Mukaish Hand Embroidery with proper "ghutaai" - this means Mukaish embroidery has been rubbed using old technique of filling pebbles in a bottle and rubbing on the embroidery, instead of new age roller press method. This one method ensures long lasting Mukaish. In itself Mukaish is more sustainable craft that sequins or "salma sitaara" embroidery, as Mukaish never comes off, maintaing the look of the garment for much longer time.
Handloom Tussar Silk woven in Bhagalpur.
Azo Free, thrice filtered, dye
KHAYAL (moodboard): Jewel toned, lightly bling dupattas are an ode to the era gone by, of gossamer odhanis, delicately dusted with Mukaish embroidery, as the women of Lucknow rarely stepped out in anything that could be termed plain.
POSHAAK (about the dupatta): Handloom Tussar Silk Dupatta dyed in sapphire Yellow shade and dusted lightly with Mukaish Daana Embroidery. Perfect for gifting & wearing on multiple festive or light occasions. The dupatta has crochet lace details.
Imp: Colours may vary a bit, although they are all shot professionally in studio set up & closest colour has been photographed; Any variation can be due to digital medium of photography that is outside our control.
White Pure Organza Kaamdaani saree of Meiraas Exclusive motif - Amer!! To top this, there is our Exclusive Golden Trellis Rings all through the saree!! This one is a Royal Romance in a Grand Palace!!
THE SUSTAINABILITY QUOTIENT (TSQ):
- EXCLUSIVE AMER MOTIF CREATED SEEING AMER FORT, JAIPUR
- REVIVAL OF TRELLIS WORK IN KAMDAANI EMBROIDERY: A rarity, Golden Trellis, has been elusive in the repertoire of Kamdaani embroidery for over many centuries. Now this work is done for select Royalty globally, and Meiraas has got this done for you.
- PURE ORGANZA
KHAYAAL (moodboard):
Amer
The Rajasthani Floral art of Amer motif has mesmerised us, since we first laid eyes on it, during our travel in 2010. It is simple, yet an attractive motif of a flower vase encased inside an aala. The original motif is made using molten glass as paint. We always wanted to showcase this motif in a Muakish saree in exactly the manner of the original artwork in Amer Fort.
The Golden Trellis motif is designed after the round Trellis water reserve covers designed so aesthetically in Amer Fort!! It was a sheer delight to see the level of Indian Art & Aesthetic sense to even design an otherwise drab water reserve tops with such skill.
This saree is reminiscent of the Maharanis of India & their Royal Splendour. The dainty Organza or Chiffon sarees, the delicate Mukaish embroidery on them, the vintage Basra pearls around their slender necks and their regal style!! One of our most beautiful memories of a past gone by.
POSHAAK (about the saree):
Clouds of White Organza are held down with the glamour of Gold!!
Amer Mukaish or Kaamdaani Saree has Meiraas Exclusive motif of a flower vase encased inside an aala, as seen in Amer Fort. The saree has this grand and exclusive motif on the Palla. The Rest of this showstopper concept saree has dainty Mukaish daana all over.
In between these Mukaish daana however lies the real beauty - The circular Golden Trellis or round diskettes made in rarest of rare - Kamdaani Jaali Embroidery!! A one of a kind rarity!!
Imp: While the saree images here show scalloping on the palla, we will instead finish the saree with white silk selvedge only.
The saree can be dyed and made also on request in a colour patron chooses.
Storage: Please store safely in the cloth bag we provide. Air it after every few months.
Golden Trellis is our heirloom collection of Mukaish work that was historically done once upon a time in Awadh region, but is not done any more. Golden Trellis is a result of, one of the many research projects we are working upon simultaneously. We know some might not see light of the day (although we firmly believe that everything can be revived if we just have the right patience and the will to keep going), some will prove to be false tales - a mirage of a narrative built for dramatic value and nothing more...but some, like Golden Trellis will be a reality that can be translated to fabric yet again, even if in a small way, even if a shadow of its one time glory...at least there will be a start.
