Artisan Skill Enhancement: The artisan unit that has embroidered this Chikankri Saree had never worked on a saree before or done skilled stitch work. They had never even worked on any pure fabric & only did "shadow" "phanda" stitches for fast moving Chikan goods. Such nuanced work enhanced their skill and gives them better chance of earning more.
Slow Layout of Embroidery: The embroidery layout is in typical style of an Heirloom saree with more designs and even Shadow work. This breaks away from the allover simple Tepchi embroidery that is the norm of fast moving Chikan work.
Non Motorised Amber Charkha Spun Fabric yarn.
Handwoven high count Cotton Saree
Azo Free filtered dyeing
Khayal (moodboard): Rajnigandha collection is inspired by Everyday Effortless charm of saree draping from 1970s-80s, when the ladies of our homes used to drape sarees for everyday chores, & not just for occasions. There was a certain careless abandon in this style, that made the drapes very relatable and one with the wearer, which is an emotion missing now from saree draping. Since the collection finds its muse in 1970s middle cinema heroines, like Vidya Sinha, the names are kept reminiscent of the romance of those ages!! Petrichor is the fragrance of Monsoon very dear to lovers of Slow Living, that is evocative of the simple yet soulful era!!
Poshaak (about the saree):
Beautiful & rare Peacock Motif along with a stunning floral shadow motif and Lotus creepers come together to celebrate this beautiful Chikankari saree. To create this one of a kind Tepchi with Shadow embroidery layout, we re-imagined this saree in the style of design layout that is usually reserved for pure georgette Chikankari sarees; only, we gave this a twist suited best for good quality Tepchi embroidery. Instead of an allover same embroidery pattern, that is normal with Tepchi, we broke the palla layout into interesting panels to include more nuanced motifs & even included a Shadow stitch motif. This makes the layout of the saree unique, and allows the artisans to enhance their skill in Tepchi embroidery. Please remember, that only constant practise and challenges makes crafts perfect.
We absolutely love Tepchi Chikankari. The delicate Tepchi is quite literally Summer embroidered on your saree.
However, off late the Tepchi we have started getting in markets is a travesty. You will be lucky to find a really good quality Tepchi for office or casual wear. We have worked very hard on this saree to create a fantastic Tepchi & some shadow work masterpiece, along with Handwoven fabric!! This is a true collector's delight.
The unconventional dark Old Rose (Brown with very faint hints of Pink) hue is stunning, all season fresh & outstanding , making it a perfect & must have Chikankari wear.
Creating a Chikankari saree on Handspun Handwoven Cotton weave was always our dream. We have been successful in finding the perfect sustainable drape for our delicately embroidered sarees.
It is a perfect light office/lunch/brunch/casual wear saree, yet one that will make heads turn. The drape is perfect for any weather.
IMP: Please Note, this is a Khadi Cotton saree, which is dyed after the embroidery. There will be non uniformity in colour gradation. This is the charm of Khadi and its differentiating factor.
Styling Tip: Wear with Rajnigandha Crop Top
Artisan Skill Enhancement: The artisan unit that has embroidered this Chikankri Saree had never worked on a saree before or done skilled stitch work. They had never even worked on any pure fabric & only did "shadow" "phanda" stitches for fast moving Chikan goods. Such nuanced work enhanced their skill and gives them better chance of earning more.
Slow Layout of Embroidery: The embroidery layout is in typical style of an Heirloom saree with more designs and even Shadow work. This breaks away from the allover simple Tepchi embroidery that is the norm of fast moving Chikan work.
Non Motorised Amber Charkha Spun Fabric yarn.
Handwoven high count Cotton Saree
Azo Free filtered dyeing
Khayal (moodboard): Rajnigandha collection is inspired by Everyday Effortless charm of saree draping from 1970s-80s, when the ladies of our homes used to drape sarees for everyday chores, & not just for occasions. There was a certain careless abandon in this style, that made the drapes very relatable and one with the wearer, which is an emotion missing now from saree draping. Since the collection finds its muse in 1970s middle cinema heroines, like Vidya Sinha, the names are kept reminiscent of the romance of those ages!! Badra (Monsoon Clouds) is a slice of life name, that is evocative of the simple yet soulful era!!
