer shakes. There was a particular, brillinat Pink shade of Gulkandi shake, that made us name this dupatta in its memory. Luckhnavis pay more attention to the feel evoked by a colour's name, than its literal accuracy. This is why Lucknow has its own way of calling shade names, which are also mentioned by the city's historian, late Padmashree Dr Yogesh Praveen ji, in his books.
POSHAAK (about the garment): This brilliantly pink Dupatta has 2 motif play of antique miniature peacock, and jasmine flower in an interplay upon the buttery Chanderi fabric. The dupatta is locked using a ghaspatti & shadow bel on all 4 sides. It has a generous smattering of Mukaish embroidery, that makes it look even more beautiful.
The dupatta has stitches like Orma, Ghaspatti, Hool, Phanda, Murri stitch in the Peacock motif alone!! The jasmine flower has stitches like Keel, Kangan and Ghaspatti.
It is a beautiful wrap that will not be limited to be worn on Indian wear only, but can be taken on classic black coloured gowns or jumpsuits as well.
Important: You can email us at namaste@meiraas.com if you wish to plan a Kurta or Ensemble with this dupatta.
This product is Made On Order. Please see Time in Dispatch for more details.
A moon like pristine White dupatta with soft 3 colour pastel Chikankari, in two motif fusion, on handwoven Chanderi.
The Sustainability Quotient (TSQ):
Meiraas Exclusive Bijli Boota motif, re created using an archival motif image
Rare Hand Embroidery: Three colour embroidery on re created Bijli Boota with intricate cutwork like Bijli, Hathkati & Jaali in one motif! A rare feat indeed!!
Resham Chikankari hand embroidery in 3 colours. The use of multicolours takes more time & skill than single colour work
2 Motif fusion pattern all over the dupatta. Even the miniature motif is made using 3 colours.
Handloom Chanderi fabric
KHAYAL (moodboard):Elizabeth Bennett is the central protagonist of Pride & Prejudice (1813), a legendary classic by Jane Austen. She is one of the five lovely Bennett sisters, & is now considered amongst the greatest heroines of English Classic Literature. Elizabeth is "second only to Jane in beauty & countenance", yet her most endearing aspect is her cynicism tempered with her sweet nature. With all the traits that Jane has & keeps each separate from the other, Elizabeth's character is a beautifully aligned composition of each one of them in a neat & witty package. This is why this buttery Chanderi Dupatta has three diverse colours of Pink, Yellow & Blue in one Motif, that symbolises Elizabeth the best, & as an evolved version of Jane.
POSHAAK (about the garment): This dupatta is a grander version of Elizabeth Dupatta made by us sometime ago. The butter white Chanderi drape has a fusion of 3 unique miniature motifs, the Bijli boota in big & small size, and a miniature leaf petal boota. 3 soft pastel shades - Sky Blue, Lemon Yellow and Rose Pink, create each motif, even the most miniature one. The dupatta is closed on 4 sides with a shadow & ghasspatti bel in two colours.
The Bijli motif has 3 unique hand cutworks in one motif - Bijli, Jaali & Hathkati!! It is simply astounding how much detailing one motif can hold.
It is a beautiful wrap that will not be limited to be worn on Indian wear only, but can be taken on classic white gowns or jumpsuits as well.
Important: You can email us at namaste@meiraas.com if you wish to plan a Kurta or Ensemble with this dupatta.
This product is Made On Order. Please see Time in Dispatch for more details.
Pistai is a beautiful sea green version of Chikankari & Mukaish Champaai dupatta, made on handwoven Chanderi.
The Sustainability Quotient (TSQ):
Rare Zari Taar Jaali stitch all over the dupatta
Resham Chikankari hand embroidery
Mukaish hand embroidery
Handloom Chanderi fabric
KHAYAL (moodboard): Lucknow has its own way of naming various colours; a colloquial shade chart, if you will. The shade chart of the colour Green you can get in Lucknow's own lingo, are endless. Dhaani, Elaichi, Khus, Panna, Aam Pana, Jaljeera, Pistai...phew the list is endless. As soon as one would refer to a Pistai colour for even textiles, the mind would wander to the sweetness of Pista Kulfi, that brings immense joy in harsh summer months, and that feeling propels to shop window for the colour that is evocative towards the said memory. Luckhnavis pay more attention to the feel evoked by a colour's name, than its literal accuracy. This is why Lucknow has its own way of calling shade names, which are also mentioned by the city's historian, late Padmashree Dr Yogesh Praveen ji, in his books.
POSHAAK (about the garment): This moon like glowing Chanderi dupatta has Sea Green Resham Chikankari allover, with a fusion of two miniature motifs, the Paatra (leaf), and Champaa flowers. A generous smattering of Mukaish daana makes the dupatta glow with a wondrous & celestial light. The dupatta is perfect to wear with any neutral colour attire or same colour ensemble (last image attached with same colour kurta for reference purpose only).
Important: You can email us at namaste@meiraas.com if you wish to plan a Kurta or Ensemble with this dupatta. The last image with a kurta is for reference purpose only. This listing allows only the Dupatta to be ordered
This product is Made On Order. Please see Time in Dispatch for more details.
A moon like pristine White on White Chikankari & Mukaish dupatta on handwoven Chanderi.
The Sustainability Quotient (TSQ):
Rare Zari Taar Jaali stitch all over the dupatta
Resham Chikankari hand embroidery
Mukaish hand embroidery
Handloom Chanderi fabric
KHAYAL (moodboard): Champaai is a coloquial and beautiful colour name for White, and is commonly used in Lucknow's language. Champaai is used to describe anything that is beautiful, soft & pristine white, like Champa flowers. This word has been often used to describe lovely feet of ladies or their glowing complexion, by the poets of Lucknow; on the other hand, it has also been used to describe the all White on White Chikankari attire worn by a lady of society, who further decorates herself with pearls and diamonds. Her clothes are then called "Champaai Joda" (all white ensemble). While it could be said "Safed Joda", calling it Champaai makes it even more poetic, & shows appreciation for the styling done by the lady. This was the inspiration behind this soft jewel of a dupatta.
POSHAAK (about the garment): This moon like glowing Chanderi dupatta has White Resham Chikankari allover, with a fusion of two miniature motifs, the Paatra (leaf), and Champaa flowers. A generous smattering of Mukaish daana makes the dupatta glow with a wondrous & celestial light. The dupatta is perfect to wear with an all white attire or any colour attire. This is one shade & look that will be a classic hand me down, and one where you cannot go wrong.
Important: You can email us at namaste@meiraas.com if you wish to plan a Kurta or Ensemble with this dupatta.