Golden Trellis is part of the Art & Antiquities Project undertaken by Meiraas.
The Sustainability Quotient (TSQ):
Heritage Mukaish work re created: This work is known as Satkhani jaali. It has not been done in India or is extremely rarely done anymore. This is Jaali work done in Mukaish. Its karigars are not alive now, and some of the karigars who learnt this art do not work in India. This was re created when one of them came on a small visit to his family in India. He has taught some amount of work to our small group of artisans in Lucknow. This work was historically done in Lucknow only. What can be better sustainability than finding out a lost artwork in a craft & helping revive it again to wearable pieces, & most importantly in pieces that can be part of today's heritage builders' private wardrobe; this will ensure the craft's continued sustainability.
Mukaish Hand Embroidery with proper "ghutaai" - this means Mukaish embroidery has been rubbed using old technique of filling pebbles in a bottle and rubbing on the embroidery, instead of new age roller press method. This one method ensures long lasting Mukaish. In itself Mukaish is more sustainable craft that sequins or "salma sitaara" embroidery, as Mukaish never comes off, maintaing the look of the garment for much longer time.
KHAYAL (moodboard): Poetry etched in fabric, Golden Trellis alludes to the once opulent courts of the ancient royalties of India. Trellis is the jaali like window pattern, a signature architecture in heritage monuments of the Golden Era. This museum quality piece of legacy bound, wearable art will a pride for any one who owns it.
POSHAAK (about the dupatta): Handloom Pure Organza Dupatta embroidered beautifully with the rare & precious Golden Moon made in Satkhaani Jaali style. A tiki dot finishes the moon like a bindi finishes a beautiful face. A historic dupatta, that will always be the pride of the owner & will remain as part of handpicked private collection.
Golden Trellis is our heirloom collection of Mukaish work that was historically done once upon a time in Awadh region, but is not done any more. Golden Trellis is a result of, one of the many research projects we are working upon simultaneously. We know some might not see light of the day (although we firmly believe that everything can be revived if we just have the right patience and the will to keep going), some will prove to be false tales - a mirage of a narrative built for dramatic value and nothing more...but some, like Golden Trellis will be a reality that can be translated to fabric yet again, even if in a small way, or a shadow of its one time glory...at least there will be a start.
Golden Trellis is part of the Art & Antiquities Project undertaken by Meiraas.The Sustainability Quotient (TSQ):
Heritage Mukaish work re created: This work is known as Satkhani jaali. It has not been done in India or is extremely rarely done anymore. This is Jaali work done in Mukaish. Its karigars are not alive now, and some of the karigars who learnt this art do not work in India. This was re created when one of them came on a small visit to his family in India. He has taught some amount of work to our small group of artisans in Lucknow. This work was historically done in Lucknow only. What can be better sustainability than finding out a lost artwork in a craft & helping revive it again to wearable pieces, & most importantly in pieces that can be part of today's Heritage Builders' private collection; this will ensure the craft's continued sustainability.
Mukaish Hand Embroidery with proper "ghutaai" - this means Mukaish embroidery has been rubbed using old technique of filling pebbles in a bottle and rubbing on the embroidery, instead of new age roller press method. This one method ensures long lasting Mukaish. In itself Mukaish is more sustainable craft that sequins or "salma sitaara" embroidery, as Mukaish never comes off, maintaining the look of the garment for much longer time.
KHAYAL (moodboard): Poetry etched in fabric, Golden Trellis alludes to the once opulent courts of the ancient royalties of India. Trellis is the jaali like window pattern, a signature architecture in heritage monuments of the Golden Era. This museum quality piece of legacy bound, wearable art will a pride for any one who owns it.
POSHAAK (about the dupatta): Handloom Pure Organza Dupatta embroidered beautifully with the rare & precious Golden Leaf or Swarna Paatra made in Satkhaani Jaali style. This beautiful Golden Leaf is particularly complex to create and is allover the dupatta. A historic dupatta, that will always be the pride of the owner & will remain as part of handpicked private collection.