Poshaak (about the saree):
Beautiful & rare Peacock Motif along with a stunning floral shadow motif and Lotus creepers come together to celebrate this beautiful Chikankari saree. To create this one of a kind Tepchi with Shadow embroidery layout, we re-imagined this saree in the style of design layout that is usually reserved for pure georgette Chikankari sarees; only, we gave this a twist suited best for good quality Tepchi embroidery. Instead of an allover same embroidery pattern, that is normal with Tepchi, we broke the palla layout into interesting panels to include more nuanced motifs & even included a Shadow stitch motif. This makes the layout of the saree unique, and allows the artisans to enhance their skill in Tepchi embroidery. Please remember, that only constant practise and challenges makes crafts perfect.
We absolutely love Tepchi Chikankari. The delicate Tepchi is quite literally Summer embroidered on your saree.
However, off late the Tepchi we have started getting in markets is a travesty. You will be lucky to find a really good quality Tepchi for office or casual wear. We have worked very hard on this saree to create a fantastic Tepchi & some shadow work masterpiece, along with Handwoven fabric!! This is a true collector's delight.
The unconventional Indigo hue is stunning, all season fresh & outstanding , making it a perfect & must have Chikankari wear.
Creating a Chikankari saree on Handspun Handwoven Cotton weave was always our dream. We have been successful in finding the perfect sustainable drape for our delicately embroidered sarees.
This is a new design introduced this year. It is a perfect light office/lunch/brunch/casual wear saree, yet one that will make heads turn. The drape is perfect for any weather.
IMP: Please Note, this is a Khadi Cotton saree, which is dyed after the embroidery. There will be non uniformity in colour gradation. This is the charm of Khadi and its differentiating factor.
Styling Tip: Wear with Rajnigandha Crop Top
Beautiful Mukaish Kurta Fabric on Leheriya, accompanied by a dupatta to make one of a kind set that harks to the antique Awadhi Couture style, when ladies of the erstwhile royal kingdom, wore Leheriya adorned with Mukaish embroidery! This piece however has travelled to 3 Indian states to complete its journey
The Sustainability Quotient (TSQ):
Mukaish Hand Embroidery in Honeycomb pattern following all processes from 'kadhai' (embroidery) to 'ghutaai' (rubbing of embroidery using glass bottle to set it) done by artisan cluster of Lucknow, Uttar Pradesh.
Leheriya hand resist tie & dye done by artisan cluster of Rajasthan.
Handloom Chanderi fabric woven by weaver cluster in Chanderi, Madhya Pradesh.
Re creation of an archival style of Craft Confluence, prevalent in Nawab Era.
KHAYAL (mood-board): The Honeycomb reflects nature's best lesson of Singularity Pattern - there is always a loop left open from where the possibility to Re-Start exists!! Isn't that thought reflective of Human Power of Resilience? The Hive Mind. The Collective Consciousness. When done on the Leheriya pattern, that denotes Sands of Time, it creates a profound wearable art, and one that was very much worn in late 17th Century too!
POSHAAK (about the garment): The Kurta fabric is Leheriya pattern in beautiful hues of Lime Green. On top of this, honeycomb pattern Mukaish embroidery has been done, that enhances the beauty of this artisanal fabric. The dupatta is plain Chanderi with Mukaish in Lime Green, to help break the monotony and keep the attention on the tunic.
We will stitch the kurta for you, if you desire.
NOTE: STITCHING OF KURTA IS COMPLIMENTARY. We will stitch straight Kurta only with allover soft high quality cotton lining & in our set Kurta Style (Please check Flax Cotton Chikankari Kurta to see style of stitching only). You can also opt for Fabric Only. Mention your size as per uploaded size chart in the Checkout note.