Golden Trellis is our heirloom collection of Mukaish work that was historically done once upon a time in Awadh region, but is not done any more. Golden Trellis is a result of, one of the many research projects we are working upon simultaneously. We know some might not see light of the day (although we firmly believe that everything can be revived if we just have the right patience and the will to keep going), some will prove to be false tales - a mirage of a narrative built for dramatic value and nothing more...but some, like Golden Trellis will be a reality that can be translated to fabric yet again, even if in a small way, or a shadow of its one time glory...at least there will be a start.
Golden Trellis is part of the Art & Antiquities Project undertaken by Meiraas.The Sustainability Quotient (TSQ):
Heritage Mukaish work re created: This work is known as Gukhru work. It has not been done in India or is extremely rarely done anymore. This is overlapping meshed Jaali work done in Mukaish. Its karigars are not alive now, and some of the karigars who learnt this art do not work in India. This was re created when one of them came on a small visit to his family in India. He has taught some amount of work to our small group of artisans in Lucknow. This work was historically done in Lucknow only. What can be better sustainability than finding out a lost artwork in a craft & helping revive it again to wearable pieces, & most importantly in pieces that can be part of today's Heritage Builders' private collection; this will ensure the craft's continued sustainability.
Mukaish Hand Embroidery with proper "ghutaai" - this means Mukaish embroidery has been rubbed using old technique of filling pebbles in a bottle and rubbing on the embroidery, instead of new age roller press method. This one method ensures long lasting Mukaish. In itself Mukaish is more sustainable craft that sequins or "salma sitaara" embroidery, as Mukaish never comes off, maintaining the look of the garment for much longer time.
KHAYAL (moodboard): Poetry etched in fabric, Golden Trellis alludes to the once opulent courts of the ancient royalties of India. Trellis is the jaali like window pattern, a signature architecture in heritage monuments of the Golden Era. This museum quality piece of legacy bound, wearable art will a pride for any one who owns it.
POSHAAK (about the dupatta): Pure Organza Silk Dupatta embroidered beautifully with the rare & precious Jugnu or Glowing Firefly design. This is a very complex embroidery where Mukaish wires are embroidered one on top of another to make a mesh trellis patten & is then interlocked within a ring. Even in this miniature motif, the craftsmanship is unbelievable. A historic dupatta, that will always be the pride of the owner & will remain as part of handpicked private collection.
Nakshatra Black Pure Organza Kaamdaani saree of Meiraas Exclusive work , The Golden Trellis with Circle Diskette & Chaand motif!! A stunning saree that celebrates forces of the Universe.
THE SUSTAINABILITY QUOTIENT (TSQ):
- REVIVAL OF TRELLIS WORK IN KAMDAANI EMBROIDERY: A rarity, Golden Trellis, has been elusive in the repertoire of Kamdaani embroidery for over many centuries. Now this work is done for select Royalty globally, and Meiraas has got this done for you.
- PURE ORGANZA
KHAYAAL (moodboard):"Summers in 1980s Lucknow meant, the whole family sleeping on the terrace at night. While one reason could be that power cuts were frequent then, another reason was its charm of sleeping under the open sky. Nani's house was a treat for me in this respect, whenever we stayed there. We would sleep under the stars, all cousins and elders around on their own charpais. Papa would take this as a moment to show me stars, planets, moon, the Milky Way, etc etc. It was fascinating & I deeply miss those innocent times. Nakshatra is a product of that reverie. Designing Nakshatra was always a dream, ever since I started working with Mukaish craft. The stars of Mukaish say so much to me than just metallic embellishments. They remind me of shooting stars, sun shining on dewdrops, planets, forces that are beyond our comprehension, and we can only see them as glittering dots, because we are limited in our scope to understand energies. This was the thought with which I explored Nakshatra.The Golden Trellis was the perfect embroidery to try this design intervention. I conceptualised a Celestial Trinity of the Sun, the Moon and the Planet to denote the Nakshatra and set it on a bed of stars in the sky in the form of this beautiful Organza Saree.I wish the patron wears it in an enchanting dinner place, under open clear sky, with millions of stars, a glass of wine and good company at hand and have a soulful time to remember & cherish forever." - Vidhi, Head of Creative, Meiraas
POSHAAK (about the saree):
This dark black sky of a soft cloudy Organza Saree has the Constellation in the form of - the Sun, the Moon & the Planet in Golden Trellish Kaamdaani embroidery. These motifs are heavily on the palla only, and the rest of the body has stars of Mukaish scattered all over its vast dark expanse.