IMP: The fabric is hand tied & dyed Leheriya, hence the colour will be non uniform. That is the nature and the charm of the craft. The dupatta will be closest match, as that is single dyed and not Leheriya. This is the unique charm of an artisanal piece.
Beautiful Mukaish Kurta Fabric on Leheriya, accompanied by a dupatta to make one of a kind set that harks to the antique Awadhi Couture style, when ladies of the erstwhile royal kingdom, wore Leheriya adorned with Mukaish embroidery! This piece however has travelled to 3 Indian states to complete its journey
(Please note that the Grey will have tones of Blue also in it. This is the nature of Leheriya craft. In different lights it looks slightly different with Grey & Blue interplaying)
The Sustainability Quotient (TSQ):
Mukaish Hand Embroidery in Honeycomb pattern following all processes from 'kadhai' (embroidery) to 'ghutaai' (rubbing of embroidery using glass bottle to set it) done by artisan cluster of Lucknow, Uttar Pradesh.
Leheriya hand resist tie & dye done by artisan cluster of Rajasthan.
Handloom Chanderi fabric woven by weaver cluster in Chanderi, Madhya Pradesh.
Re creation of an archival style of Craft Confluence, prevalent in Nawab Era.
KHAYAL (mood-board): The Honeycomb reflects nature's best lesson of Singularity Pattern - there is always a loop left open from where the possibility to Re-Start exists!! Isn't that thought reflective of Human Power of Resilience? The Hive Mind. The Collective Consciousness. When done on the Leheriya pattern, that denotes Sands of Time, it creates a profound wearable art, and one that was very much worn in late 17th Century too!
POSHAAK (about the garment): The Kurta fabric is Leheriya pattern in beautiful hues of Grey with Blue undertones. On top of this, honeycomb pattern Mukaish embroidery has been done, that enhances the beauty of this artisanal fabric. The dupatta is plain Chanderi with Mukaish in dark Monsoon Cloud Grey, to help break the monotony and keep the attention on the tunic.
We will stitch the kurta for you, if you desire.
NOTE: STITCHING OF KURTA IS COMPLIMENTARY. We will stitch straight Kurta only with allover soft high quality cotton lining & in our set Kurta Style (Please check Flax Cotton Chikankari Kurta to see style of stitching only). You can also opt for Fabric Only. Mention your size as per uploaded size chart in the Checkout note.
IMP: The fabric is hand tied & dyed Leheriya, hence the colour will be non uniform. That is the nature and the charm of the craft. The dupatta will be closest match, as that is single dyed and not Leheriya. This is the unique charm of an artisanal piece.
Beautiful Mukaish Kurta Fabric on Leheriya, accompanied by a dupatta to make one of a kind set that harks to the antique Awadhi Couture style, when ladies of the erstwhile royal kingdom, wore Leheriya adorned with Mukaish embroidery! This piece however has travelled to 3 Indian states to complete its journey
The Sustainability Quotient (TSQ):
Mukaish Hand Embroidery in Honeycomb pattern following all processes from 'kadhai' (embroidery) to 'ghutaai' (rubbing of embroidery using glass bottle to set it) done by artisan cluster of Lucknow, Uttar Pradesh.
Leheriya hand resist tie & dye done by artisan cluster of Rajasthan.
Handloom Chanderi fabric woven by weaver cluster in Chanderi, Madhya Pradesh.
Re creation of an archival style of Craft Confluence, prevalent in Nawab Era.
KHAYAL (mood-board): The Honeycomb reflects nature's best lesson of Singularity Pattern - there is always a loop left open from where the possibility to Re-Start exists!! Isn't that thought reflective of Human Power of Resilience? The Hive Mind. The Collective Consciousness. When done on the Leheriya pattern, that denotes Sands of Time, it creates a profound wearable art, and one that was very much worn in late 17th Century too!
POSHAAK (about the garment): The Kurta fabric is Leheriya pattern in beautiful hues of Orange. On top of this, honeycomb pattern Mukaish embroidery has been done, that enhances the beauty of this artisanal fabric. The dupatta is plain Chanderi with Mukaish in Orange, to help break the monotony and keep the attention on the tunic.
We will stitch the kurta for you, if you desire.
NOTE: STITCHING OF KURTA IS COMPLIMENTARY. We will stitch straight Kurta only with allover soft high quality cotton lining & in our set Kurta Style (Please check Flax Cotton Chikankari Kurta to see style of stitching only). You can also opt for Fabric Only. Mention your size as per uploaded size chart in the Checkout note.
IMP: The fabric is hand tied & dyed Leheriya, hence the colour will be non uniform. That is the nature and the charm of the craft. The dupatta will be closest match, as that is single dyed and not Leheriya. This is the unique charm of an artisanal piece.
Golden Trellis is our heirloom collection of Mukaish work that was historically done once upon a time in Awadh region, but is not done any more. Golden Trellis is a result of, one of the many research projects we are working upon simultaneously. We know some might not see light of the day (although we firmly believe that everything can be revived if we just have the right patience and the will to keep going), some will prove to be false tales - a mirage of a narrative built for dramatic value and nothing more...but some, like Golden Trellis will be a reality that can be translated to fabric yet again, even if in a small way, or a shadow of its one time glory...at least there will be a start.
Golden Trellis is part of the Art & Antiquities Project undertaken by Meiraas.The Sustainability Quotient (TSQ):
Heritage Mukaish work re created: This work is known as Gukhru work. It has not been done in India or is extremely rarely done anymore. This is overlapping mesh Jaali work done in Mukaish. Its karigars are not alive now, and some of the karigars who learnt this art do not work in India. This was re created when one of them came on a small visit to his family in India. He has taught some amount of work to our small group of artisans in Lucknow. This work was historically done in Lucknow only. What can be better sustainability than finding out a lost artwork in a craft & helping revive it again to wearable pieces, & most importantly in pieces that can be part of today's Heritage Builders' private collection; this will ensure the craft's continued sustainability.
Mukaish Hand Embroidery with proper "ghutaai" - this means Mukaish embroidery has been rubbed using old technique of filling pebbles in a bottle and rubbing on the embroidery, instead of new age roller press method. This one method ensures long lasting Mukaish. In itself Mukaish is more sustainable craft that sequins or "salma sitaara" embroidery, as Mukaish never comes off, maintaining the look of the garment for much longer time.
KHAYAL (moodboard): Poetry etched in fabric, Golden Trellis alludes to the once opulent courts of the ancient royalties of India. Trellis is the jaali like window pattern, a signature architecture in heritage monuments of the Golden Era. This museum quality piece of legacy bound, wearable art will a pride for any one who owns it.
POSHAAK (about the dupatta): Pure Organza Silk Dupatta embroidered beautifully with the rare & precious Golden Kairi (Paisley). This is a very complex embroidery where Mukaish wires are embroidered one on top of another to make a mesh trellis patten & is then interlocked within a ring. The back of this dupatta (3rd image) leaves the onlooker startled with the dexterity that would have been employed. It is like "weaving" embroidery within the fabric! Even in this miniature motif, the craftsmanship is unbelievable. A historic dupatta, that will always be the pride of the owner & will remain as part of handpicked private collection.
Artisan Skill Enhancement: Very fine quality motif work, that involves more skilled work quality done with lesser filaments. The design layout also facilitates more skilled workmanship.
Khayal (moodboard):"Rajnigandha Collection was born out of my love of 70s effortless and relatable genre of Hindi Cinema, and the look of the heroines of such films, who felt closer to the women in my family & around me – my mother, my aunts, my teachers – all of whom were heroines in their own life, and were changing the societal mindset, to accept women who knew their mind, could go out & work, or homemakers who needed personal time, have a life and defined choices, while taking their family along in this journey. It was an interesting time!!
Rajnigandha was especially chosen for Chikankari sarees, because they were heavily worn by women of all age groups in Lucknow, light worked ones and heavier Tepchi ones in pretty sorbet & pastel shades.