We have finished it with Mulberry Silk selvedge in same colour.
The saree has a Mulberry Silk Blouse Piece in running with stars of Muakish.
Storage: Please store safely in the cloth bag we provide. Air it after every few months.
Jaipur Pink Pure Organza Kaamdaani saree of Meiraas Exclusive work , The Golden Trellis, with Chikankari detailing on the border!! A Regal soothing romance for the senses!!
THE SUSTAINABILITY QUOTIENT (TSQ):
- REVIVAL OF TRELLIS WORK IN KAMDAANI EMBROIDERY: A rarity, Golden Trellis, has been elusive in the repertoire of Kamdaani embroidery for over many centuries. Now this work is done for select Royalty globally, and Meiraas has got this done for you.
- PURE ORGANZA
KHAYAAL (moodboard):"The city lies on a plain, encircled by brown desert hills, with fortifications and walls snaking over their contours. The capital itself was the prettiest I had ever seen - an intricacy of domes & towers, lattices and verandahs, with all the buildings coloured a deep Oleander Pink. In the wide well planned streets, the women wore skirts, bodices and shawls instead of sarees, and all the men wore gloriously coloured turbans - Red, Magenta, Daffodil Yellow and an indescribable Pink, that was both pale & piercing." - Excerpt from A Princess Remembers . The Memoirs of the Maharani of Jaipur, by Gayatri Devi
The above reference is to Jaipur's own Pink, that is akin to the flower of Kaner. India has so many unique colours, that it can make its own shade chart & inspire a variety of embroideries & art. This was the thought that shaped the Jaipur Pink saree, with lattices embroidered in Jaali Mukaish to pay our homage to the breathtakingly gorgeous city of the Rajputs.
POSHAAK (about the saree):
Jaipur Pink saree is an ode to Maharani Gayatri Devi's observation of Jaipur City. This soft cloud like Organza Saree is dyed a soft pink to resemble the Jaipur Pink. The saree has Chikankari detailing in the border. Its body has breath taking Kaamdaani embroidery work of Golden Trellis circles, that is heavier on the palla and grows smaller and lighter in the rest of the body.
The whole saree is sprinkled with Mukaish daana to add to its regal beauty. We have finished it with Mulberry Silk selvedge in same colour.
The saree has a running blouse piece with Mukaish daana embroidery.
Storage: Please store safely in the cloth bag we provide. Air it after every few months.
Mukaish Hand Embroidery with proper "ghutaai" - this means Mukaish embroidery has been rubbed using old technique of filling pebbles in a bottle and rubbing on the embroidery, instead of new age roller press method. This one method ensures long lasting Mukaish. In itself Mukaish is more sustainable craft that sequins or "salma sitaara" embroidery, as Mukaish never comes off, maintaing the look of the garment for much longer time.
Handloom Tussar Silk woven in Bhagalpur.
Azo Free, thrice filtered, dye
KHAYAL (moodboard): Jewel toned, lightly bling dupattas are an ode to the era gone by, of gossamer odhanis, delicately dusted with Mukaish embroidery, as the women of Lucknow rarely stepped out in anything that could be termed plain.
POSHAAK (about the dupatta): Handloom Tussar Silk Dupatta dyed in Turquoise Blue shade and dusted lightly with Mukaish Daana Embroidery. Perfect for gifting & wearing on multiple festive or light occasions. The dupatta has crochet lace details.
Please note gemstone names to the product are given as a creative touch, for actual colour do see the photographs.