The collection is also my heart collective, as it involves Artisan Skill Enhancement at each level, along with using good quality handwoven cotton fabric, all of which is fast disappearing from Chikankari everyday sarees."- Vidhi Rastogi, Head of Creative, MeiraasPoshaak (about the saree): This lovely Bakhiya (shadow) Phanda (French knot) embroidery fresh Blue saree has a unique border display with multiple border usage on palla and a very fine border with keel kangan stitch, running through the saree.
Extremely fine quality shadow embroidery on palla, enhances the look of this beautiful saree. The rest of body has Frangipani blossoms embroidered on its body, making it one of a kind saree.
It is a perfect light office/lunch/brunch/casual wear saree, yet one that will make heads turn. The drape is perfect for any weather.
Imp: Please Note, this is a Khadi Cotton saree, which is dyed after the embroidery. There will be non uniformity in colour gradation. This is the charm of Khadi and its differentiating factor.
Note: Colours might show slight difference in different light. That is due to nature of colour, light under which it is viewed, and various factors. Please bear these factors in mind when making the selection.
Artisan Skill Enhancement: Very fine quality motif work, that involves more skilled work quality done with lesser filaments. The design layout also facilitates more skilled workmanship.
Khayal (moodboard):"Rajnigandha Collection was born out of my love of 70s effortless and relatable genre of Hindi Cinema, and the look of the heroines of such films, who felt closer to the women in my family & around me – my mother, my aunts, my teachers – all of whom were heroines in their own life, and were changing the societal mindset, to accept women who knew their mind, could go out & work, or homemakers who needed personal time, have a life and defined choices, while taking their family along in this journey. It was an interesting time!!
Rajnigandha was especially chosen for Chikankari sarees, because they were heavily worn by women of all age groups in Lucknow, light worked ones and heavier Tepchi ones in pretty sorbet & pastel shades.
The collection is also my heart collective, as it involves Artisan Skill Enhancement at each level, along with using good quality handwoven cotton fabric, all of which is fast disappearing from Chikankari everyday sarees."- Vidhi Rastogi, Head of Creative, MeiraasPoshaak (about the saree): This lovely Sandalwood Yellow Chikankari saree has a very unique palla design, that features, Orma stitch along with shadow and phanda, with very intense and skilled designing.
The palla, further opens into a diagonal criss cross pattern of embroidery, reminiscent of sarees that were popular in the craft in 1980s-90s, in good quality cotton. The border detailing is done very painstakingly with well done shadow embroidery.
Extremely fine quality of embroidery on each motif of the saree, enhances its beautiful look. The rest of body has floral blossoms embroidered on its body, making it one of a kind saree.
It is a perfect light office/lunch/brunch/casual wear saree, yet one that will make heads turn. The drape is perfect for any weather.
Imp: Please Note, this is a Khadi Cotton saree, which is dyed after the embroidery. There will be non uniformity in colour gradation. This is the charm of Khadi and its differentiating factor.
Note: Colours might show slight difference in different light. That is due to nature of colour, light under which it is viewed, and various factors. Please bear these factors in mind when making the selection.
Artisan Skill Enhancement: Very fine quality motif work, that involves more skilled work quality done with lesser filaments. The design layout also facilitates more skilled workmanship.
Novel design motif of scallop in Chikankari, conceptualised and created exclusively by Meiraas
Khayal (moodboard):"Rajnigandha Collection was born out of my love of 70s effortless and relatable genre of Hindi Cinema, and the look of the heroines of such films, who felt closer to the women in my family & around me – my mother, my aunts, my teachers – all of whom were heroines in their own life, and were changing the societal mindset, to accept women who knew their mind, could go out & work, or homemakers who needed personal time, have a life and defined choices, while taking their family along in this journey. It was an interesting time!!
Rajnigandha was especially chosen for Chikankari sarees, because they were heavily worn by women of all age groups in Lucknow, light worked ones and heavier Tepchi ones in pretty sorbet & pastel shades.
The collection is also my heart collective, as it involves Artisan Skill Enhancement at each level, along with using good quality handwoven cotton fabric, all of which is fast disappearing from Chikankari everyday sarees."- Vidhi Rastogi, Head of Creative, MeiraasPoshaak (about the saree): This lovely Bakhiya (shadow) Phanda (French knot) embroidered Coral Orange saree has Meiraas Exclusive Scallop motif, that runs all through the border and palla of the saree. This unique motif gives a delightful toran like appearance to the design layout of the saree.
The palla, further has a rectangle window layout, inside and outside of which we have used a mix of beautiful floral motifs to bring out the feeling of Tesu season, when not just the flaming orange blossoms of Holi, but also various flowers around them are in full bloom.
Extremely fine quality shadow embroidery on palla, enhances the look of this beautiful saree. The rest of body has floral blossoms embroidered on its body, making it one of a kind saree.
It is a perfect light office/lunch/brunch/casual wear saree, yet one that will make heads turn. The drape is perfect for any weather.
Imp: Please Note, this is a Khadi Cotton saree, which is dyed after the embroidery. There will be non uniformity in colour gradation. This is the charm of Khadi and its differentiating factor.
Note: Colours might show slight difference in different light. That is due to nature of colour, light under which it is viewed, and various factors. Please bear these factors in mind when making the selection.
Artisan Skill Enhancement: Very fine quality motif work, that involves more skilled work quality done with lesser filaments. The design layout also facilitates more skilled workmanship.
Khayal (moodboard):"Rajnigandha Collection was born out of my love of 70s effortless and relatable genre of Hindi Cinema, and the look of the heroines of such films, who felt closer to the women in my family & around me – my mother, my aunts, my teachers – all of whom were heroines in their own life, and were changing the societal mindset, to accept women who knew their mind, could go out & work, or homemakers who needed personal time, have a life and defined choices, while taking their family along in this journey. It was an interesting time!!
Rajnigandha was especially chosen for Chikankari sarees, because they were heavily worn by women of all age groups in Lucknow, light worked ones and heavier Tepchi ones in pretty sorbet & pastel shades.
The collection is also my heart collective, as it involves Artisan Skill Enhancement at each level, along with using good quality handwoven cotton fabric, all of which is fast disappearing from Chikankari everyday sarees."- Vidhi Rastogi, Head of Creative, MeiraasPoshaak (about the saree): This lovely Bakhiya (shadow) Phanda (French knot) embroidery Pink saree has a unique border display with multiple border usage on palla and a very fine border with keel kangan stitch, running through the saree.
Extremely fine quality shadow embroidery on palla, enhances the look of this beautiful saree. The rest of body has Frangipani blossoms embroidered on its body, making it one of a kind saree.
It is a perfect light office/lunch/brunch/casual wear saree, yet one that will make heads turn. The drape is perfect for any weather.
Imp: Please Note, this is a Khadi Cotton saree, which is dyed after the embroidery. There will be non uniformity in colour gradation. This is the charm of Khadi and its differentiating factor.
Note: Colours might show slight difference in different light. That is due to nature of colour, light under which it is viewed, and various factors. Please bear these factors in mind when making the selection.
Artisan Skill Enhancement: Very fine quality motif work, that involves more skilled work quality done with lesser filaments. The design layout also facilitates more skilled workmanship.
Khayal (moodboard):"Rajnigandha Collection was born out of my love of 70s effortless and relatable genre of Hindi Cinema, and the look of the heroines of such films, who felt closer to the women in my family & around me – my mother, my aunts, my teachers – all of whom were heroines in their own life, and were changing the societal mindset, to accept women who knew their mind, could go out & work, or homemakers who needed personal time, have a life and defined choices, while taking their family along in this journey. It was an interesting time!!
Rajnigandha was especially chosen for Chikankari sarees, because they were heavily worn by women of all age groups in Lucknow, light worked ones and heavier Tepchi ones in pretty sorbet & pastel shades.