Please Note: On these dupattas, the Zari strip in the width has shifted a bit due to round frames of Mukaish embroidery; this is natural with round embroidery frames, and not a damage. The Zari borders are looking aesthetically pleasing. Please keep this into consideration before deciding to purchase.Â
Imp:
Colours like Red, Green, Blue tend to look different in different lights, that is the nature of some colours.
Colours may vary a bit, although they are all shot professionally in studio set up & closest colour has been photographed; Any variation can be due to digital medium of photography that is outside our control.
Mukaish Hand Embroidery with proper "ghutaai" - this means Mukaish embroidery has been rubbed using old technique of filling pebbles in a bottle and rubbing on the embroidery, instead of new age roller press method. This one method ensures long lasting Mukaish. In itself Mukaish is more sustainable craft that sequins or "salma sitaara" embroidery, as Mukaish never comes off, maintaing the look of the garment for much longer time.
Handloom Tussar Silk woven in Bhagalpur.
Azo Free, thrice filtered, dye
KHAYAL (moodboard): Jewel toned, lightly bling dupattas are an ode to the era gone by, of gossamer odhanis, delicately dusted with Mukaish embroidery, as the women of Lucknow rarely stepped out in anything that could be termed plain.
POSHAAK (about the dupatta): Handloom Tussar Silk Dupatta dyed in soft Brown shade and dusted lightly with Mukaish Daana Embroidery. Perfect for gifting & wearing on multiple festive or light occasions. The dupatta has crochet lace details.
Please note gemstone names to the product are given as a creative touch, for actual colour do see the photographs.
Please Note: On these dupattas, the Zari strip in the width has shifted a bit due to round frames of Mukaish embroidery; this is natural with round embroidery frames, and not a damage. The Zari borders are looking aesthetically pleasing. Please keep this into consideration before deciding to purchase.Â
Imp:
Colours like Red, Green, Blue tend to look different in different lights, that is the nature of some colours.
Colours may vary a bit, although they are all shot professionally in studio set up & closest colour has been photographed; Any variation can be due to digital medium of photography that is outside our control.
Gorgeous Ombre Pink Mukaish Kota Silk saree with daana embroidery done all over.
THE SUSTAINABILITY QUOTIENT (TSQ):
Fine quality heritage Mukaish Embroidery vis a vis thicker work prevalent in the market in general
Full ghutaai (rubbing the Mukaish) process in the traditional manner followed to make the work high quality & finished. Please note this process is most ignored or loosely done to cut costs.
High quality dye.
KHAYAL (moodboard): Padma is a Sanskrit name for Lotus. Amongst flowers, Lotus, has a cosmic significance in our culture, with the beautiful flower considered as as adornment for our deities like - Sri Lakshmi, Sri Vishnu, Sri Yamuna Maharani. Sri Lakshmi is also know as Padmavati - or the one who holds the Lotus; Sri Vishnu or Sri Krishna are called PadmaLochana - or the one with Lotus like soft eyes; Our deities are connected to this beautiful flower, as humans consider Lotus to be the grandest flower amongst them, and offer only the best to their deity. The colour of this saree is inspired by the various shades of Lotus seen in old paintings and descriptions of them in various scriptures.
POSHAAK (about the saree): Padma is a gorgeous Kota Silk Mukaish saree with Ombre pink dyeing technique, with the top portion of the saree being light onion pink, and graduating to dark berry pink, as we move towards the bottom part of the saree. The Gold Mukaish daana is heavier on palla of the saree, and lighter on the body. The gossamer Kota Silk fabric makes the saree look ethereal for Festive wear.
The saree will be finished with a Gold gota lace on the palla border of the saree only, and we will provide an additional 1 metre approx. Pure Mulberry Hadloom Silk Fabric in the darkest berry shade of the saree as Blouse Fabric.
IMP: Please note that slight variations in colour is possible due to Photography light in studio, and digital medium of viewing the piece. In full light in outdoors, the saree colour will look closest to the images shown here.