The collection is also my heart collective, as it involves Artisan Skill Enhancement at each level, along with using good quality handwoven cotton fabric, all of which is fast disappearing from Chikankari everyday sarees."- Vidhi Rastogi, Head of Creative, MeiraasPoshaak (about the saree): This lovely Bakdhiya Phanda lavendar colour saree has a dense, yet very neatly embroidered, shadow palla of floral embroidery. Two branches of flowers emerge in a diagonal pattern to give more body & design to the palla layout.
Rest of the body has a running border and floral bootis scattered all through.
It is a perfect light office/lunch/brunch/casual wear saree, yet one that will make heads turn. The drape is perfect for any weather.
Imp: Please Note, this is a Khadi Cotton saree, which is dyed after the embroidery. There will be non uniformity in colour gradation. This is the charm of Khadi and its differentiating factor.
Note: Colours might show slight difference in different light. That is due to nature of colour, light under which it is viewed, and various factors. Please bear these factors in mind when making the selection.
Artisan Skill Enhancement: The artisan unit that has embroidered this Chikankri Saree had never worked on a saree before or done skilled stitch work. They had never even worked on any pure fabric and had only done "shadow" "phanda" stitches for fast moving Chikankari goods. Such nuanced work enhanced their skill and gives them a better chance of earning more.
Slow Layout of Embroidery: The embroidery layout is in typical style of an Heirloom saree with varied designs and Shadow work, along with it, which is rarely seen. This breaks away from the 'allover' simple Tepchi embroidery that is the norm of fast moving Chikankari work, and is done by 5-6 chutkis (embroidery girls). In contrast, this saree is made by 2 skilled artisans only.
Non Motorised Amber Charkha Spun Fabric yarn.
Handwoven high count Cotton Saree
Azo Free filtered dyeing
100% hand carved block printed motifs only
Khayal (moodboard): The Rajnigandha collection is inspired by Everyday Effortless charm of saree draping from 1970s-80s, when the ladies of our homes used to drape sarees for everyday chores, and not just for occasions. There was a certain careless abandon in this style, that made the drapes very relatable and one with the wearer, which is an emotion missing now from saree draping. Since the collection finds its muse in 1970s slice of life cinema heroines, like Vidya Sinha, the names are kept reminiscent of the romance of those ages!! Geeli Mehendi (Wet Palms with Henna) is a name, that is evocative of the simple yet soulful era!!
Poshaak (about the saree):
To create this one of a kind Tepchi with Shadow embroidery layout, we re-imagined this saree in the style of design layout that is usually reserved for pure georgette Chikankari sarees; only, we gave this a twist suited best for good quality Tepchi embroidery. Instead of an 'allover' same embroidery pattern, that is usual with Tepchi, we broke the palla layout into interesting panels to include more nuanced motifs and even included a Shadow stitch motif. This makes the layout of the saree unique, and allows the artisans to enhance their skill in Tepchi embroidery. As is well know, that only constant practise and challenges makes the craft perfect.
We absolutely love Tepchi Chikankari. The delicate Tepchi is quite literally Summer embroidered on your saree.
The Dark Green Brown Mehendi hue is a mood lifter and outstanding , making it a perfect and must have as a connoisseur.
Creating a Chikankari saree on Handspun Handwoven Cotton weave was always our dream. We have been successful in finding the perfect sustainable drape for our delicately embroidered sarees.
This is our Bestseller Saree since year 2020, and has been brought back into stock 5th time now. It is a perfect light office/lunch/brunch/casual wear saree, yet one that will make heads turn. The drape is perfect for any weather.
Imp: Please Note, this is a Khadi Cotton saree, which is dyed after the embroidery. There will be non uniformity in colour gradation. This is the charm of Khadi and its differentiating factor.
Note: Colours might show slight difference in different light. That is due to nature of colour, light under which it is viewed, and various factors. Please bear these factors in mind when making the selection.
We know you love to wait for Meiraas creations, but some situations require you to reach out to us for pieces that are Ready to be Shipped. For the ease of our patrons, we are compiling them in this section.